| 1950 |
Cargo To Capetown. |
Columbia Pictures Corp. |
80 min. |
35mm |
B&W |
sound |
| 1950 |
Code Of The Silver Sage. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
County fair. |
Monogram Pictures Corp. |
76 min. |
35mm |
Color |
sound |
| 1950 |
Desperadoes Of The West. |
Republic Pictures Corp |
2 reels |
35mm |
B&W |
sound |
| 1950 |
Destination Big House. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Double Crossbones. |
Universal Pictures Company Inc. |
76 min. |
35mm |
Color |
sound |
| 1950 |
Erosion |
Criswell John F |
|
16mm |
|
sound |
| 1950 |
Experiment Alcatraz |
Edward L. Cahn |
|
|
|
|
| 1950 |
Federal agent at large. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Flower Arrangements For The Home, No 1 |
John Ott Pictures. |
|
16mm |
|
sound |
| 1950 |
Flower Arrangements For The Home, No 2 |
John Ott Pictures. |
|
16mm |
|
sound |
| 1950 |
Flower arrangements, series two |
John Ott |
0:22:00 |
16mm |
Color |
sound |
| 1950 |
Flower arrangements. Series 1: flower arrangements for the home. |
John Ott Pictures Inc. |
640 |
16mm |
|
sound |
| 1950 |
Frenchie. |
Universal Pictures Co. Inc. |
9 reels |
35mm |
Color |
sound |
| 1950 |
Frisco Tornado. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Gene Autry And The Mounties. |
Gene Autry Productions |
8 reels |
35mm |
B&W |
sound |
| 1950 |
Glory Of Spring |
John Ott Pictures. |
|
16mm |
|
sound |
| 1950 |
Harbor Of Missing Men. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Harvey. |
Universal Pictures Co. Inc. |
104 min |
35mm |
B&W |
sound |
| 1950 |
High Lonesome. |
LeMay-Templeton Pictures |
|
16mm |
|
sound |
| 1950 |
I Killed Geronimo. |
Jack Schwarz Productions |
7 reels |
35mm |
B&W |
sound |
| 1950 |
Indian Territory. |
Gene Autry Productions |
70 min. |
35mm |
Color |
sound |
| 1950 |
Joe Palooka In The Squared Circle. |
Monogram Pictures Corp. |
63 min. |
35mm |
B&W |
sound |
| 1950 |
Kansas Raiders. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
Color |
sound |
| 1950 |
Last Of The Buccaneers. |
Columbia Pictures Corp. |
79 min. |
35mm |
Color |
sound |
| 1950 |
L’isola Del Sole. |
John Distefano |
2 reels |
35mm |
B&W |
sound |
| 1950 |
Medieval World |
Coronet Films |
11 |
16mm |
B&W |
sound |
| 1950 |
Miracle of the trees. |
John Ott Pictures Inc. |
3:20 |
16mm |
|
sound |
| 1950 |
Morning Departure |
Roy Ward Baker |
|
|
|
|
| 1950 |
Mule Train. |
Gene Autry Productions |
70 min. |
35mm |
B&W |
sound |
| 1950 |
NO MAN OF HER OWN. |
Paramount Pictures Corp. |
11 reels. |
35mm |
B&W |
sound |
| 1950 |
No Sad Songs For Me. |
Columbia Pictures Corp. |
89 min. |
35mm |
B&W |
sound |
| 1950 |
No Way Out. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1950 |
Old Mother Riley Headmistress |
John Harlow |
|
|
|
|
| 1950 |
Operation Disaster. |
Jay Lewis Productions Ltd. |
100 min |
35mm |
B&W |
sound |
| 1950 |
Our Changing World. |
John Ott Pictures Inc. |
30 min. |
16mm |
Color |
sound |
| 1950 |
Over the Garden Wall |
John E. Blakeley |
|
|
|
|
| 1950 |
Pole Rigamarole, And Mice In The Ice Cream. |
John C. Faustman Johnny Faust pseud.) |
1 min |
16mm |
Color |
sound |
| 1950 |
Pool Of London. |
Ealing Studios Ltd. |
86 min. |
35mm |
B&W |
sound |
| 1950 |
Radar secret service. |
Lippert Productions Inc. |
59 min. |
35mm |
B&W |
sound |
| 1950 |
Redwood Forest Trail. |
Republic Pictures Corp |
67 min. |
35mm |
B&W |
sound |
| 1950 |
Rio Grande |
John Ford |
1:05 |
|
|
|
| 1950 |
Rustlers On Horseback. |
Republic Pictures Corp |
60 min. |
35mm |
B&W |
sound |
| 1950 |
Singing Guns. |
Republic Pictures Corp |
91 min. |
35mm |
Color |
sound |
| 1950 |
South Sea Sinner. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
B&W |
sound |
| 1950 |
Spotty: Story of a Fawn |
Coronet Films |
11 |
16mm |
B&W |
|
| 1950 |
Surrender. |
Republic Pictures Corp |
90 min. |
35mm |
B&W |
sound |
| 1950 |
The beaver. |
John A. Haeseler |
11 min. |
16mm |
Color |
sound |
| 1950 |
The Blazing Sun. |
Gene Autry Productions |
70 min. |
35mm |
B&W |
sound |
| 1950 |
The Breaking Point |
Michael Curtiz |
|
|
|
|