| 1930 |
WOMEN EVERYWHERE. |
Fox Film Corp |
82 min |
|
B&W |
|
| 1940 |
Florian. |
Edwin L. Marin |
10 reels |
|
B&W |
sound |
| 1940 |
Gold Rush Maisie. |
Edwin L. Marin |
8 reels |
|
B&W |
sound |
| 1940 |
Hullabaloo. |
Edwin L. Marin |
9 reels |
|
|
|
| 1941 |
Maisie Was A Lady. |
Edwin L. Marin |
8 reels |
|
B&W |
sound |
| 1941 |
Ringside Maisie. |
Edwin L. Marin |
10 reels |
|
B&W |
sound |
| 1942 |
A Gentleman After Dark. |
Edwin L. Marin |
76 min. |
|
|
|
| 1942 |
Invisible Agent. |
Edwin L. Marin |
9 reels |
16mm |
B&W |
Sound |
| 1942 |
Miss Annie Rooney. |
Edwin L. Marin |
85 min. |
|
|
|
| 1944 |
Tall in the Saddle |
Edwin L. Marin |
87 |
|
|
|
| 1945 |
Johnny Angel |
Edwin L. Marin |
79 |
|
|
|
| 1946 |
Abilene Town. |
Edwin L. Marin |
89 min. |
16mm |
|
sound |
| 1946 |
Lady Luck. |
Edwin L. Marin |
97 min. |
35mm |
|
sound |
| 1946 |
Nocturne |
Edwin L. Marin |
87 |
|
|
|
| 1946 |
Young Widow. |
Edwin L. Marin |
110 min |
|
|
|
| 1947 |
Christmas Eve. |
Edwin L. Marin |
90 min. |
35mm |
B&W |
sound |
| 1947 |
Intrigue. |
Edwin L. Marin |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Race Street |
Edwin L. Marin |
79 |
|
|
|
| 1949 |
Canadian Pacific. |
Edwin L. Marin |
95 min. |
35mm |
Color |
sound |
| 1949 |
Fighting Man Of The Plains. |
director, Edwin L. Marin. |
94 min. |
35mm |
Color |
sound |
| 1949 |
The Younger Brothers |
Edwin L. Marin |
|
|
|
|
| 1950 |
A Pilgrimage To The Holy Land. |
Edwin L. Whisler |
3 reels |
16mm |
Color |
sound |
| 1950 |
Sugarfoot. |
Warner Bros. Pictures Inc. |
80 min. |
16mm |
B&W |
sound |
| 1950 |
The Cariboo Trail. |
Twentieth Century-Fox Film Corp |
9 reels |
35mm |
Color |
sound |
| 1951 |
Fort Worth. |
Warner Bros. Pictures Corp. |
80 min. |
35mm |
Color |
sound |
| 1952 |
What’s New. |
Edwin L. Kendall Minerva J. Kendall |
245 sec |
35mm |
B&W |
sound |
| 1955 |
From sentences to paragraphs : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
From sentences to paragraphs : part 3 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Introduction |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Nouns and verbs vs. adjectives and adverbs |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Sentence variety and grammar |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Significance in writing |
WQED Edwin L. Peterson Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Style in writing : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Style in writing : part 2 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Writing forceful sentences : part 1 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1955 |
Writing forceful sentences : part 2 |
Edwin L. Peterson WQED Carl Freeborn Larry Flavin |
|
16mm |
|
|
| 1965 |
Decision: Electric. |
Edwin L. Wiegand Co. |
|
16mm |
Color |
sound |
| 1987 |
Black American Odyssey |
Wilber Edwin L |
|
16mm |
|
sound |
|
Black American Odyssey: Wilber, Edwin L |
Wilber Edwin L |
|
16mm |
|
sound |
|
Electric Heating Goes To School |
edwin l wiegand/Chromalux |
|
16mm |
|
sound |