| 1945 |
Micro-Phonies. |
Edward Bernds |
1 533 ft. |
|
B&W |
|
| 1945 |
Mr. Muggs rides again. |
Wallace Fox |
4900 |
16mm |
B&W |
sound |
| 1945 |
Our Vines Have Tender Grapes. |
Roy Rowland |
10 reels |
|
B&W |
sound |
| 1945 |
Pistol Packin' Nitwits. |
Edward Bernds |
1558 ft. |
|
|
|
| 1945 |
Salome, Where She Danced. |
B. Reeves Eason, Charles Lamont |
10 reels |
|
Color |
sound |
| 1945 |
Scarlet Street ▶ |
D. W. Griffith |
1:16:24 |
|
B&W |
sound |
| 1945 |
Scarlet street. ▶ |
Diana production |
11 reels. |
16mm |
B&W |
sound |
| 1945 |
Song Of The Sarong. |
Harold Young |
7 reels |
|
B&W |
|
| 1945 |
Steppin' In Society. |
Alexander Esway |
7 reels |
|
Color |
|
| 1945 |
Sunbonnet Sue. |
Ralph Murphy |
10 reels |
|
B&W |
|
| 1945 |
Swing Out Sister. |
Edward Lilley |
7 reels |
|
B&W |
|
| 1945 |
Tampico. |
Filmcraft (Firm) |
1:30 |
16mm |
B&W |
sound |
| 1945 |
Tampico. |
Lothar Mendes |
1 reel |
16mm |
B&W |
sound |
| 1945 |
The Clock |
Vincente Minnelli, Fred Zinnemann |
90 min |
|
B&W |
|
| 1945 |
The Gay Senorita. |
Arthur Dreifuss |
7 reels |
|
B&W |
|
| 1945 |
The Great John L. |
Bing Crosby Productions |
90 min. |
16mm |
B&W |
silent |
| 1945 |
The Hidden Eye. |
Richard Whorf |
7 reels |
|
B&W |
sound |
| 1945 |
The Man In Grey. |
Leslie Arliss |
93 min. |
|
B&W |
|
| 1945 |
The Missing Corpse. |
PRC Pictures Inc. |
6 reels |
16mm |
B&W |
sound |
| 1945 |
The Phantom speaks |
John English |
7 reels |
16mm |
Color |
sound |
| 1945 |
The red dragon. |
Phil Rosen |
22:00 |
16mm |
B&W |
sound |
| 1945 |
The Shanghai Cobra. |
Phil Karlson |
7 reels |
|
B&W |
|
| 1945 |
THE STRANGE MR. GREGORY. |
Phil Rosen |
7 reels |
|
B&W |
|
| 1945 |
The woman in green. |
Universal Pictures |
2400 |
16mm |
B&W |
sound |
| 1945 |
West Of The Pecos. |
Edward Killy |
66 min. |
|
B&W |
|
| 1945 |
Who's Who In Animal Land |
Paramount Pictures. (Speaking of animals) |
1 reel |
|
B&W |
|
| 1944 |
Adventures Of Kitty O'day. |
William Beaudine |
7 reels |
|
B&W |
|
| 1944 |
Allergic To Love. |
Edward Lilley |
7 reels |
16mm |
B&W |
Sound |
| 1944 |
Babes On Swing Street. |
Edward C. Lilley |
8 reels |
16mm |
B&W |
Sound |
| 1944 |
Between two worlds |
Warner Bros.-First National ; produced by Mark Hellinger ; screen play by Daniel Fuchs ; directed by Edward A. Blatt. |
112 |
16mm |
B&W |
sound |
| 1944 |
Between two worlds. |
Edward A. Blatt |
112 min |
16mm |
B&W |
silent |
| 1944 |
Between Two Worlds. |
Edward A. Blatt |
112 min |
|
B&W |
|
| 1944 |
BEYOND THE BLUE HORIZON |
Alfred Santell |
76 min |
16mm |
|
sound |
| 1944 |
Beyond The Blue Horizon. |
Alfred Santell |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Blue Beard |
Edward G. Ulmer |
|
|
|
|
| 1944 |
Brand Of The Devil. |
Harry L. Fraser |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Career Girl. |
Wallace Fox |
7 reels |
|
B&W |
|
| 1944 |
Courageous Mr Penn |
Allied Artists Of America |
79 |
16mm |
B&W |
sound |
| 1944 |
Crazy Knights. |
William Beaudine |
6 reels |
|
B&W |
|
| 1944 |
Detective Kitty O'day. |
William Beaudine |
6 reels |
|
B&W |
|
| 1944 |
Double indemnity |
Billy Wilder |
1:07 |
16mm |
B&W |
sound |
| 1944 |
Double Indemnity. |
Billy Wilder |
9596 ft. |
|
B&W |
|
| 1944 |
End Of The Road. |
George Blair |
5 reels |
|
Color |
|
| 1944 |
Farewell, My Lovely |
Edward Dmytryk |
|
|
|
|
| 1944 |
Follow The Boys. |
A. Edward Sutherland |
13 reels |
16mm |
B&W |
Sound |
| 1944 |
G.I. Country Club ▶ |
|
18:59 |
16mm |
Color |
silent |
| 1944 |
Ghost catchers |
Edward F. Cline |
|
16mm |
B&W |
sound |
| 1944 |
Ghost Catchers. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Ghost Guns. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1944 |
Guns Of The Law. |
Elmer Clifton |
6 reels |
16mm |
B&W |
sound |