| 1956 |
Paper In The Round |
Dist Now By McGraw Hill Dawson Larry |
11 min. |
16mm |
Color |
sound |
| 1956 |
Paper in the Round |
Larry Dawson |
11 |
16mm |
B&W |
|
| 1956 |
Playmates |
WQED Pittsburgh Dr. Anne B. Wagner Mary Gibbons Carlyle Freeborn Larry Flavin Pittsburgh Department of Public Health |
|
16mm |
|
|
| 1956 |
The Baby Gets a Bath |
WQED Pittsburgh Dr. Anne B. Wagner Mary Gibbons Carlyle Freeborn Larry Flavin Pittsburgh Department of Public Health |
|
16mm |
|
|
| 1956 |
The best things in life are free. |
Twentieth Century-Fox Film Corp |
104 min |
35mm |
Color |
sound |
| 1956 |
The New Baby Comes Home |
WQED Pittsburgh Dr. Anne B. Wagner Carlyle Freeborn Mary Gibbons Larry Flavin |
|
16mm |
|
|
| 1956 |
The religious theme : Rouault and Manessier |
WQED Pittsburgh Robert Snyder Gordon B. Washburn Carlyle Freeborn Larry Flavin Norbert Nathanson |
|
16mm |
|
|
| 1956 |
The Toddler |
WQED Pittsburgh Dr. Anne B. Wagner Mary Gibbons Carlyle Freeborn Larry Flavin Pittsburgh Department of Public Health |
|
16mm |
|
|
| 1956 |
THE VAGABOND KING. |
Paramount Pictures Corp. |
88 min. |
35mm |
Color |
sound |
| 1955 |
DADDY LONG LEGS. |
Twentieth Century-Fox Film Corp |
126 min |
35mm |
Color |
sound |
| 1955 |
From sentences to paragraphs : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
From sentences to paragraphs : part 3 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Gypped In The Penthouse. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1955 |
Introduction |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Love me or leave me |
Charles Vidor |
122 min |
|
Color |
|
| 1955 |
Nouns and verbs vs. adjectives and adverbs |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Of Cash And Hash. |
Columbia Pictures Corp. |
8 min |
35mm |
B&W |
sound |
| 1955 |
Sentence variety and grammar |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Significance in writing |
WQED Edwin L. Peterson Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Stone Age Romeos. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1955 |
Style in writing : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Style in writing : part 2 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Writing forceful sentences : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Writing forceful sentences : part 2 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1954 |
Grubstake. |
B. B. Productions |
3 reels |
16mm |
B&W |
sound |
| 1954 |
Income Tax Sappy. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1954 |
Knutzy Knights. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1954 |
Pals And Gals. |
Columbia Pictures Corp. |
17 min. |
35mm |
B&W |
sound |
| 1954 |
Scotched In Scotland. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1954 |
Shot In The Frontier. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1954 |
The Littlest Outlaw. |
Walt Disney Productions. |
10 reels |
35mm |
Color |
sound |
| 1953 |
Booty And The Beast. |
Columbia Pictures Corp. |
16 min. |
35mm |
B&W |
sound |
| 1953 |
Bubble trouble. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Goof On The Roof. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Loose Loot. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Rip, Sew, And Stitch. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Stormy, The Thoroughbred With An Inferiority Complex. |
Walt Disney Productions. |
5 reels |
35mm |
Color |
sound |
| 1953 |
Tricky Dicks. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1953 |
Unglassed Windows Cast A Terrible Reflection |
Stan Brakhage |
|
16mm |
B&W |
sound |
| 1952 |
Corny Casanovas. |
Columbia Pictures Corp. |
17 min. |
35mm |
B&W |
sound |
| 1952 |
Cuckoo On A Choo Choo. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1952 |
Francis Covers The Big Town. |
Universal Pictures Co. Inc. |
86 min. |
35mm |
B&W |
sound |
| 1952 |
Gents In A Jam. |
Columbia Pictures Corp. |
17 min. |
35mm |
B&W |
sound |
| 1952 |
Has Anybody Seen My Gal. |
Universal Pictures Co. Inc. |
89 min. |
35mm |
Color |
sound |
| 1952 |
High noon |
telefilm |
84 |
16mm |
B&W |
sound |
| 1952 |
Listen Judge. |
Columbia Pictures Corp. |
16 min. |
35mm |
B&W |
sound |
| 1952 |
Stop, you're killing me. |
Warner Bros. Pictures Inc. |
86 min. |
16mm |
Color |
sound |
| 1952 |
Three Dark Horses. |
Columbia Pictures Corp. |
2 reels |
35mm |
B&W |
sound |
| 1951 |
A Missed Fortune. |
Columbia Pictures Corp. |
16 min. |
35mm |
B&W |
sound |
| 1951 |
Bright Victory. |
Universal Pictures Co. Inc. |
97 min. |
35mm |
B&W |
sound |