| 1971 |
The Murder Of Fred Hampton |
MGA |
83 min |
|
B&W |
sound |
| 1971 |
Tri-Dimensional Living Mirror |
William Stanton, Edward Roll & Herbert Michaels |
30 min |
|
B&W |
sound |
| 1971 |
Walkabout |
Nicolas Roeg |
100 min |
|
Color |
|
| 1971 |
What's The Matter With Helen? |
Filmways & Raymax Productions |
101 min |
16mm |
Color |
sound |
| 1971 |
Who Says I Can’T Ride A Rainbow |
A Jerry Hammer production |
85 min |
|
Color |
sound |
| 1970 |
A walk with love and death |
Twentieth Century-Fox Film Corporation. |
85 min |
16mm |
Color |
sound |
| 1970 |
A Whole New World |
44114 Edward Feil Productions |
17 min |
16mm |
|
sound |
| 1970 |
Berlin Affair |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
CBS “Bigger & Smaller” ▶ |
Goldsholl Design & Film Associates |
|
16mm |
Color |
sound |
| 1970 |
Dial Hot Line |
Universal City Studios |
106 min |
|
Color |
sound |
| 1970 |
I Walk The Line |
John Frankenheimer Productions, Edward Lewis Productions, Halcyon Productions & Atticus Productions |
95 min |
|
Color |
sound |
| 1970 |
Lord Thing [2014 Preservation Print] ▶ |
DeWitt Beall |
52:20 |
16mm |
Color |
sound |
| 1970 |
Matt Lincoln — Adam |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Angie |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Billy |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Charles |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Doc |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Jilly |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Jimmy |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Lia |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Lori |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Nick |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Nina |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Sheila |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Steve |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
Matt Lincoln — Yumiko |
Universal City Studios & Vincent Edwards Productions |
Approx. 53 min. each |
|
Color |
sound |
| 1970 |
ON MY HONOR. |
Edward Hershberger |
|
16mm |
|
sound |
| 1970 |
One More Time |
Memphis Rotary Club. |
92 min |
16mm |
Color |
sound |
| 1970 |
Operation reentry |
John M. Atthowe Ph.D. Joseph M. McDonough Ph.D. Rudyard Propst Robert Kaiser Edward L. Morris James Bourgeois Dale Sharkey Larry Novak William G. Bauer Tom Markle Birdie Morris |
|
16mm |
|
|
| 1970 |
SISTERS. |
Steven A. Henschel |
7 reels |
16mm |
Color |
sound |
| 1970 |
The Christine Jorgensen Story |
Edprod Pictures |
89 min |
|
Color |
sound |
| 1970 |
The Love God |
Universal Pictures |
107 min |
|
Color |
sound |
| 1969 |
[Resurrection City] Ettienne (Edward) A. |
Ettienne (Edward) A. Rodriguez |
|
8mm |
Color |
sound |
| 1969 |
A WALK WITH LOVE AND DEATH. |
Twentieth Century-Fox Film Corp |
85 min |
35 mm |
Color |
sound |
| 1969 |
Angel In My Pocket. |
Universal Pictures |
|
35mm |
Color |
sound |
| 1969 |
Battle Of Britain |
CBS NEWS |
27 |
16mm |
Color |
|
| 1969 |
Checking Up |
Time-Life |
30 min |
|
|
|
| 1969 |
Closed Cuff Method Of Gowning And Gloving |
Edward Feil Productions |
7 min |
|
Color |
sound |
| 1969 |
In dense traffic |
John Edwards |
|
|
|
|
| 1969 |
Inspecting the car |
John Edwards |
|
|
|
|
| 1969 |
It's Your Move. |
Westinghouse Electric Corp |
99 min |
16mm |
Color |
sound |
| 1969 |
L'homme multiplié = |
Multiple man / Office National du Film ; direction, George Dufaux, Claude Godbout ; production, Robert Forget, Clément Perron. |
15 |
16mm |
Color & B&W |
sound |
| 1969 |
Moon 1969 |
Scott Bartlett. |
15 |
16mm |
Color |
sound |
| 1969 |
Moving off on hills, reversing and parking |
John Edwards |
|
|
|
|
| 1969 |
Night Driving |
Lumbermens Mutual Casualty Co |
6 min |
16mm |
|
sound |
| 1969 |
Night driving |
John Edwards |
|
|
|
|
| 1969 |
Otley. |
Bruce Cohn Curtis Films Ltd. |
91 min |
35mm |
Color |
sound |
| 1969 |
Patton |
Twentieth Century-Fox Film Corp |
171 min |
16mm |
Color |
sound |
| 1969 |
Pilots in pyjamas. Part four, Phantoms and the Thunderchiefs |
DEFA-Studio |
|
16mm |
B&W |
sound |
| 1969 |
Preoperative Surgical Scrub |
Edward Feil Productions |
6 min |
|
Color |
sound |