| 1951 |
Tokyo File 212. |
RKO Radio Pictures Inc. |
84 min. |
35mm |
B&W |
sound |
| 1951 |
You’re In The Navy Now. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1952 |
Babes in Bagdad |
Edgar G. Ulmer |
|
|
|
|
| 1952 |
Diplomatic Courier. |
Twentieth Century-Fox Film Corp |
97 min. |
35mm |
B&W |
sound |
| 1952 |
Down Among The Sheltering Palms. |
Twentieth Century-Fox Film Corp |
87 min. |
35mm |
Color |
sound |
| 1952 |
Eight Iron Men. |
The Stanley Kramer Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1952 |
Golden Axe |
Wilder W Lee |
|
16mm |
|
sound |
| 1952 |
Golden Axe |
W. Lee Wilder |
11 |
16mm |
B&W |
|
| 1952 |
High noon |
telefilm |
84 |
16mm |
B&W |
sound |
| 1952 |
Jack And The Beanstalk. |
McGraw Hill Text Films |
1 reel |
35mm |
Color |
sound |
| 1952 |
Kansas City Confidential. |
Associated Players and Producers |
98 min. |
35mm |
B&W |
sound |
| 1952 |
Man alive! |
William T. Hurtz |
425 |
16mm |
Color |
sound |
| 1952 |
O. Henry's full house. |
Henry King, Jean Negulesco, Howard Hawks, Henry Koster, Henry Hathaway |
3900 |
16mm |
Color & B&W |
sound |
| 1952 |
Pink and Blue Blues |
United Productions Of America |
6 min |
16mm |
Color |
sound |
| 1952 |
Rumpelstilzkin |
W. Lee Wilder |
11 |
16mm |
B&W |
|
| 1952 |
Something To Live For |
Gospel Films Inc |
89 min |
16mm |
B&W |
sound |
| 1952 |
The Duel At Silver Creek. |
Universal Pictures Co. Inc. |
8 reels |
35mm |
B&W |
sound |
| 1952 |
The Jazz Singer |
Michael Curtiz |
|
|
|
|
| 1952 |
The Lawless Breed. |
Universal Pictures Co. Inc. |
83 min. |
35mm |
Color |
sound |
| 1952 |
Untamed Frontier. |
Universal Pictures Co. Inc. |
75 min. |
35mm |
Color |
sound |
| 1952 |
We’re Not Married. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1953 |
From Here to Eternity |
TIMELI |
118 min |
16mm |
B&W |
|
| 1953 |
Gun Fury. |
Columbia Pictures Corp. |
9 reels |
35mm |
Color |
sound |
| 1953 |
Hannah Lee |
Lee Garmes |
|
|
|
|
| 1953 |
Little fugitive |
M. Engel |
75 |
16mm |
B&W |
sound |
| 1953 |
Outback Patrol |
Australia News And Information Bureau |
|
16mm |
B&W |
sound |
| 1953 |
Phantom From Space. |
Planet Filmplays Inc. |
9 reels |
35mm |
B&W |
sound |
| 1953 |
Ride Clear Of Diablo. |
Universal Pictures Co. Inc. |
9 reels |
35mm |
Color |
sound |
| 1953 |
Seminole. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
Color |
sound |
| 1953 |
South of Algiers |
Jack Lee |
|
|
|
|
| 1953 |
The Big Heat |
Fritz Lang |
89 |
|
B&W |
|
| 1953 |
The Big Heat. |
Columbia Pictures Corp. |
9 reels |
35mm |
B&W |
sound |
| 1953 |
The Glory Brigade. |
Twentieth Century-Fox Film Corp |
81 min. |
35mm |
B&W |
sound |
| 1953 |
The Redhead From Wyoming. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
Color |
sound |
| 1953 |
The Stand At Apache River. |
Universal Pictures Co. Inc. |
8 reels |
35mm |
Color |
sound |
| 1953 |
The Wild One |
Stanley Kramer Co Inc | Stanley Kramer Productions |
1:19:00 |
16mm |
B&W |
sound |
| 1953 |
THUNDER IN THE EAST. |
Paramount Pictures Corp. |
98 min. |
35mm |
B&W |
sound |
| 1953 |
Tobor The Great |
Ideal Pictures Inc |
77 min |
16mm |
B&W |
sound |
| 1953 |
Tumbleweed. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
Color |
sound |
| 1953 |
Ulagam |
L.S. Ramachandran |
|
|
|
|
| 1954 |
Bad Day At Black Rock. |
Loew’s Incorporated |
81 min. |
35mm |
Color |
sound |
| 1954 |
Beat The Devil. |
Santana Pictures Inc. |
93 min. |
35mm |
B&W |
sound |
| 1954 |
Dawn At Socorro. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
Color |
sound |
| 1954 |
Day Of Triumph |
Cathedral Films Inc / Outreach Films |
110 min |
16mm |
Color |
sound |
| 1954 |
Day Of Triumph. |
Century Films Inc. |
110 min |
35mm |
Color |
sound |
| 1954 |
For Better, for Worse |
J. Lee Thompson |
|
|
|
|
| 1954 |
Gorilla At Large. |
Twentieth Century-Fox Film Corp |
84 min. |
35mm |
Color |
sound |
| 1954 |
Jungle Man-Eaters. |
Columbia Pictures Corp. |
7 reels |
35mm |
Color |
sound |
| 1954 |
Killers from Space |
W. Lee Wilder |
|
|
|
|
| 1954 |
Murder by Proxy |
Terence Fisher |
|
|
|
|