| 2005 |
King Kong |
Films inc |
1:00 |
16mm |
B&W |
sound |
| 2005 |
King Kong |
Peter Jackson |
187 min |
16mm |
Color |
|
| 2002 |
The Revenge |
Boston Film Center |
100 min |
16mm |
Color |
sound |
| 1999 |
The Haven |
U.S. Information Agency |
|
16mm |
|
sound |
| 1996 |
Never Too Late |
Ideal Pictures Inc |
|
16mm |
Color |
sound |
| 1996 |
Twister. |
Jan de Bont |
113 min |
16mm |
Color |
silent |
| 1991 |
The little red hen |
directed by Jan Mack; written by Paul Galdone. |
8 |
16mm |
Color |
sound |
| 1990 |
Darkness light darkness. |
Jan Švankmajer |
8 min |
16mm |
|
sound |
| 1990 |
The Ear |
22-2 Kanda Misakicho Chiyoda-Ku |
94 min |
16mm |
B&W |
sound |
| 1989 |
Interrogation |
Ryszard Bugajski |
111 min |
16mm |
Color |
sound |
| 1986 |
Lion with a white mane. |
Jaromil Jireš |
127 min |
16mm |
Color |
sound |
| 1985 |
A Greek Tragedy |
Goethem Nicole Van |
7 min |
16mm |
Color |
sound |
| 1985 |
Pee-Wee's big adventure |
SWANK |
95 |
16mm |
Color |
sound |
| 1985 |
Shoah. |
Claude Lanzmann |
20196 |
16mm |
Color |
sound |
| 1985 |
Witness |
Peter Weir |
112 min |
16mm |
Color |
|
| 1984 |
Anna and Bella |
George T Nierenberg |
8 |
16mm |
Color |
sound |
| 1984 |
City Visions |
Atlantic Productions |
31 |
16mm |
Color |
sound |
| 1984 |
Eduardo, Uruguayo |
Diamand (Frank) Sauer (Derk) And Bloom (Jan) |
|
16mm |
|
sound |
| 1983 |
The Snake Prince |
CZECHOSLOVAKIA |
18 min |
16mm |
Color |
sound |
| 1982 |
Fanny and Alexander |
Ingmar Bergman |
188 |
|
Color & B&W |
|
| 1982 |
Split Cherry Tree |
Saunders Jan |
25 min |
16mm |
Color |
sound |
| 1981 |
The Dark End Of The Street |
FIRST-RUN FEATURES 144 BLEEKER ST NEW YORK NY 10012 |
89 min |
16mm |
|
sound |
| 1980 |
Fern, The Red Deer |
Lucerne Media |
|
16mm |
|
sound |
| 1980 |
Pretend You're Wearing A Barrel |
NFBC |
|
16mm |
|
sound |
| 1980 |
The love tapes. |
MGM-TV |
|
16mm |
|
sound |
| 1980 |
Tree Of Knowledge |
Amer Federation Of Arts |
110 min |
16mm |
Color |
sound |
| 1979 |
Cotton Candy And Elephant Stuff |
Jan Krawitz |
|
16mm |
|
sound |
| 1979 |
Hurricane |
Jan Troell |
|
|
|
|
| 1978 |
BALADA PRO BANDITU |
Vladimír Sís |
89 min |
16mm |
|
sound |
| 1978 |
Big Wednesday |
John Milius |
|
|
|
|
| 1978 |
Final Show, The |
JAN |
30 min. |
16mm |
Color |
|
| 1978 |
Hooper |
Hal Needham |
|
|
|
|
| 1977 |
Fern, the Red Deer |
Lucern |
55 min. |
16mm |
Color |
|
| 1977 |
Kevin Alec |
the National Film Board of Canada Multicultural programme ; executive producer, Kathleen Shannon ; producer, Yuki Yoshida ; directed by Beverly Shaffer |
17 |
16mm |
Color |
sound |
| 1977 |
Nine Months |
unknown |
88 min |
16mm |
|
sound |
| 1976 |
Styx |
JAN KRAWITZ P O BOX 69589 LOS ANGELES CA 90069 |
|
16mm |
|
sound |
| 1976 |
The last laugh (Germany, 1924), the drunken sequence |
UFA ; producer, Erich Pommer ; director, F.W. Murnau ; screenplay, Carl Mayer |
17 |
16mm |
B&W |
silent |
| 1976 |
Vigilante Force |
Chateau Productions, Inc |
89 min |
|
Color |
sound |
| 1976 |
You Are Not Alone |
U S Bureau Of Community Health Services Amram Nowak Associates |
90 min |
16mm |
Color |
sound |
| 1975 |
Air Born |
Ross Jan |
|
16mm |
|
sound |
| 1975 |
Bite The Bullet |
B/P & Vista Company |
132 min |
|
Color |
sound |
| 1975 |
Happy Days Are Here Again |
Frans Weisz |
|
|
|
|
| 1975 |
Pippi Longstocking |
Films Incorporated Video |
28 min |
16mm |
Color |
sound |
| 1975 |
White Line Fever |
International Cinemedia Center |
89 min |
|
Color |
sound |
| 1973 |
Scenes from a marriage |
Cinematograph AB Sweden ; executive producer, Lars-Owe Carlberg ; produced, directed, and written by Ingmar Bergman. |
162 |
16mm |
Color |
sound |
| 1973 |
The Clay man |
CRM/McGraw-Hill |
6 |
16mm |
Color |
sound |
| 1973 |
The World's Greatest Athlete |
Walt Disney Productions |
92 min |
|
Color |
sound |
| 1972 |
The Cruise |
Natl Film Board Of Canada |
65 min |
16mm |
Color & B&W |
sound |
| 1972 |
The Mechanic |
United Artists Corp |
100 min |
|
Color |
sound |
| 1971 |
60 Minutes |
Vol. 3, no. 9. Telecast: Jan. 5, 1971. Columbia Broadcasting System, Inc |
60 min |
|
B&W |
sound |