| 1975 |
That Lucky Touch |
Christopher Miles |
89 min |
|
Color |
|
| 1974 |
The Great Ice Rip-Off |
American Broadcasting Companies, Inc |
74 min |
|
Color |
sound |
| 1974 |
Trapped Beneath The Sea |
American Broadcasting Companies, Inc |
97 min |
|
Color |
sound |
| 1973 |
The Exorcist |
William Friedkin |
122 min |
|
Color |
|
| 1973 |
The Exorcist |
William Friedkin |
122 min |
|
Color |
|
| 1973 |
The Man Who Loved Cat Dancing |
Metro-Goldwyn-Mayer |
115 min |
|
Color |
sound |
| 1971 |
Lawman |
Collectors Book Store |
96 |
16mm |
Color |
|
| 1971 |
Lawman |
Michael Winner |
99 min |
|
Color |
|
| 1970 |
Macho Callahan |
Felicidad Films, Inc |
100 min |
|
Color |
sound |
| 1970 |
The Liberation Of L. B. Jones |
Liberation Co |
102 min |
|
Color |
sound |
| 1968 |
Coogan's Bluff. |
Universal Pictures |
90 min |
35mm |
Color |
sound |
| 1968 |
They Came to Rob Las Vegas |
Antonio Isasi-Isasmendi |
124 min |
|
Color |
|
| 1967 |
In Like Flint. |
Twentieth Century-Fox Film Corp |
114 min |
35mm |
Color |
sound |
| 1965 |
Our Man Flint. |
Twentieth Century-Fox Film Corp |
108 min |
35mm |
Color |
sound |
| 1962 |
Four Horsemen of the Apocalypse |
Vincente Minnelli |
153 min |
|
Color |
|
| 1960 |
Exodus. |
Carlyle-Alpina S.A. |
208 min |
35mm |
Color |
sound |
| 1959 |
But Not For Me. |
Paramount Pictures Corp. & Perlsea Co. |
105 min |
35mm |
B&W |
sound |
| 1959 |
The Trap |
Norman Panama |
|
|
|
|
| 1958 |
Man Of The West. |
Ashton Productions Inc. |
100 min |
35mm |
Color |
sound |
| 1958 |
Party Girl |
Nicholas Ray |
99 min |
|
Color |
|
| 1957 |
12 Angry Men |
Sidney Lumet |
96 |
|
B&W |
|
| 1957 |
The Brothers Karamazov. |
Loew's Inc. & Avon Productions Inc. |
146 min |
35mm |
Color |
sound |
| 1957 |
The Three Faces Of Eve. |
Twentieth Century-Fox Film Corp |
91 min. |
35mm |
B&W |
sound |
| 1956 |
Miami Expose. |
Columbia Pictures Corp. |
8 reels |
35mm |
B&W |
sound |
| 1956 |
The Man In The Gray Flannel Suit. |
Twentieth Century-Fox Film Corp |
152 min |
35mm |
Color |
sound |
| 1955 |
The Left Hand Of God. |
Twentieth Century-Fox Film Corp |
87 min. |
35mm |
Color |
sound |
| 1954 |
Day Of Triumph |
Cathedral Films Inc / Outreach Films |
110 min |
16mm |
Color |
sound |
| 1954 |
Day Of Triumph. |
Century Films Inc. |
110 min |
35mm |
Color |
sound |
| 1954 |
Gorilla At Large. |
Twentieth Century-Fox Film Corp |
84 min. |
35mm |
Color |
sound |
| 1954 |
On The Waterfront |
Elia Kazan |
1:08 |
16mm |
B&W |
|
| 1954 |
On the waterfront. |
Columbia Pictures Corp. |
11 reels. |
35mm |
B&W |
sound |
| 1953 |
The Tall Texan |
Ideal Pictures Inc |
92 |
16mm |
B&W |
sound |
| 1951 |
Sirocco. |
Santana Pictures |
98 min. |
35mm |
B&W |
sound |
| 1951 |
The family secret. |
Santana Pictures |
85 min. |
35mm |
B&W |
sound |
| 1950 |
The Man Who Cheated Himself. |
Twentieth Century-Fox Film Corp |
81 min. |
35mm |
B&W |
sound |
| 1949 |
The Dark Past. |
Rudolph Maté |
75 min. |
35mm |
B&W |
sound |
| 1949 |
Thieves' Highway |
Jules Dassin |
94 |
|
B&W |
|
| 1949 |
Thieves’ Highway. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
B&W |
sound |
| 1948 |
The Luck Of The Irish. |
Henry Koster |
99 min. |
35mm |
B&W |
sound |
| 1948 |
The Miracle Of The Bells. |
Irving Pichel |
120 min |
35mm |
B&W |
sound |
| 1947 |
Johnny O'clock. |
Robert Rossen |
95 min. |
35mm |
B&W |
sound |
| 1943 |
Buckskin Frontier. |
Lesley Selander |
65 min. |
|
B&W |
|
| 1943 |
Tonight We Raid Calais. |
John Brahm |
6 313 ft. |
|
B&W |
|
| 1941 |
This Thing Called Love. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1939 |
THE PHANTOM CREEPS. |
Universal Pictures Co. Inc. |
2 reels |
|
B&W |
|