| 1949 |
Roseanna McCoy. |
The Samuel Goldwyn Company |
100 min |
16mm |
B&W |
sound |
| 1949 |
The Last Days of Dolwyn |
Emlyn Williams, Russell Lloyd |
|
|
|
|
| 1948 |
[The Quiet one] |
Film Documents ; produced by Janice Loeb ; directed by Sidney Meyers ; written by James Agee, Helen Levitt. |
|
16mm |
B&W |
sound |
| 1948 |
Adventures Of Casanova. |
Roberto Gavaldón |
83 min. |
35mm |
B&W |
sound |
| 1948 |
Assigned To Danger. |
Budd Boetticher |
66 min. |
35mm |
B&W |
sound |
| 1948 |
The Quiet one |
texture |
67 |
16mm |
B&W |
sound |
| 1948 |
The quiet one. |
Janice Loeb and William Levitt |
70 min |
16mm |
B&W |
sound |
| 1947 |
Golden Earrings |
Dist By Aims Media |
95 min |
16mm |
B&W |
sound |
| 1946 |
Cluny Brown |
Ernst Lubitsch |
1:00 |
|
B&W |
|
| 1946 |
Cluny Brown. |
Ernst Lubitsch |
9100 ft. |
35mm |
B&W |
sound |
| 1946 |
I'll Turn to You. |
Geoffrey Faithfull |
|
16mm |
|
sound |
| 1946 |
My Pal Trigger. |
Frank McDonald |
8 reels |
35mm |
B&W |
sound |
| 1946 |
Under New Management |
John E. Blakeley |
|
|
|
|
| 1945 |
Along the Navajo Trail. |
R C M Productions |
1 reel |
16mm |
B&W |
sound |
| 1945 |
Don't Fence Me In. |
John English |
8 reels |
|
B&W |
|
| 1945 |
George White's Scandals. |
Felix E. Feist |
95 min. |
|
B&W |
|
| 1945 |
Hitchhike To Happiness. |
Joseph Santley |
8 reels |
|
B&W |
|
| 1945 |
Keep Your Powder Dry. |
Edward Buzzell |
10 reels |
|
B&W |
sound |
| 1945 |
Pursuit to Algiers. |
Universal Pictures |
2300 |
16mm |
B&W |
sound |
| 1945 |
The Big Show-Off. |
Howard Bretherton |
9 reels |
|
B&W |
|
| 1945 |
Utah. |
Donald H. Brown |
8 reels |
16mm |
B&W |
sound |
| 1944 |
[Ali Baba and the forty thieves |
film |
84 min |
[Ali Baba and the forty thieves |
Color |
|
| 1944 |
Courageous Mr Penn |
Allied Artists Of America |
79 |
16mm |
B&W |
sound |
| 1944 |
Lights of old Santa Fe. |
Republic Pictures Corporation |
2650 |
16mm |
B&W |
sound |
| 1944 |
San Fernando Valley. |
John English |
8 reels |
16mm |
B&W |
sound |
| 1944 |
The yellow rose of Texas. |
Joseph Kane |
1830 |
16mm |
B&W |
sound |
| 1943 |
In Old Oklahoma. |
Republic Pictures Corporation |
11 reels. |
16mm |
B&W |
sound |
| 1943 |
The West Side Kid. |
George Sherman |
6 reels |
|
Color & B&W |
|
| 1943 |
War of the Wildcats |
Albert S. Rogell |
|
|
|
|
| 1942 |
American Patterns of Rural Art |
United States Dept of Agriculture; Raymond Evans |
|
16mm |
|
|
| 1942 |
Orchestra Wives. |
Archie Mayo |
8 784 ft. |
|
B&W |
|
| 1942 |
The Foreman Went to France |
Charles Frend |
|
|
|
|
| 1942 |
The Mcguerins From Brooklyn. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1941 |
Clay Pottery |
Garrison and Evans Pottery Company |
10 |
16mm |
B&W |
|
| 1941 |
Love on the Dole |
John Baxter |
|
|
|
|
| 1941 |
Tanks A Million. |
Fred Guiol |
5 reels |
|
B&W |
|
| 1940 |
The Philadelphia Story. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1938 |
13 Men and a Gun |
Mario Zampi |
|
|
|
|
| 1938 |
ARMY GIRL. |
Republic Pictures Corp |
10 reels |
|
Color & B&W |
|
| 1938 |
SINNERS IN PARADISE. |
Universal Pictures Co. Inc. |
7 reels |
|
B&W |
|
| 1938 |
Vogues of 1938 |
Teleculture Inc. |
630 |
16mm |
Color & B&W |
sound |
| 1937 |
ESPIONAGE. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1937 |
Ten laps to go. |
Elmer Clifton |
2300 |
16mm |
B&W |
sound |
| 1936 |
EXCLUSIVE STORY. |
Metro-Goldwyn-Mayer Corp. |
8 reels |
|
B&W |
|
| 1936 |
KING OF THE PECOS. |
Republic Pictures Corp |
6 reels |
|
B&W |
|
| 1936 |
Pennies From Heaven |
Jo Swerling, Norman Z. McLeod |
81 |
|
B&W |
|
| 1936 |
Pennies from heaven. |
Columbia Pictures Corp. |
9 reels |
16mm |
B&W |
sound |
| 1936 |
THE BOSS RIDER OF GUN CREEK. |
Universal Productions Inc. |
7 reels |
|
B&W |
|
| 1936 |
THE WIDOW FROM MONTE CARLO. |
Vitaphone Corp. |
7 reels |
|
B&W |
|
| 1936 |
Three On The Trail |
Howard Bretherton |
67 |
|
B&W |
|