| 1939 |
The Sun Never Sets |
Allegro Film Productions |
97 min |
16mm |
B&W |
sound |
| 1939 |
The sun never sets. |
Universal Pictures Co. Inc. |
10 reels |
16mm |
B&W |
sound |
| 1939 |
Tower of London |
Rowland V. Lee |
|
|
|
|
| 1940 |
Angels Over Broadway. |
Ben Hecht, Lee Garmes |
8 reels |
|
B&W |
|
| 1940 |
Barnyard Follies. |
Frank McDonald |
8 reels |
|
Color |
|
| 1940 |
FOREIGN CORRESPONDENT |
Alfred Hitchcock |
115 min |
|
B&W |
|
| 1940 |
Foreign Correspondent. |
Alfred Hitchcock |
13 reels |
16mm |
B&W |
|
| 1940 |
Gold Rush Maisie. |
Edwin L. Marin |
8 reels |
|
B&W |
sound |
| 1940 |
London Can Take It |
Humphrey Jennings, Harry Watt |
9 min |
|
B&W |
|
| 1940 |
LONDON CAN TAKE IT! |
Crown Film Unit |
2:50 |
16mm |
B&W |
sound |
| 1940 |
Millionaires In Prison. |
Ray McCarey |
64 min. |
|
B&W |
|
| 1940 |
Nobody's Children. |
Charles Barton |
7 reels |
|
|
|
| 1940 |
Return to yesterday. |
Robert Stevenson |
|
16mm |
B&W |
sound |
| 1940 |
The Biscuit Eater. |
Stuart Heisler |
8 reels |
|
B&W |
|
| 1940 |
The Last Alarm. |
Billy West |
7 reels |
|
B&W |
|
| 1940 |
Wyoming. |
Richard Thorpe |
9 reels |
|
B&W |
|
| 1941 |
FATHER TAKES A WIFE. |
RKO Radio Pictures |
79 min |
16mm |
B&W |
sound |
| 1941 |
Holt Of The Secret Service. |
James W. Horne |
2 reels |
|
B&W |
|
| 1941 |
Honeymoon For Three. |
Lloyd Bacon |
8 reels |
|
B&W |
|
| 1941 |
How Green Was My Valley. |
John Ford |
10730 ft. |
|
B&W |
|
| 1941 |
Jesse James at bay. |
Republic Pictures Corporation |
6 reels |
16mm |
B&W |
sound |
| 1941 |
Married Bachelor. |
Norman Taurog, Edward Buzzell |
8 reels |
|
B&W |
sound |
| 1941 |
My Life With Caroline. |
Lewis Milestone |
81 min. |
|
B&W |
|
| 1941 |
Ridin' on a rainbow. |
Republic Pictures Corporation |
1825 |
16mm |
B&W |
sound |
| 1941 |
The Iron Claw. |
James W. Horne |
2 reels |
|
B&W |
|
| 1941 |
The Maltese Falcon. |
Warner Bros. Pictures Inc. |
100 min |
16mm |
B&W |
sound |
| 1941 |
The singing hill. |
Republic Pictures Corporation |
1825 |
16mm |
B&W |
sound |
| 1941 |
This Thing Called Love. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1942 |
Captain Midnight. |
James W. Horne |
2 reels |
|
B&W |
|
| 1942 |
Henry Browne, Farmer |
U.S. Department of Agriculture |
10 min |
16mm |
B&W |
sound |
| 1942 |
Pacific Rendezvous. |
George Sidney |
7 reels |
|
B&W |
sound |
| 1942 |
PENNSYLVANIA POLKA |
|
1:00 |
16mm |
|
sound |
| 1942 |
Perils Of The Royal Mounted. |
James W. Horne |
2 reels |
|
B&W |
|
| 1942 |
Powder Town. |
Rowland V. Lee |
79 min. |
|
B&W |
|
| 1942 |
The farmer's wife. |
Norman Lee |
2:50 |
16mm |
B&W |
sound |
| 1942 |
The Pay Off |
Arthur Dreifuss |
|
|
|
|
| 1942 |
The Secret Code. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
The Valley Of Vanishing Men. |
Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1942 |
Woman Of The Year. |
George Stevens |
12 reels |
|
B&W |
sound |
| 1943 |
[Hangmen also die!--excerpt. Interrogation scene] |
directed by Fritz Lang. |
4 |
16mm |
B&W |
sound |
| 1943 |
Behind The Rising Sun. |
Edward Dmytryk |
88 min. |
|
B&W |
|
| 1943 |
Buckskin Frontier. |
Lesley Selander |
65 min. |
|
B&W |
|
| 1943 |
Cabin in the sky |
Metro-Goldwyn-Mayer Corp. (Publisher) |
1:39:00 |
16mm |
B&W |
sound |
| 1943 |
Cabin In The Sky. |
Vincente Minnelli, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
Commandos Strike At Dawn. |
John Farrow |
10 reels |
|
B&W |
|
| 1943 |
Flight For Freedom |
Lothar Mendes |
1:02 |
|
B&W |
|
| 1943 |
Flight For Freedom. |
Lothar Mendes |
102 min |
|
B&W |
|
| 1943 |
Jack London. |
Alfred Santell |
93 min. |
|
B&W |
|
| 1943 |
Nobody's Darling. |
Anthony Mann |
8 reels |
|
B&W |
|
| 1943 |
Stage Door Canteen |
MANBEK |
87 min. |
16mm |
B&W |
|