John Ireland

British composer and teacher of music (1879-1962)

John Nicholson Ireland was an English composer and teacher of music. The majority of his output consists of piano miniatures and of songs with piano. His best-known works include the short instrumental or orchestral work "The Holy Boy", a setting of the poem "Sea-Fever" by John Masefield, a formerly much-played Piano Concerto, the hymn tune Love Unknown and the choral motet "Greater Love Hath No Man".

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Filmography in the catalog

Credited on 48 films (1945–1977) — matched by name in the Creator or Credits field. Also mentioned in 9 other records (descriptions, transcriptions, copyright notes).

Year ▼	Title	Creator	Length	Format	Color	Sound
1977	Satan's Cheerleaders	Greydon Clark	92 min		Color
1975	Farewell, My Lovely	An EK Corporation & ITC production	95 min		Color	sound
1974	The Phantom Of Hollywood	Gene Levitt	74 min		Color	sound
1972	Escape to the sun	Menahem Golan	118 min
1967	Arizona Bushwhackers.	Paramount Pictures Corp. & A. C. Lyles Productions Inc.	86 min	35mm	Color	sound
1967	Fort Utah.	Paramount Pictures Corp. & A. C. Lyles Productions Inc.	84 min	35mm	Color	sound
1965	I saw what you did.	Universal Pictures Co. Inc.	28:00	35mm	B&W	sound
1964	The Fall Of The Roman Empire.	Bronston-Roma Productions	149	35mm	Color	sound
1962	Brushfire.	Obelisk Inc.	80 min	35mm	B&W	sound
1961	Return of a Stranger	Max Varnel	63 min		B&W
1961	Wild In The Country	Company of Artists Inc. & Twentieth Century-Fox Film Corp.	114 min	16mm	Color	sound
1960	Faces in the Dark	David Eady	84 min		B&W
1960	Spartacus	Stanley Kubrick	197 min		Color
1958	Stormy Crossing	C.M. Pennington-Richards	79 min		B&W
1956	Gunslinger	Roger Corman	78 min		Color
1955	Hell’s Horizon.	Columbia Pictures Corp.	80 min.	35mm	B&W	sound
1955	The Glass Cage	Montgomery Tully	59 min		B&W
1954	Security Risk	Harold D. Schuster	69 min	16mm	B&W
1954	Southwest Passage.	Eclipse Films Inc.	82 min.	35mm	Color	sound
1954	The fast and the furious	director, Edward Sampson ; produced and written by Roger Corman.	74	16mm	B&W	sound
1953	Combat Squad.	Columbia Pictures Corp.	72 min.	35mm	B&W	sound
1953	Hannah Lee	Lee Garmes
1953	The 49th Man.	Columbia Pictures Corp.	73 min.	35mm	B&W	sound
1952	Hurricane Smith.	Paramount Pictures Corp.	90 min.	35mm	Color	sound
1952	The Bushwackers	Rod Amateau	70 min		B&W
1951	Little Big Horn.	Bali Films Inc.	86 min.	35mm	B&W	sound
1951	The basketball fix.	Jack Broder Productions Inc.	68 min.	35mm	B&W	sound
1951	The Fighting Seventh	Charles Marquis Warren
1951	The Scarf.	Gloria Productions Inc.	93 min.	35mm	B&W	sound
1951	This is Korea	John Ford	50 min
1950	Cargo To Capetown.	Columbia Pictures Corp.	80 min.	35mm	B&W	sound
1950	The Return Of Jesse James.	Lippert Productions Inc.	75 min.	35mm	B&W	sound
1949	All the king's men	Columbia Picture Corp	109	16mm	B&W	sound
1949	I Shot Jesse James.	executive producer, Robert L. Lippert; producer, Carl K. Hittleman ; director and script, Samuel Fuller.	81 min.	35mm	B&W	sound
1949	Roughshod.	Mark Robson	88 min.	35mm	B&W	sound
1949	The Doolins Of Oklahoma.	Gordon Douglas	90 min.	35mm	B&W	sound
1948	Open Secret.	John Reinhardt	69 min.	35mm	B&W	sound
1948	Red River	MGM/UA	1:33	16mm	Color	sound
1948	The Overlanders.	Harry Watt	91 min		B&W
1947	I Love Trouble.	S. Sylvan Simon	10 reels	35mm	B&W	sound
1947	Railroaded.	Anthony Mann	72 min.	35mm	B&W	sound
1946	It Shouldn't Happen To A Dog.	Herbert I. Leeds	6279 ft.	35mm	B&W	sound
1946	My Darling Clementine	John Ford	92 min	16mm	B&W
1946	My Darling Clementine	John Ford	92 min	16mm	B&W
1946	My Darling Clementine.	John Ford	97 min.	35mm	B&W	sound
1946	The Overlanders	Harry Watt	91 min		B&W
1946	The Overlanders	Harry Watt	91 min	16mm	B&W
1945	It Shouldn't Happen To A Dog.	Herbert I. Leeds	18 min.		B&W