| 1943 |
Stage Door Canteen. |
Frank Borzage |
14 reels |
|
Color & B&W |
|
| 1943 |
THE POWERS GIRL. |
Norman Z. McLeod |
|
16mm |
B&W |
sound |
| 1943 |
The Powers Girl. |
Norman Z. McLeod |
93 min. |
|
B&W |
|
| 1943 |
Tiger Fangs |
Sam Newfield |
|
|
B&W |
|
| 1944 |
Belle Of The Yukon. |
William A. Seiter |
84 min. |
|
B&W |
sound |
| 1944 |
Cover girl |
Columbia Pictures Corp. (Publisher) |
1:47:00 |
16mm |
Color |
sound |
| 1944 |
Cover Girl. |
Columbia Picture Corp |
107 min |
16mm |
Color |
sound |
| 1944 |
Cowboy And The Senorita. |
Joseph Kane |
8 reels |
|
B&W |
|
| 1944 |
See My Lawyer. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Shadow Of Suspicion. |
William Beaudine |
7 reels |
|
Color & B&W |
|
| 1944 |
Summer Storm. |
Douglas Sirk |
106 min |
|
B&W |
|
| 1944 |
The Bridge Of San Luis Rey. |
Rowland V. Lee |
107 min |
|
B&W |
|
| 1944 |
The Desert Hawk. |
B. Reeves Eason |
2 reels |
|
B&W |
|
| 1945 |
Betrayal From The East. |
William Berke |
82 min. |
|
B&W |
|
| 1945 |
Keep Your Powder Dry. |
Edward Buzzell |
10 reels |
|
B&W |
sound |
| 1945 |
Mildred Pierce. |
Michael Curtiz |
111 min |
|
B&W |
|
| 1945 |
She Wouldn't Say Yes. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1945 |
Sing Your Way Home. |
Anthony Mann |
72 min. |
|
B&W |
|
| 1945 |
Stairway to Light |
Metro-Goldwyn-Mayer |
11 |
16mm |
B&W |
|
| 1945 |
The Monster And The Ape. |
Howard Bretherton |
2 reels |
|
B&W |
|
| 1945 |
The story with two endings |
produced by 20th Century-Fox ; screenplay by Harold Buchman and Louis Solomon ; directed by Lee Strasberg. |
10 |
16mm |
B&W |
sound |
| 1945 |
The White Gorilla |
Harry L. Fraser |
|
|
B&W |
|
| 1945 |
The White Gorilla. |
Harry L. Fraser |
6 reels |
|
B&W |
|
| 1945 |
Tonight And Every Night. |
Victor Saville |
9 reels |
|
Color & B&W |
sound |
| 1946 |
G. I. WAR BRIDES. |
George Blair |
8 reels |
35mm |
Color |
sound |
| 1946 |
Queen Of The Amazons. |
Edward Finney |
61 min. |
35mm |
B&W |
sound |
| 1946 |
Son Of The Guardsman. |
Derwin Abrahams |
2 reels |
35mm |
B&W |
sound |
| 1946 |
The Searching Wind. |
William Dieterle |
12 reels |
35mm |
B&W |
sound |
| 1946 |
The Walls Came Tumbling Down. |
Lothar Mendes |
9 reels |
|
B&W |
sound |
| 1947 |
A Ferry Boat that Has No Owner |
Lee Gyu-hwan |
|
|
|
|
| 1947 |
A Story of the Day after Arirang |
Lee Gu-yeong |
|
|
|
|
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
Duel in the Sun |
Selznick International Pictures Inc |
2:10:00 |
16mm |
Color |
sound |
| 1947 |
Jack Armstrong. |
Wallace Fox |
2 reels |
35mm |
B&W |
sound |
| 1947 |
Namatjira, The Painter |
Film Australia |
|
16mm |
|
sound |
| 1947 |
Nongjungjo |
Lee Gyu-seol |
|
|
|
|
| 1947 |
The Paradine Case. |
unknown |
132 min |
35mm |
B&W |
sound |
| 1947 |
The Pretender. |
W. Lee Wilder |
69 min. |
35mm |
B&W |
sound |
| 1947 |
Whispering City |
Fedor Ozep |
98 |
|
B&W |
|
| 1947 |
Yankee Fakir. |
W. Lee Wilder |
71 min. |
35mm |
B&W |
sound |
| 1948 |
Abbott and Costello meet Frankenstein |
Castle Films |
1600 |
|
B&W |
|
| 1948 |
CAMPUS HONEYMOON |
Richard Sale |
|
16mm |
Color |
sound |
| 1948 |
Corridor Of Mirrors. |
Apollo Films |
12 reels |
35mm |
B&W |
sound |
| 1948 |
Fort Apache |
John Ford |
1:28 |
|
B&W |
|
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Hamlet |
LCA |
153 min |
16mm |
B&W |
|
| 1948 |
Hamlet |
Anvil Film and Recording Group Ltd |
150 min |
|
B&W |
|
| 1948 |
Inner Sanctum. |
National Broadcasting Co. Inc. |
26 min. |
16mm |
B&W |
sound |
| 1948 |
Mother's day |
Farallon Films presents ; a film by James Broughton ; assisted by Kermit Sheets. |
22 |
16mm |
B&W |
sound |
| 1948 |
ONE NIGHT WITH YOU |
Two Cities Films Ltd. |
92 min |
16mm |
B&W |
sound |