| 1943 |
Fugitive From Sonora. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1943 |
The Aeroproducts Propeller - Line Inspection And Maintenance |
See Prentice Hall Inc |
|
16mm |
|
sound |
| 1943 |
The Aeroproducts Propeller - Removal, Rein Stallation, Ground Run - Up And Flight Test |
See Prentice Hall Inc |
|
16mm |
|
sound |
| 1943 |
The Aeroproducts Propeller - Theory And Operation |
See Prentice Hall Inc |
|
16mm |
|
sound |
| 1943 |
The Ape Man. |
William Beaudine |
7 reels |
16mm |
B&W |
sound |
| 1943 |
The Fourth “R” |
The Parent Teacher Council of Campbell Hall School. |
|
16mm |
B&W |
|
| 1943 |
The Man From The Rio Grande. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1943 |
White Savage. |
Arthur Lubin |
8 reels |
|
B&W |
sound |
| 1942 |
Arabian Nights. |
John Rawlins |
9 reels |
|
Color |
sound |
| 1942 |
Heart Of The Golden West. |
Joseph Kane |
7 reels |
|
B&W |
|
| 1942 |
I DOOD IT |
R C M Productions |
102 min |
16mm |
B&W |
sound |
| 1942 |
I Dood It. |
Vincente Minnelli |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Invisible Agent. |
Edwin L. Marin |
9 reels |
16mm |
B&W |
Sound |
| 1942 |
Kokoda front line! |
Ken G. Hall |
9 min |
|
B&W |
|
| 1942 |
Moresby under the blitz |
Ken G. Hall |
|
|
|
|
| 1942 |
My Sister Eileen |
Contemporary Films |
96 min |
16mm |
B&W |
sound |
| 1942 |
My Sister Eileen. |
Alexander Hall |
10 reels |
|
B&W |
|
| 1942 |
Outlaws Of Pine Ridge. |
William Witney |
6 reels |
|
Color |
|
| 1942 |
Rings on Her Fingers |
Twentieth Century-Fox Film Corporation |
86 min |
16mm |
B&W |
sound |
| 1942 |
Rings On Her Fingers. |
Rouben Mamoulian |
7 761 ft. |
|
B&W |
|
| 1942 |
Sullivan's travels |
Universal Pictures Co. Inc. |
90 |
16mm |
B&W |
sound |
| 1942 |
The Falcon Takes Over. |
Irving Reis |
63 min. |
|
B&W |
|
| 1942 |
The Night Before The Divorce. |
Robert Siodmak |
6032 ft. |
|
B&W |
|
| 1942 |
The Tuttles of Tahiti |
RKO Radio Pictures |
|
16mm |
B&W |
sound |
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
They All Kissed The Bride. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
Accent On Love. |
Ray McCarey |
5560 ft. |
|
Color |
|
| 1941 |
Aloma Of The South Seas. |
Alfred Santell |
9 reels |
|
Color |
sound |
| 1941 |
Bedtime Story. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
Here comes Mr. Jordan. |
Alexander Hall |
3374 |
16mm |
B&W |
sound |
| 1941 |
HERE COMES MR. JORDAN. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1941 |
IN THE NAVY |
Arthur Lubin |
85 min |
|
B&W |
|
| 1941 |
Secrets Of The Lone Wolf. |
Edward Dmytryk |
7 reels |
|
B&W |
|
| 1941 |
Spooks Run Wild |
Phil Rosen |
65 min |
16mm |
B&W |
|
| 1941 |
Spooks run wild. |
Banner Pictures |
2175 |
16mm |
B&W |
sound |
| 1941 |
This Thing Called Love. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1940 |
A chump at Oxford |
Hal Roach presents ; directed by Alfred Goulding ; original story and screen play by Charles Rogers, Felix Adler, Harry Langdon. |
64 |
16mm |
B&W |
sound |
| 1940 |
BLONDIE ON A BUDGET |
Columbia Pictures. |
2400 |
16mm |
B&W |
sound |
| 1940 |
Blondie On A Budget. |
Frank R. Strayer |
7 reels |
|
B&W |
|
| 1940 |
Drums Of Fu Manchu. |
William Witney, John English |
2 reels |
|
B&W |
|
| 1940 |
Give us wings. |
Universal Pictures |
1950 |
16mm |
B&W |
sound |
| 1940 |
He Stayed For Breakfast. |
Alexander Hall |
9 reels |
|
B&W |
|
| 1940 |
Junior G-Men. |
John Rawlins, Ford Beebe |
2 reels |
|
B&W |
|
| 1940 |
Kiddie Kure. |
Edward L. Cahn |
984 ft. |
|
B&W |
sound |
| 1940 |
Kit Carson. |
George B. Seitz |
11 reels. |
|
B&W |
|
| 1940 |
Mexican Spitfire Out West. |
Leslie Goodwins |
76 min. |
|
B&W |
|
| 1940 |
Sailor's Lady. |
Allan Dwan |
6 005 ft. |
|
B&W |
|
| 1940 |
South Of Pago-Pago. |
Alfred Edward Green |
98 min. |
|
B&W |
|
| 1940 |
The Great McGinty |
Preston Sturges |
82 |
|
B&W |
|
| 1940 |
The Great Mcginty. |
Preston Sturges |
9 reels |
|
B&W |
|