| 1952 |
Another Man’s Poison. |
Dougfair Corp. |
89 min. |
35mm |
B&W |
sound |
| 1952 |
High noon |
telefilm |
84 |
16mm |
B&W |
sound |
| 1952 |
High Noon. |
Stanley Kramer Productions Inc. |
85 min. |
35mm |
B&W |
sound |
| 1952 |
Night Without Sleep. |
Twentieth Century-Fox Film Corp |
78 min. |
35mm |
B&W |
sound |
| 1952 |
Phone Call From a Stranger |
Jean Negulesco |
1:05 |
|
B&W |
|
| 1952 |
Phone Call From A Stranger. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1952 |
Springfield Rifle. |
Warner Bros. Pictures Inc. |
93 min. |
35mm |
Color |
sound |
| 1951 |
Decision Before Dawn. |
Twentieth Century-Fox Film Corp |
119 min |
35mm |
B&W |
sound |
| 1951 |
Distant Drums. |
United States Pictures Inc. |
101 min |
35mm |
Color |
sound |
| 1951 |
It’s A Big Country. |
Loew's Inc. |
89 min. |
35mm |
B&W |
sound |
| 1951 |
The Frogmen. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
B&W |
sound |
| 1951 |
You’re In The Navy Now. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1950 |
Bright Leaf. |
Warner Brothers Pictures Inc. |
110 min |
35mm |
B&W |
sound |
| 1950 |
Dallas. |
Warner Bros. Pictures Inc. |
94 min. |
35mm |
Color |
sound |
| 1950 |
TASK FORCE |
Delmer Daves |
100 min |
|
Color & B&W |
|
| 1950 |
Where The Sidewalk Ends. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
B&W |
sound |
| 1949 |
Our Springtime Wildflowers ▶ |
Film Sales Serv Farm Bureau Bldg |
0:10:12 |
16mm |
|
sound |
| 1949 |
TASK FORCE. |
Delmer Daves |
4300 |
16mm |
Color & B&W |
|
| 1949 |
Task Force. |
Delmer Daves |
116 min |
35mm |
B&W |
sound |
| 1949 |
The Fountainhead. |
King Vidor |
114 min |
35mm |
B&W |
sound |
| 1949 |
THE GIRL FROM JONES BEACH. |
Peter Godfrey |
3200 |
16mm |
B&W |
|
| 1949 |
The Girl From Jones Beach. |
Peter Godfrey |
78 min. |
35mm |
B&W |
sound |
| 1949 |
Twelve O’clock High. |
Twentieth Century-Fox Film Corp |
132 min |
35mm |
B&W |
sound |
| 1948 |
[The Quiet one] |
Film Documents ; produced by Janice Loeb ; directed by Sidney Meyers ; written by James Agee, Helen Levitt. |
65 min |
16mm |
B&W |
sound |
| 1948 |
Good Sam. |
Rainbow Productions |
4625 |
16mm |
B&W |
sound |
| 1948 |
The Quiet One |
FILM DOCUMENT INC |
68 min. |
16mm |
B&W |
sound |
| 1948 |
The Quiet one |
texture |
67 |
16mm |
B&W |
sound |
| 1948 |
The quiet one. |
Janice Loeb and William Levitt |
70 min |
16mm |
B&W |
sound |
| 1947 |
Unconquered |
Florida Dept Of Commerce Film Library |
147 min |
16mm |
Color |
sound |
| 1947 |
Unconquered |
Cecil B. DeMille |
12:00 |
|
Color |
|
| 1947 |
Unconquered. |
Paramount Pictures Inc. |
147 min |
35mm |
Color |
sound |
| 1947 |
Variety Girl. |
George Marshall |
93 min. |
35mm |
B&W |
sound |
| 1946 |
Cloak and dagger. |
Fritz Lang |
3800 |
16mm |
B&W |
sound |
| 1946 |
Saratoga Trunk. |
Sam Wood |
135 min |
|
B&W |
|
| 1946 |
The Green years |
Victor Saville |
127 min |
|
B&W |
|
| 1945 |
Along Came Jones. |
Stuart Heisler |
90 min. |
|
B&W |
|
| 1945 |
Saratoga trunk. |
Sam Wood |
5000 |
16mm |
B&W |
sound |
| 1944 |
Casanova Brown. |
Sam Wood |
8239 ft. |
|
B&W |
|
| 1944 |
Meet me in St. Louis |
Films inc. |
113 mi |
16mm |
Color |
sound |
| 1944 |
THE STORY OF DR. WASSELL |
Cecil B. DeMille |
15 reels |
|
Color |
sound |
| 1944 |
Where Are Your Children. |
William Nigh |
8 reels |
|
B&W |
|
| 1943 |
For Whom The Bell Tolls. |
Sam Wood |
19 reels |
|
Color & B&W |
sound |
| 1943 |
This Is The Army |
Michael Curtiz |
121 min |
16mm |
B&W |
sound |
| 1943 |
Where are your children? |
Monogram Pictures Corporation |
2500 |
16mm |
B&W |
sound |
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
Ball Of Fire. |
Howard Hawks |
111 min |
|
B&W |
|
| 1941 |
For Whom The Bell Tolls. |
Sam Wood |
1 reel |
16mm |
B&W |
sound |
| 1941 |
Land Of Liberty. ▶ |
Cecil B. DeMille |
10 reels |
16mm |
B&W |
sound |
| 1941 |
Meet John Doe |
Frank Capra |
1:22 |
|
B&W |
|