| 1942 |
I Was Framed. |
D. Ross Lederman |
61 min. |
|
B&W |
|
| 1942 |
Kid Glove Killer. |
Fred Zinnemann |
7 reels |
|
B&W |
sound |
| 1942 |
Once Upon A Honeymoon |
Fairbanks (Jerry) Productions |
117 min |
16mm |
B&W |
sound |
| 1942 |
Spy Ship. |
B. Reeves Eason |
62 min. |
|
Color |
|
| 1942 |
The forest rangers. |
Paramount Pictures |
9 reels |
16mm |
Color |
sound |
| 1942 |
The lady or the tiger? |
Encyclopaedia Britannica Educational Corp. |
175 |
16mm |
|
sound |
| 1942 |
The Loves Of Edgar Allan Poe. |
Harry Lachman |
6 021 ft. |
|
B&W |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The price of victory |
William H. Pine |
14 min |
|
B&W |
|
| 1942 |
THREE LITTLE SISTERS |
Joseph Santley |
1:00 |
16mm |
Color |
sound |
| 1942 |
THREE LITTLE SISTERS |
Joseph Santley |
1:00 |
16mm |
Color |
sound |
| 1942 |
Three Little Sisters. |
Joseph Santley |
1 reel |
16mm |
B&W |
sound |
| 1943 |
Divide and Conquer |
United States War Department |
57 |
16mm |
B&W |
sound |
| 1943 |
Divide and Conquer |
Lewis Seiler, Frank Capra, Anatole Litvak |
57 min |
16mm |
B&W |
|
| 1943 |
Divide and conquer. |
U.S. War Department |
1800 |
16mm |
B&W |
sound |
| 1943 |
Flight For Freedom |
Lothar Mendes |
1:02 |
|
B&W |
|
| 1943 |
Flight For Freedom. |
Lothar Mendes |
102 min |
|
B&W |
|
| 1943 |
Lassie Come Home. |
Fred M. Wilcox |
9 reels |
|
Color |
sound |
| 1943 |
Sherlock Holmes Faces Death. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1943 |
The Sky's The Limit |
Edward H. Griffith |
12:00 |
|
B&W |
|
| 1943 |
The Sky's The Limit. |
Edward H. Griffith |
89 min. |
|
B&W |
|
| 1943 |
Tiger Fangs |
Sam Newfield |
|
|
B&W |
|
| 1943 |
WAKE ISLAND |
Paramount |
90min |
16mm |
B&W |
Sound |
| 1943 |
War Dogs. |
Joseph Barbera |
627 ft. |
|
|
sound |
| 1943 |
Yankee Doodle Dandy |
Warner Bros Pictures Inc |
2:07:00 |
16mm |
B&W |
sound |
| 1944 |
And The Angels Sing. |
George Marshall |
10 reels |
|
B&W |
|
| 1944 |
Batty Baseball. |
Tex Avery |
594 ft. |
|
|
sound |
| 1944 |
Double indemnity |
Billy Wilder |
1:07 |
16mm |
B&W |
sound |
| 1944 |
Double Indemnity. |
Billy Wilder |
9596 ft. |
|
B&W |
|
| 1944 |
Happy-Go-Nutty. |
Tex Avery |
668 ft. |
|
|
sound |
| 1944 |
Meet me in St. Louis |
Films inc. |
113 mi |
16mm |
Color |
sound |
| 1944 |
Murder My Sweet |
Edward Dmytryk |
95 |
|
B&W |
|
| 1944 |
PRACTICALLY YOURS. |
Mitchell Leisen |
3200 |
16mm |
B&W |
sound |
| 1944 |
Practically Yours. |
Mitchell Leisen |
9 reels |
|
B&W |
|
| 1944 |
Roaring Guns. |
Jean Negulesco |
20 min. |
|
B&W |
|
| 1944 |
Shine On Harvest Moon. |
David Butler |
112 min |
|
B&W |
sound |
| 1944 |
Standing Room Only. |
Sidney Lanfield |
8 reels |
|
B&W |
|
| 1944 |
The Seventh Cross. |
Fred Zinnemann |
12 reels |
16mm |
B&W |
sound |
| 1945 |
It's In The Bag. |
Richard Wallace |
90 min. |
|
Color & B&W |
|
| 1945 |
Pardon My Past. |
Leslie Fenton |
10 reels |
|
B&W |
|
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
The Purple Monster Strikes. |
Fred C. Brannon, Spencer Gordon Bennet |
2 reels |
|
B&W |
|
| 1945 |
Too Young To Know. |
Fred de Cordova |
86 min. |
|
Color |
|
| 1945 |
Where Do We Go From Here. |
George Seaton, Gregory Ratoff |
7 000 ft. |
|
Color & B&W |
|
| 1945 |
Yolanda And The Thief. |
Vincente Minnelli |
12 reels |
35mm |
Color |
sound |
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Courage of Lassie |
Fred M. Wilcox |
|
|
|
|
| 1946 |
Fool’s Gold. |
Hopalong Cassidy Productions Inc. |
3 reels |
16mm |
B&W |
sound |
| 1946 |
Joe Palooka, champ. |
Reginald LeBorg |
8 reels |
16mm |
B&W |
sound |
| 1946 |
King Of The Forest Rangers. |
Fred C. Brannon, Spencer Gordon Bennet |
2 reels |
35mm |
B&W |
sound |