| 1950 |
Once a Thief |
W. Lee Wilder |
|
|
|
|
| 1950 |
The Fuller Brush Girl |
Ideal Pictures Inc |
85 min |
16mm |
B&W |
sound |
| 1950 |
The Fuller Brush Girl. |
Columbia Pictures Corp. |
85 min. |
35mm |
B&W |
sound |
| 1950 |
The Man Who Cheated Himself. |
Twentieth Century-Fox Film Corp |
81 min. |
35mm |
B&W |
sound |
| 1950 |
The Texan Meets Calamity Jane. |
Columbia Pictures Corp. |
71 min. |
35mm |
Color |
sound |
| 1950 |
The Wooden Horse |
Jack Lee |
|
|
|
|
| 1949 |
Abbott & Costello Meet Frankenstein |
Universal Pictures Co. Inc. |
83 min. |
16mm |
B&W |
sound |
| 1949 |
Comin' Round The Mountain. |
Charles Lamont |
7 min |
35mm |
B&W |
sound |
| 1949 |
Fallen idol |
directed and produced by Carol Reed. |
92 |
16mm |
B&W |
sound |
| 1949 |
Little Red Riding Hood. |
wahmann-hand-puppets-mary-helen-wahmann-lathrop-and-emma-lee-wahmann-keel |
650 ft. |
16mm |
B&W |
|
| 1949 |
Roseanna Mccoy. |
Irving Reis, Nicholas Ray |
89 min. |
35mm |
B&W |
sound |
| 1949 |
Tarzan's magic fountain. |
Lee Sholem |
2367 |
16mm |
B&W |
sound |
| 1949 |
The Third Man. |
London Film Productions |
93 min. |
35mm |
B&W |
sound |
| 1949 |
The Vicious Circle |
Contemporary Films |
|
16mm |
B&W |
sound |
| 1949 |
The Window |
RKO Radio Pictures Inc |
1:13:00 |
16mm |
B&W |
sound |
| 1949 |
Thieves' Highway |
Jules Dassin |
94 |
|
B&W |
|
| 1949 |
Thieves’ Highway. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
B&W |
sound |
| 1948 |
Abbott and Costello meet Frankenstein |
Castle Films |
1600 |
|
B&W |
|
| 1948 |
CAMPUS HONEYMOON |
Richard Sale |
|
16mm |
Color |
sound |
| 1948 |
Corridor Of Mirrors. |
Apollo Films |
12 reels |
35mm |
B&W |
sound |
| 1948 |
Fort Apache |
John Ford |
1:28 |
|
B&W |
|
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Hamlet |
LCA |
153 min |
16mm |
B&W |
|
| 1948 |
Hamlet |
Anvil Film and Recording Group Ltd |
150 min |
|
B&W |
|
| 1948 |
Inner Sanctum. |
National Broadcasting Co. Inc. |
26 min. |
16mm |
B&W |
sound |
| 1948 |
Mother's day |
Farallon Films presents ; a film by James Broughton ; assisted by Kermit Sheets. |
22 |
16mm |
B&W |
sound |
| 1948 |
ONE NIGHT WITH YOU |
Two Cities Films Ltd. |
92 min |
16mm |
B&W |
sound |
| 1948 |
One Night With You. |
Two Cities Films Ltd. |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Portrait Of Jennie. |
William Dieterle |
86 min. |
35mm |
B&W |
sound |
| 1948 |
Scott Of The Antarctic. |
Charles Frend |
111 min |
35mm |
Color |
sound |
| 1948 |
Tarzan's Magic Fountain. |
Lee Sholem |
73 min. |
35mm |
B&W |
sound |
| 1948 |
The Fallen Idol |
Carol Reed |
95 |
16mm |
B&W |
sound |
| 1948 |
The Fallen Idol. |
Carol Reed |
94 min. |
35mm |
B&W |
sound |
| 1948 |
The Monkey's Paw |
Norman Lee |
|
|
|
|
| 1948 |
The Vicious Circle. |
W. Lee Wilder |
77 min. |
35mm |
B&W |
sound |
| 1948 |
Woman In The Hall. |
Jack Lee |
93 min. |
35mm |
B&W |
sound |
| 1947 |
A Ferry Boat that Has No Owner |
Lee Gyu-hwan |
|
|
|
|
| 1947 |
A Story of the Day after Arirang |
Lee Gu-yeong |
|
|
|
|
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
Duel in the Sun |
Selznick International Pictures Inc |
2:10:00 |
16mm |
Color |
sound |
| 1947 |
Jack Armstrong. |
Wallace Fox |
2 reels |
35mm |
B&W |
sound |
| 1947 |
Namatjira, The Painter |
Film Australia |
|
16mm |
|
sound |
| 1947 |
Nongjungjo |
Lee Gyu-seol |
|
|
|
|
| 1947 |
The Paradine Case. |
unknown |
132 min |
35mm |
B&W |
sound |
| 1947 |
The Pretender. |
W. Lee Wilder |
69 min. |
35mm |
B&W |
sound |
| 1947 |
Whispering City |
Fedor Ozep |
98 |
|
B&W |
|
| 1947 |
Yankee Fakir. |
W. Lee Wilder |
71 min. |
35mm |
B&W |
sound |
| 1946 |
G. I. WAR BRIDES. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Queen Of The Amazons. |
Edward Finney |
61 min. |
35mm |
B&W |
sound |
| 1946 |
Son Of The Guardsman. |
Derwin Abrahams |
2 reels |
35mm |
B&W |
sound |