| 2016 |
The Finest Hours |
Ideal Pictures Inc |
118 min |
16mm |
Color |
sound |
| 2014 |
Pompeii |
Lem Bailey Productions |
10 |
16mm |
Color |
sound |
| 2013 |
Empire State |
New York State Dept Of Commerce |
93 min |
16mm |
Color |
sound |
| 2012 |
Anna Karenina |
Films Inc | Films Inc. (Publisher) | Metro-Goldwyn-Mayer (Publisher) | Metro-Goldwyn-Mayer Corp. (Publisher) |
1:25:00 |
16mm |
B&W |
sound |
| 2002 |
The Rookie |
Natl Football League Action Films |
123 min |
16mm |
Color |
sound |
| 1997 |
Necropolis |
directed by Russ Johnson. |
13 |
16mm |
Color |
sound |
| 1994 |
Forgotten tenor : |
a tribute to tenor saxophonist Wardell Gray $h [videorecording] / produced, directed, filmed and edited by Abraham Ravett. |
138 |
16mm |
Color & B&W |
sound |
| 1992 |
Just another girl on the I.R.T. |
Films Incorporated |
94 |
16mm |
Color |
sound |
| 1992 |
The First Christmas |
Catholic Film Center / Religious Film Center |
|
16mm |
|
sound |
| 1991 |
Journey of the Blob |
George Johnson |
|
16mm |
|
sound |
| 1989 |
For All Mankind |
Ames Research Center |
80 min |
16mm |
Color |
sound |
| 1985 |
Road To Nowhere |
unknown |
244 min |
16mm |
Color |
sound |
| 1985 |
Seacoal |
Amber Film Team |
|
16mm |
|
sound |
| 1983 |
Body talking |
george-johnson-national-film-board-of-canada |
00054500 |
16mm |
Color |
sound |
| 1983 |
I am all of these |
a film by Dorothy Fadiman ; associate producer, Robert Pacelli ; music by Alex De Grassi. |
8 |
16mm |
Color |
sound |
| 1982 |
Strongest Man, The |
ROSS JOHNSON PRODUCTIONS 4637 FRANKLIN AVE LOS ANGELES CA 90027 |
|
16mm |
|
sound |
| 1982 |
The Strongest Man |
Ross Johnson Productions |
|
16mm |
|
sound |
| 1981 |
The Extra Care Story - A Quality Circle Case Study |
Johnson And Johnson |
|
16mm |
|
sound |
| 1980s |
THE ENABLERS |
johnson-institute-averill-m-kronick |
|
|
|
|
| 1980 |
So What If It Rains |
Alternate Choice Johnson Gail |
|
16mm |
|
sound |
| 1980 |
Terror Train |
Roger Spottiswoode |
|
|
|
|
| 1979 |
First Aid for Young People |
Johnson Bob |
|
16mm |
|
sound |
| 1979 |
First Aid for Young People |
Robert Allen Johnson |
8:00 |
|
|
|
| 1979 |
Target 100 Per Cent Plus |
JOHNSON AND JOHNSON GRANDVIEW ROAD SKILLMAN NJ 08558 RAINBOW PRODUCTIONS 345 FULLERTON PARKWAY CHICAGO IL 60614 |
|
16mm |
|
sound |
| 1979 |
To Help A Child |
Robert Wood Johnson Foundation Gittelman Film Associates |
|
16mm |
|
sound |
| 1978 |
A Piece Of The Rock |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; produced by Bruce Johnson; directed by Bill Persky |
30 min |
|
|
sound |
| 1978 |
Alice Gets A Pass |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; produced by Bruce Johnson; directed by Jim Drake |
30 min |
|
|
sound |
| 1978 |
Big Daddy Dawson's Coming |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Norman Abbott] |
30 min |
|
|
sound |
| 1978 |
Good Night, Sweet Vera |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Norman Abbott] |
30 min |
|
|
sound |
| 1978 |
Ice Castles |
Donald Wrye |
|
|
|
|
| 1978 |
Letter For Letter |
created by Jerry Anderson and Kathleen Johnson; a presentation of MPTVT Productions |
28 min |
|
Color |
sound |
| 1978 |
Mel's Happy Burger |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production: in association with Warner Brothers Television; [produced by Bruce Johnson: directed by Burt Brinckerhoff] |
30 min |
|
|
sound |
| 1978 |
Mother-In-Law |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by William P. D'Angelo] |
30 min |
|
|
sound |
| 1978 |
Pay The Fifty Dollars |
a D'Angelo-Bullock-Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bill Persky] |
30 min |
|
|
sound |
| 1978 |
Persuading The Public |
Johnson Robert |
|
16mm |
|
sound |
| 1978 |
The Enablers |
Johnson Inst Filmakers Inc |
|
16mm |
|
sound |
| 1978 |
The Last Review |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by James Sheldon] |
30 min |
|
|
sound |
| 1978 |
Two Worlds To Remember |
Johnson Phyllis |
|
16mm |
|
sound |
| 1978 |
Vera's Mortician |
a D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bill Hobin] |
30 min |
|
|
sound |
| 1978 |
Who Killed Bugs Bunny? |
A D'Angelo--Bullock--Allen [i.e. William P. D'Angelo--Ray Allen--Harvey Bullock] production; in association with Warner Brothers Television; [produced by Bruce Johnson; directed by Bruce Bilson] |
30 min |
|
|
sound |
| 1977 |
Andy Warhol's Bad |
Jed Johnson |
|
|
|
|
| 1977 |
Bathing Your Baby |
Johnson & Johnson Baby Products Company |
|
|
|
|
| 1977 |
Communication roadblocks |
JOHNSON FILMS BOB |
15 |
16mm |
|
|
| 1977 |
Have You Ever Thought About Your Face? |
Wingo C. Johnson |
6 min |
|
Color |
sound |
| 1977 |
Johnson & Johnson "Cotonetes" |
Johnson & Johnson |
|
|
|
|
| 1977 |
One on One |
Lamont Johnson |
|
|
|
|
| 1977 |
Perception - Tragedy Of The Friendly Breakfast |
Johnson Robert Allan |
|
16mm |
|
sound |
| 1977 |
Sampling And Estimation |
10016 Robert M Johnson Associates |
|
16mm |
|
sound |
| 1976 |
Colles’ Fractures: Functional Bracing In Supination |
Johnson and Johnson |
16 min |
|
Color |
sound |
| 1976 |
Every-Other-Day Hair |
Johnson and Johnson |
30 sec |
|
Color |
sound |