| 1943 |
Women In Bondage. |
Steve Sekely |
6 reels |
|
B&W |
|
| 1943 |
Young and Willing. |
Edward H. Griffith |
83 min |
16mm |
B&W |
sound |
| 1942 |
[On campus and off, 1942]. |
Track meet, Edwards Field, April 11, 1942 California Alumni Association. |
8 |
16mm |
Color |
silent |
| 1942 |
A - Haunting We Will Go |
Twentieth Century-Fox Film Corp |
2600 |
16mm |
B&W |
sound |
| 1942 |
A Close Call For Ellery Queen. |
James P. Hogan |
7 reels |
16mm |
B&W |
sound |
| 1942 |
A Man's World. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
About Face. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
All Through the Night ▶ |
Vincent Sherman |
107 min |
|
B&W |
|
| 1942 |
Army Surgeon. |
A. Edward Sutherland |
63 min. |
|
B&W |
|
| 1942 |
At The Dog Show ▶ |
Group of ONE Productions |
7:13 |
16mm |
B&W |
sound |
| 1942 |
Bambi |
James Algar, David Hand, Bill Roberts, Graham Heid, Samuel Armstrong, Norman Wright, Paul Satterfield |
69 min |
|
Color |
|
| 1942 |
Behind The Eight Ball. |
Edward F. Cline |
6 reels |
16mm |
B&W |
Sound |
| 1942 |
Born To Sing. |
Edward Ludwig |
8 reels |
|
B&W |
sound |
| 1942 |
Come On Danger. |
Edward Killy |
58 min. |
|
B&W |
|
| 1942 |
Confessions Of Boston Blackie. |
Edward Dmytryk |
6 reels |
|
B&W |
|
| 1942 |
Counter-Espionage. |
Edward Dmytryk |
7 reels |
|
B&W |
|
| 1942 |
Don't Lie. |
Edward L. Cahn |
985 ft. |
16mm |
B&W |
sound |
| 1942 |
DR. BROADWAY. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1942 |
Eyes In The Night. |
Fred Zinnemann |
4 reels |
|
B&W |
sound |
| 1942 |
Fly-By-Night. |
Robert Siodmak |
8 reels |
|
B&W |
|
| 1942 |
Flying With Music. |
George Archainbaud |
5 reels |
|
B&W |
|
| 1942 |
Foreign Agent. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
Give Out, Sisters. |
Edward F. Cline |
8 reels |
16mm |
B&W |
sound |
| 1942 |
Hillbilly Blitzkrieg. |
Roy Mack |
7 reels |
|
B&W |
|
| 1942 |
Home in Wyomin'. |
Republic Pictures Corporation |
1800 |
16mm |
B&W |
sound |
| 1942 |
I Married An Angel. |
W. S. Van Dyke, Roy Del Ruth, Hunt Stromberg |
10 reels |
|
B&W |
sound |
| 1942 |
Isle Of Missing Men. |
Richard Oswald |
7 reels |
|
B&W |
|
| 1942 |
King Of The Stallions. |
Edward Finney |
7 reels |
|
|
|
| 1942 |
Klondike Fury. |
William K. Howard |
7 reels |
|
Color & B&W |
|
| 1942 |
Land Of The Open Range. |
Edward Killy |
60 min. |
|
B&W |
|
| 1942 |
Larceny, Inc. |
Lloyd Bacon |
95 min. |
|
B&W |
|
| 1942 |
Ma, he's making eyes at me. |
R C M Productions |
|
16mm |
B&W |
sound |
| 1942 |
Ma, He's Making Eyes At Me. |
Harold D. Schuster |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Man With Two Lives. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1942 |
Matri-Phony. |
Harry Edwards |
1 558 ft. |
|
B&W |
|
| 1942 |
Meet The Stewarts. |
Alfred Edward Green |
8 reels |
|
B&W |
|
| 1942 |
My Sister Eileen |
Contemporary Films |
96 min |
16mm |
B&W |
sound |
| 1942 |
My Sister Eileen. |
Alexander Hall |
10 reels |
|
B&W |
|
| 1942 |
Nazty Nuisance. |
Glenn Tryon |
5 reels |
|
B&W |
|
| 1942 |
Pacific Rendezvous. |
George Sidney |
7 reels |
|
B&W |
sound |
| 1942 |
PHONEY CRONIES |
Harry Edwards |
|
16mm |
B&W |
|
| 1942 |
PRIVATE BUCKAROO |
Edward Cline |
|
16mm |
B&W |
sound |
| 1942 |
Private Buckaroo. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1942 |
Private Snuffy Smith. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1942 |
Red River Robin Hood. |
Lesley Selander |
57 min. |
|
B&W |
|
| 1942 |
Ride 'em' Cowboy |
Arthur Lubin |
80 min |
|
B&W |
|
| 1942 |
RIDE ’EM COWBOY |
Arthur Lubin |
80 min |
|
B&W |
|
| 1942 |
Salute John Citizen |
Maurice Elvey |
96 min |
|
B&W |
|
| 1942 |
Sappy Birthday. |
Harry Edwards |
1 496 ft. |
|
B&W |
|
| 1942 |
Shadow Of A Doubt. |
Alfred Hitchcock |
11 reels. |
|
B&W |
|