| 1949 |
So Much for So Little |
warner brothers |
11 min |
16mm |
Color |
|
| 1949 |
SPIKE JONES AND HIS CITY SLICKERS |
Official Films present. |
9 |
16mm |
B&W |
sound |
| 1949 |
Take Me Out to the Ball Game |
Metro-Goldwyn-Mayer Corp |
1:33:00 |
16mm |
Color |
sound |
| 1949 |
Take Me Out To The Ball Game. |
Busby Berkeley |
93 min. |
35mm |
Color |
sound |
| 1949 |
The Awful Orphan |
Chuck Jones |
|
|
|
|
| 1949 |
The Pirates Of Capri. |
Edgar G. Ulmer, Giuseppe Maria Scotese |
94 min. |
35mm |
B&W |
sound |
| 1949 |
Twelve O’clock High. |
Twentieth Century-Fox Film Corp |
132 min |
35mm |
B&W |
sound |
| 1949 |
We Were Strangers |
John Huston |
1:06 |
|
B&W |
|
| 1949 |
We were strangers. |
John Huston |
106 min |
16mm |
B&W |
sound |
| 1948 |
A Feather in His Hare |
Chuck Jones |
7 min |
|
|
|
| 1948 |
A Foreign Affair |
Dist By Aims Media |
116 min |
16mm |
B&W |
sound |
| 1948 |
A Musical Film Revue: Spike Jones and His City Slickers |
Official Films (firm) |
7:47 |
16mm |
B&W |
sound |
| 1948 |
Angel On The Amazon. |
John H. Auer |
86 min. |
35mm |
B&W |
sound |
| 1948 |
Courtin' Trouble. |
Ford Beebe |
56 min. |
35mm |
B&W |
sound |
| 1948 |
Cry of the city |
Twentieth Century-Fox Film Corp. (Publisher) |
95 min |
16mm |
B&W |
sound |
| 1948 |
Look Before You Love |
Harold Huth |
|
|
B&W |
|
| 1948 |
Portrait of Jennie |
William Dieterle |
86 min |
|
Color & B&W |
|
| 1948 |
Portrait Of Jennie. |
William Dieterle |
86 min. |
35mm |
B&W |
sound |
| 1948 |
Scaredy Cat. |
Charles M. Jones |
7 min |
35mm |
Color |
sound |
| 1947 |
Dear Ruth. |
William D. Russell |
95 min. |
35mm |
B&W |
sound |
| 1947 |
Duel In The Sun |
unknown |
129 min |
16mm |
Color & B&W |
sound |
| 1947 |
Duel in the Sun |
Selznick International Pictures Inc |
2:10:00 |
16mm |
Color |
sound |
| 1947 |
Haredevil Hare. |
Chuck Jones |
7 min |
35mm |
Color |
sound |
| 1947 |
Where There's Life. |
Sidney Lanfield |
75 min. |
35mm |
B&W |
sound |
| 1947 |
Whispering City |
Fedor Ozep |
98 |
|
B&W |
|
| 1947 |
Whispering City. |
Fedor Ozep |
93 min. |
35mm |
B&W |
sound |
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
Duel In The Sun. |
Vanguard Films |
138 min |
35mm |
Color |
sound |
| 1945 |
Hair Raising Hare. |
Charles M. Jones |
7 min |
35mm |
Color |
sound |
| 1945 |
Love Letters. |
William Dieterle |
9 reels |
|
B&W |
|
| 1945 |
Senorita From The West. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1944 |
A Lecture on Camouflage ▶ |
U.S. Army Signal Corps |
|
16mm |
B&W |
|
| 1944 |
Bugs Bunny and The Three Bears |
Chuck Jones |
6 min |
|
Color |
|
| 1944 |
Bugs Bunny And The Three Bears. |
Chuck Jones |
7 min |
|
|
sound |
| 1944 |
Hell Bent For Election. |
Brandon Films, Inc |
1 reel |
16mm |
Color |
Sound |
| 1944 |
JAMMIN THE BLUES |
GJON MILI |
10 min |
|
B&W |
|
| 1944 |
Jammin' the blues |
Warner Bros Pictures, Inc. presents ; produced by Gordon Hollingshed, directed by Gjon Mili. |
11 |
16mm |
B&W |
sound |
| 1944 |
Jammin' the blues. |
Gjon Mili |
375 |
16mm |
B&W |
sound |
| 1944 |
Nine Girls. |
Leigh Jason |
8 reels |
|
B&W |
|
| 1944 |
PRIVATE SNAFU VS. MALARIA MIKE ▶ |
Chuck Jones |
|
|
|
|
| 1944 |
Since You Went Away. |
John Cromwell |
20 reels |
16mm |
B&W |
|
| 1943 |
DAWN OF ART |
Stites & Jones |
15 min |
16mm |
|
Silent |
| 1943 |
Super-Rabbit. |
Warner Bros. ; producer, Leon Schlesinger ; director, Chuck Jones. |
7 min |
16mm |
|
sound |
| 1943 |
The Song Of Bernadette. |
Henry King |
4 259 ft. |
|
B&W |
|
| 1943 |
This Is The Army |
Michael Curtiz |
121 min |
16mm |
B&W |
sound |
| 1943 |
WACKIKI WABBIT. |
Chuck Jones |
2:50 |
16mm |
|
sound |
| 1943 |
When Johnny Comes Marching Home ▶ |
Soundies Distributing Corp. of America |
|
16mm |
B&W |
sound |
| 1943 |
When Johnny Comes Marching Home. |
Charles Lamont |
1 reel |
16mm |
B&W |
sound |
| 1943 |
YOU'RE A LUCKY FELLOW, MR. SMITH. |
Felix E. Feist |
7 reels |
|
Color |
|