| 1948 |
FEDERAL AGENTS VS. UNDERWORLD, INC. |
Fred C. Brannon |
2 reels |
35mm |
B&W |
sound |
| 1948 |
Fort Apache. |
129 N Vermont |
128 min |
35mm |
B&W |
sound |
| 1948 |
Here Comes Trouble |
Fred Guiol |
|
|
|
|
| 1948 |
Hills Of Home. |
Fred M. Wilcox |
97 min. |
35mm |
Color |
sound |
| 1948 |
Inner Sanctum. |
National Broadcasting Co. Inc. |
26 min. |
16mm |
B&W |
sound |
| 1948 |
Make Mine Freedom |
Sutherland (John) Productions |
9 min |
16mm |
|
sound |
| 1948 |
On Our Merry Way. |
King Vidor, Leslie Fenton |
96 min. |
35mm |
B&W |
sound |
| 1948 |
T-Men. |
Anthony Mann |
92 min. |
35mm |
B&W |
sound |
| 1948 |
The search |
Indiana University Audio-Visual Center: Distributor | Teaching Film Custodians: Distributor |
0:11:00 |
16mm |
B&W |
sound |
| 1948 |
The Search. |
Fred Zinnemann |
105 min |
35mm |
B&W |
sound |
| 1948 |
Three Daring Daughters. |
Fred M. Wilcox |
119 min |
35mm |
Color |
sound |
| 1948 |
Unknown Island. |
Jack Bernhard |
78 min. |
35mm |
Color |
sound |
| 1948 |
Wallflower. |
Fred de Cordova |
77 min. |
35mm |
B&W |
sound |
| 1947 |
G-Men Never Forget. |
Yakima Canutt, Fred C. Brannon |
2 reels |
35mm |
B&W |
sound |
| 1947 |
Gentleman's Agreement |
Twentieth Century-Fox Film Corp |
118 min |
16mm |
B&W |
sound |
| 1947 |
Gentleman's Agreement. |
Elia Kazan |
118 min |
35mm |
B&W |
sound |
| 1947 |
Jesse James Rides Again. |
Fred C. Brannon, Thomas Carr |
2 reels |
35mm |
B&W |
sound |
| 1947 |
Kiss of Death |
Twentieth Century-Fox Film Corporation |
1:41:00 |
16mm |
B&W |
sound |
| 1947 |
Life with Father |
Columbia Broadcasting System Inc. unless otherwise indicated. |
3 reels |
16mm |
B&W |
sound |
| 1947 |
The Black Widow. |
Spencer Gordon Bennet, Fred C. Brannon |
2 reels |
35mm |
B&W |
sound |
| 1947 |
The Unsuspected. |
Michael Curtiz |
103 min |
35mm |
B&W |
sound |
| 1947 |
They Won't Believe Me. |
Irving Pichel |
95 min. |
35mm |
B&W |
sound |
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Courage of Lassie |
Fred M. Wilcox |
|
|
|
|
| 1946 |
Fool’s Gold. |
Hopalong Cassidy Productions Inc. |
3 reels |
16mm |
B&W |
sound |
| 1946 |
Joe Palooka, champ. |
Reginald LeBorg |
8 reels |
16mm |
B&W |
sound |
| 1946 |
King Of The Forest Rangers. |
Fred C. Brannon, Spencer Gordon Bennet |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Little Mister Jim. |
Fred Zinnemann |
10 reels |
|
B&W |
sound |
| 1946 |
Lonesome Lenny. |
Tex Avery |
708 ft. |
|
|
sound |
| 1946 |
My Brother Talks To Horses. |
Fred Zinnemann |
9 reels |
35mm |
B&W |
sound |
| 1946 |
San Antonio. |
Robert Florey, Raoul Walsh, David Butler |
111 min |
|
Color |
sound |
| 1946 |
Saratoga Trunk. |
Sam Wood |
135 min |
|
B&W |
|
| 1946 |
Smoky. |
Louis King |
7 851 ft. |
35mm |
|
sound |
| 1946 |
The Crimson Ghost. |
Fred C. Brannon, William Witney |
2 reels |
35mm |
B&W |
sound |
| 1946 |
Ziegfeld follies. |
Metro-Goldwyn-Mayer. |
110 min |
16mm |
Color |
silent |
| 1946 |
Ziegfeld Follies. |
Merrill Pye, Charles Walters, Robert Lewis, George Sidney, Roy Del Ruth, Vincente Minnelli, Norman Taurog |
13 reels |
|
Color |
sound |
| 1945 |
It's In The Bag. |
Richard Wallace |
90 min. |
|
Color & B&W |
|
| 1945 |
Pardon My Past. |
Leslie Fenton |
10 reels |
|
B&W |
|
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
The Purple Monster Strikes. |
Fred C. Brannon, Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1945 |
Too Young To Know. |
Fred de Cordova |
86 min. |
|
Color |
|
| 1945 |
Where Do We Go From Here. |
George Seaton, Gregory Ratoff |
7 000 ft. |
|
Color & B&W |
|
| 1945 |
Yolanda And The Thief. |
Vincente Minnelli |
12 reels |
35mm |
Color |
sound |
| 1944 |
And The Angels Sing. |
George Marshall |
10 reels |
|
B&W |
|
| 1944 |
Batty Baseball. |
Tex Avery |
594 ft. |
|
|
sound |
| 1944 |
Double indemnity |
Billy Wilder |
1:07 |
16mm |
B&W |
sound |
| 1944 |
Double Indemnity. |
Billy Wilder |
9596 ft. |
|
B&W |
|
| 1944 |
Happy-Go-Nutty. |
Tex Avery |
668 ft. |
|
|
sound |
| 1944 |
Meet me in St. Louis |
Films inc. |
113 mi |
16mm |
Color |
sound |
| 1944 |
Murder My Sweet |
Edward Dmytryk |
95 |
|
B&W |
|