| 1909 |
A Corner in Wheat ▶ |
Arvidson Linda |
14 min |
16mm |
B&W |
sound |
| 1909 |
A Strange Meeting ▶ |
D. W. Griffith |
11 min |
|
B&W |
|
| 1909 |
A Trap for Santa Claus ▶ |
John Tansey; Marion Leonard; Henry B. Walthall; Gladys Egan; D.W. Griffith |
16 min |
|
B&W |
|
| 1909 |
In old Kentucky |
D. W. Griffith |
11 min |
|
B&W |
|
| 1909 |
The Broken Locket ▶ |
D. W. Griffith |
11 min |
|
B&W |
|
| 1909 |
The Slave |
D. W. Griffith |
11 min |
|
B&W |
|
| 1909 |
They would elope |
D. W. Griffith |
6 min |
|
B&W |
|
| 1910 |
IN LIFE'S CYCLE |
D. W. Griffith |
4:00 |
16mm |
B&W |
|
| 1910 |
In life's cycle |
D. W. Griffith |
17 min |
|
B&W |
|
| 1910 |
In The Border States ▶ |
D.W. Wriffith |
14:36 |
|
B&W |
sound |
| 1910 |
Ramona ▶ |
D. W. Griffith |
16:26 |
|
|
sound |
| 1910 |
THE FACE AT THE WINDOW |
Biograph Company. |
421 |
16mm |
B&W |
silent |
| 1910 |
The house with closed shutters. |
D.W. Griffith |
393 |
16mm |
|
|
| 1910 |
The Usurer ▶ |
D. W. Griffith |
17 min |
|
B&W |
|
| 1910 |
THE WAY OF THE WORLD |
American Mutoscope and Biograph Co. |
375 |
16mm |
B&W |
silent |
| 1910 |
The Way of the world |
D. W. Griffith |
16 min |
|
B&W |
|
| 1912 |
Iola's promise |
D. W. Griffith |
18 min |
|
B&W |
|
| 1912 |
So Near, Yet So Far |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
The Inner Circle |
D. W. Griffith |
17 min |
|
B&W |
|
| 1912 |
The One She Loved |
Biograph Co |
17 min |
16mm |
B&W |
sound |
| 1912 |
The Painted Lady ▶ |
Biograph Co |
12 min |
16mm |
B&W |
sound |
| 1912 |
The Painted lady |
Museum of Modern Art |
15 |
16mm |
B&W |
silent |
| 1913 |
Battle of Elderbush Gulch ▶ |
Pyramid |
20 min. |
16mm |
B&W |
sound |
| 1913 |
Death's marathon |
Museum of Modern Art |
15 |
16mm |
B&W |
silent |
| 1913 |
Death's Marathon |
D. W. Griffith |
15 min |
16mm |
B&W |
|
| 1913 |
Judith of Bethulia. |
Biograph Co |
4 reels |
16mm |
B&W |
|
| 1914 |
Home, Sweet Home ▶ |
D. W. Griffith |
55 min |
|
B&W |
|
| 1914 |
The Avenging Conscience |
D. W. Griffith |
84 min |
|
B&W |
|
| 1914 |
The Avenging Conscience: or 'Thou Shalt Not Kill' ▶ |
Edgar Allan Poe; Henry B. Walthall; George Siegmann; Spottiswoode Aitken; Blanche Sweet; D.W. Griffith |
|
|
|
|
| 1915 |
The birth of a nation |
D. W. Griffith |
10 |
|
B&W |
silent |
| 1915 |
The Birth of a nation |
D. W. Griffith |
187 min |
|
B&W |
|
| 1916 |
THE STING OF VICTORY. |
Essanay Film Mfg. Co. |
5 reels |
|
B&W |
silent |
| 1916 |
THE STRANGE CASE OF MARY PAGE. |
Essanay Film Mfg. Co. |
2 reels |
|
B&W |
silent |
| 1916 |
THE TRUANT SOUL. |
Essanay Film Mfg. Co. |
|
|
B&W |
silent |
| 1917 |
BURNING THE CANDLE. |
Essanay Film Mfg. Co. |
|
|
B&W |
|
| 1917 |
THE SAINT'S ADVENTURE. |
Essanay Film Mfg. Co. |
|
|
B&W |
|
| 1918 |
THE FALSE FACES. |
Thomas H. Ince |
7 reels |
|
B&W |
|
| 1919 |
The False Faces |
Famous Players-Lasky Corporation | Thomas H. Ince Corp | Thos. H. Ince Corp |
97 min |
16mm |
B&W |
silent |
| 1921 |
A SPLENDID HAZARD. |
Mayflower Photoplay Corp. |
6 reels |
|
|
|
| 1922 |
ONE CLEAR CALL. |
First National. |
7 reels |
|
B&W |
|
| 1923 |
THE UNKNOWN PURPLE. |
Truart Film Corp. |
7 reels |
|
B&W |
|
| 1924 |
SINGLE WIVES. |
First National Pictures Inc. |
8 reels |
|
B&W |
|
| 1924 |
The Bowery Bishop |
Colin Campbell |
60 min |
16mm |
B&W |
sound |
| 1924 |
THE BOWERY BISHOP. |
Rellimeo Film Syndicate. |
6 reels |
|
B&W |
|
| 1925 |
DOLLAR DOWN. |
Truart Film Corp. |
|
|
B&W |
|
| 1925 |
KENTUCKY PRIDE. |
Fox Film Corp |
7 reels |
|
B&W |
|
| 1925 |
THE GIRL WHO WOULDN'T WORK. |
Marcel De Sano |
2390 |
16mm |
B&W |
|
| 1925 |
THE GOLDEN BED. |
Famous Players-Lasky Corp. |
9 reels |
|
B&W |
|
| 1926 |
The Barrier ▶ |
George W. Hill |
70 min |
|
B&W |
|
| 1926 |
The Road to Mandalay |
Metro-Goldwyn-Mayer Corp |
0:47:00 |
16mm |
B&W |
silent |