| 1940 |
Edison, The Man. |
Clarence Brown |
11 reels. |
|
B&W |
sound |
| 1940 |
I was an Adventuress |
Twentieth Century-Fox Film Corporation |
12000 |
16mm |
B&W |
sound |
| 1940 |
The Golden Fleecing. |
Leslie Fenton |
8 reels |
|
B&W |
sound |
| 1940 |
Way back when women had their weigh |
Fleischer Productions ; producer, Max Fleischer ; director, Dave Fleischer. |
10 |
16mm |
|
sound |
| 1940 |
WHEN BOBBY GOES TO SCHOOL |
Mead Johnson |
25 min |
|
|
Sound |
| 1941 |
How to Change Fractions |
Johnson-Hunt Productions |
11 |
16mm |
B&W |
|
| 1941 |
How to Divide By Fractions |
Johnson-Hunt Productions |
11 |
16mm |
Color |
|
| 1941 |
How to Subtract Fractions |
Johnson-Hunt Productions |
0:11:00 |
16mm |
Color |
sound |
| 1942 |
"HELP WANTED." |
Johnson & Johnson |
31 min |
16mm |
|
Sound |
| 1942 |
DR. GILLESPIE'S NEW ASSISTANT. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1942 |
Murder In The Big House. |
B. Reeves Eason |
59 min. |
|
|
|
| 1943 |
Crazy house. |
Universal-International |
2550 |
16mm |
B&W |
Sound |
| 1943 |
DR. GILLESPIE'S CRIMINAL CASE. |
Loew's Inc. |
9 reels |
|
B&W |
sound |
| 1943 |
My friend Flicka |
Films inc. |
90 |
16mm |
Color |
sound |
| 1943 |
Pilot No. 5 |
Loew's |
7 reels |
|
|
|
| 1944 |
3 Men in White |
Willis Goldbeck |
|
|
|
|
| 1944 |
A Guy Named Joe. |
Victor Fleming |
12 reels |
|
B&W |
|
| 1944 |
Thirty Seconds Over Tokyo. |
Mervyn LeRoy |
14 reels |
|
B&W |
sound |
| 1944 |
This Happy Breed |
David Lean |
|
|
|
|
| 1944 |
Two Girls And A Sailor. |
Richard Thorpe |
7 reels |
|
B&W |
sound |
| 1945 |
Thunderhead, Son of Flicka |
Louis King |
|
|
|
|
| 1946 |
Easy To Wed. |
Edward Buzzell |
13 reels |
16mm |
|
sound |
| 1946 |
Paisan |
OFI ; Foreign Film Production Inc. ; Capitani Film ; director, Roberto Rossellini. |
4128 |
16mm |
B&W |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1947 |
How To Add Fractions. |
Johnson Hunt Productions |
1 reel |
16mm |
Color |
sound |
| 1947 |
Introduction To Fractions. |
Johnson Hunt Productions |
1 reel |
16mm |
Color |
sound |
| 1947 |
Unconquered. |
Paramount Pictures Inc. |
147 min |
35mm |
Color |
sound |
| 1948 |
Command Decision |
Sam Wood |
|
|
|
|
| 1948 |
Decimal fractions. |
johnson hunt productions |
11 min. |
16mm |
B&W |
sound |
| 1948 |
Percentage |
Johnson-Hunt Productions |
11 |
16mm |
B&W |
|
| 1948 |
Percentage |
johnson hunt productions |
|
|
|
|
| 1948 |
Percentage. |
johnson hunt productions |
11 min. |
16mm |
B&W |
sound |
| 1949 |
Baja California: the Pacific Coast of Mexico |
johnson hunt productions |
|
16mm |
Color |
sound |
| 1949 |
Everybody Does It. |
Twentieth Century-Fox Film Corp |
98 min. |
35mm |
B&W |
sound |
| 1949 |
In the good old summertime. |
Metro-Goldwyn-Mayer. |
3625 |
16mm |
|
sound |
| 1949 |
Purse Seining. |
johnson hunt productions |
11 min. |
16mm |
B&W |
sound |
| 1949 |
She wore a yellow ribbon |
129 N Vermont |
104 min |
16mm |
Color |
sound |
| 1950 |
[University of California, Berkeley. Commencement 1950] |
|
11 |
16mm |
Color |
silent |
| 1950 |
Abbott & Costello In The Foreign Legion. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1950 |
Film Clinic On Dwarfism. |
Mead Johnson & Co. |
42 min. |
16mm |
B&W |
sound |
| 1950 |
Frenchie. |
Universal Pictures Co. Inc. |
9 reels |
35mm |
Color |
sound |
| 1950 |
North Of The Great Divide. |
Republic Pictures Corp |
67 min. |
35mm |
Color |
sound |
| 1950 |
Parallel Lines |
Johnson-Hunt Productions |
11 |
16mm |
B&W |
|
| 1950 |
Parallel Lines |
Johnson |
400 ft. |
|
|
|
| 1950 |
Parallel Lines |
johnson hunt productions |
|
|
|
|
| 1950 |
The Big Hangover. |
Loew's Inc. |
82 min. |
35mm |
B&W |
sound |
| 1950 |
The Second Face. |
EJL Productions Inc. |
77 min. |
35mm |
B&W |
sound |
| 1950 |
Three Came Home. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1950s |
SC Johnson: Beautiflor Floor Wax, 1950s |
SC Johnson D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|
| 1950s |
SC Johnson: Beautiflor Floor Wax, 1950s |
SC Johnson D'Arcy Masius Benton & Bowles (DMB&B) |
|
16mm |
|
|