| 1958 |
The Cry Baby Killer. |
Allied Artists Pictures Corp. |
62 min. |
35mm |
B&W |
sound |
| 1959 |
Too Soon To Love. |
Dynasty Film Corp. |
|
35mm |
B&W |
sound |
| 1960 |
Little Shop of Horrors |
ALLIED |
70 min. |
16mm |
B&W |
|
| 1960 |
Studs Lonigan. |
Longridge Enterprises Inc. |
95 min |
35mm |
B&W |
sound |
| 1960 |
The Wild Ride |
Harvey Berman |
59 min |
|
B&W |
|
| 1961 |
The Broken Land. |
Twentieth Century-Fox Film Corp |
70 min |
35mm |
Color |
sound |
| 1961 |
The little shop of horrors. |
Roger Corman |
70 min |
16mm |
B&W |
sound |
| 1963 |
The Terror |
5 directors |
81 min |
|
Color |
|
| 1964 |
Back Door To Hell. |
Twentieth Century-Fox Film Corp |
75 min |
35mm |
B&W |
sound |
| 1964 |
Ensign Pulver. |
Warner Bros. Pictures Inc. |
104 min |
35mm |
Color |
sound |
| 1964 |
Flight to Fury |
Monte Hellman |
80 min |
|
B&W |
|
| 1965 |
Ride in the Whirlwind |
Monte Hellman |
82 min |
|
Color |
|
| 1967 |
Hells Angels on Wheels |
Richard Rush |
90 min |
|
|
|
| 1967 |
Rebel rousers |
director, Martin Cohen. |
78 |
16mm |
Color |
sound |
| 1967 |
Ride in the whirlwind. |
Monte Hellman |
82 |
16mm |
Color |
sound |
| 1967 |
The shooting |
produced by Jack Nicholson and Monte Hellman ; director, Monte Hellman. |
82 |
16mm |
Color |
sound |
| 1967 |
The Trip. |
Paramount Pictures Corp. |
85 min |
35mm |
Color |
sound |
| 1968 |
Psych-Out. |
Dick Clark Enterprises |
82 min |
35mm |
Color |
sound |
| 1969 |
Easy Rider. |
Raybert Productions Inc. |
95 min |
35mm |
Color |
sound |
| 1970 |
Five Easy Pieces |
B.B.S. Productions |
96 min |
|
Color |
sound |
| 1970 |
On A Clear Day You Can See Forever |
Paramount Pictures Corp |
129 min |
|
Color |
sound |
| 1970 |
The Rebel Rousers |
Martin B. Cohen |
78 min |
|
Color |
|
| 1971 |
A Safe place |
Henry Jaglom |
94 min |
|
Color |
|
| 1971 |
A Safe Place |
Henry Jaglom |
94 min |
|
Color |
|
| 1971 |
Carnal Knowledge |
Icarus Productions |
98 min |
|
Color |
sound |
| 1972 |
A Sense of Purpose |
Learning Corporation Of America / Coronet MTI Simon & Schuster |
14 |
16mm |
Color |
sound |
| 1972 |
The King Of Marvin Gardens |
BBS Production |
103 min |
|
Color |
sound |
| 1973 |
The Last Detail |
Bright-Persky Associates. An Acrobat/Hal Ashby film |
102 min |
|
Color |
sound |
| 1974 |
Chinatown |
Roman Polanski |
131 min |
16mm |
Color |
|
| 1974 |
Chinatown |
Roman Polanski |
131 min |
|
Color |
|
| 1975 |
One Flew Over the Cuckoo's Nest |
Fantasy Films |
2:13:00 |
16mm |
Color |
sound |
| 1975 |
The Fortune |
Columbia Picture Corp |
88 min |
16mm |
Color |
sound |
| 1975 |
The Passenger |
Comp. Cinematografica Champion, Les Films Concordia & C.I.P.I. Cinematografica |
120 min |
|
Color |
sound |
| 1976 |
One Flew Over The Cuckoo's Nest |
Culver City |
133 min |
16mm |
Color |
sound |
| 1976 |
The Last Tycoon |
Academy Pictures, A.G |
123 min |
|
Color |
sound |
| 1976 |
The Missouri Breaks. |
Devon/Persky-Bright |
121 min |
16mm |
Color |
sound |
| 1978 |
Goin' South |
Jack Nicholson |
105 min |
|
Color |
|
| 1980 |
The Shining |
Stanley Kubrick |
119 min |
|
Color |
|
| 1985 |
Prizzi's Honor |
ABC Motion Pictures |
130 min |
16mm |
Color |
sound |