| 1961 |
Taste of Fear |
Seth Holt |
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|
| 1961 |
The Comancheros. |
Twentieth Century-Fox Film Corp |
107 min |
35mm |
Color |
sound |
| 1961 |
The connection |
New Yorker |
103 mi |
16mm |
B&W |
sound |
| 1961 |
The Secret Partner. |
Metro-Goldwyn-Mayer Inc. |
91 min |
35mm |
B&W |
sound |
| 1961 |
The Terror Of The Tongs. |
Merlin Film Co. Ltd. |
80 min |
35mm |
B&W |
sound |
| 1961 |
Whistle Down The Wind |
Beaver Films Ltd. |
99 min |
16mm |
B&W |
sound |
| 1961 |
Ya ya twist |
|
1:20 |
16mm |
|
sound |
| 1962 |
Behavior of Gases |
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|
|
| 1962 |
Billy Budd |
Anglo-Allied Pictures: Publisher |
2:03:00 |
16mm |
B&W |
sound |
| 1962 |
Experiment in Terror |
Geoffrey-Kate Productions |
2:03:00 |
16mm |
B&W |
sound |
| 1962 |
Foundations for the future |
Albert V. Crewe Max R. Zelle Bernard I. Spinrad Lee C. Teng Stephen Lawroski Norman Ross David McElroy Clifford Braun John Suchy Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1962 |
Four Horsemen of the Apocalypse |
Vincente Minnelli |
|
|
|
|
| 1962 |
How the West Was Won |
John Ford, Henry Hathaway, George Marshall |
12:00 |
|
Color |
|
| 1962 |
The L-Shaped Room |
Bryan Forbes |
1:26 |
|
B&W |
|
| 1962 |
The Man Who Shot Liberty Valance |
John Ford |
123 min |
16mm |
B&W |
sound |
| 1962 |
The Man Who Shot Liberty Valance. |
Paramount Pictures Corp. & John Ford Productions Inc. |
123 min |
35mm |
B&W |
sound |
| 1962 |
The Pirates Of Blood River |
Ideal Pictures Inc |
87 min |
16mm |
Color |
sound |
| 1962 |
The Pirates Of Blood River. |
Hammer Film Productions |
87 min |
35mm |
Color |
sound |
| 1962 |
The Sign Of Zorro |
Walt Disney Productions. |
91 min |
16mm |
B&W |
sound |
| 1962 |
Walk on the Wild Side |
Edward Dmytryk |
114 min |
16mm |
B&W |
|
| 1962 |
What Ever Happened to Baby Jane? |
Associates & Aldrich Company Inc |
2:14:00 |
16mm |
B&W |
sound |
| 1962 |
Whatever happened to Baby Jane? |
Associates & Aldrich Co. for Seven Arts Productions ; produced and directed by Robert Aldrich ; executive producer, Kenneth Hyman ; screenplay, Lukas Heller. |
132 |
16mm |
B&W |
sound |
| 1963 |
A Place to Go |
Basil Dearden |
|
|
|
|
| 1963 |
An affair of the skin |
written and directed by Ben Maddow. |
142 |
16mm |
B&W |
sound |
| 1963 |
District Commissioner |
Lee Robinson |
12:00 |
|
Color |
|
| 1963 |
Hootenanny Hoot. |
Metro-Goldwyn-Mayer Inc. & Four Leaf Productions Inc. |
|
35mm |
B&W |
sound |
| 1963 |
Kings of the Sun |
J. Lee Thompson |
|
|
|
|
| 1963 |
Lady in a Cage |
American Entertainment Corp |
1:33:00 |
16mm |
B&W |
sound |
| 1963 |
Lady in a cage. |
Paramount Pictures Corp. & Luther Davis Productions Inc. |
3200 |
35mm |
B&W |
sound |
| 1963 |
The cool world. |
Wiseman Film Productions |
3914 |
16mm |
B&W |
sound |
| 1963 |
The Gun Hawk. |
Allied Artists Pictures Corp. |
92 min |
35mm |
Color |
sound |
| 1963 |
The L-Shaped Room. |
Romulus Films Ltd. |
123 min |
35mm |
B&W |
sound |
| 1963 |
The Prize |
Outreach Films / Cathedral Films Inc |
134 min |
16mm |
Color |
sound |
| 1964 |
Black Like Me |
Carl Lerner |
|
|
|
|
| 1964 |
Bonana, The Pure Truth |
Lee Rich |
1600 |
|
|
|
| 1964 |
Bullet For A Badman. |
Universal Pictures Co. Inc. |
79 min |
35mm |
Color |
sound |
| 1964 |
Diffusion and Osmosis |
Coronet Films |
11 min |
|
Color |
|
| 1964 |
Dr. Terror's House Of Horrors. |
Amicus Productions Ltd. |
98 min |
35mm |
Color |
sound |
| 1964 |
Hollywood and the stars. |
The great directors sponsored by Purex and Timex ; a David L. Wolper production ; United Artists Television ; production executive, Sydney Field ; associate producer, Julian Ludwig ; written and produced by Nicholas Noxon ; series producer-director, Jack Haley, Jr. |
26 |
16mm |
B&W |
sound |
| 1964 |
John Goldfarb, Please Come Home. |
Parker-Orchard Productions & Twentieth Century-Fox Film Corp. |
96 min |
35mm |
Color |
sound |
| 1964 |
Microscope for the unknown |
Norman Ross Lee C. Teng David McElroy Carl Tubbs John Suchy Richard Puryear Theodore Krohne Ross-McElroy Productions Argonne National Laboratory |
|
16mm |
|
|
| 1964 |
Ring of Spies |
Robert Tronson |
|
|
|
|
| 1964 |
The Best Man |
Franklin J. Schaffner |
|
|
|
|
| 1964 |
The Devil-Ship Pirates. |
Hammer Film Productions Ltd. |
86 min |
35mm |
Color |
sound |
| 1964 |
The Escape |
Family Theater Inc. |
25 min |
16mm |
|
sound |
| 1964 |
The Gorgon. |
Hammer Film Productions Ltd. |
83 min |
35mm |
Color |
sound |
| 1964 |
What A Way To Go |
Bear Films Inc And Audio Visual Associates |
111 min |
16mm |
Color |
sound |
| 1964 |
What A Way To Go! |
Apjac-Orchard Productions Inc. & Twentieth Century-Fox Film Corp. |
111 min |
35mm |
Color |
sound |
| 1964 |
Why Fluoridation |
Amer Dental Assn |
|
16mm |
|
sound |
| 1965 |
A Devilish Homicide |
Lee Yong-min |
|
|
|
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