| 1949 |
Cover-Up. |
Alfred Edward Green |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Feudin' Rhythm. |
Edward Bernds |
65 min. |
35mm |
B&W |
sound |
| 1949 |
Fighting Fools. |
Reginald LeBorg |
69 min. |
35mm |
B&W |
sound |
| 1949 |
Fuelin’ Around |
Columbia Pictures Corporation |
16 min |
|
B&W |
|
| 1949 |
Give us this day |
Edward Dmytryk |
120 min |
|
B&W |
|
| 1949 |
Give Us This Day |
Edward Dmytryk |
120 min |
16mm |
B&W |
|
| 1949 |
Give Us This Day |
Edward Dmytryk |
120 min |
|
B&W |
|
| 1949 |
Hold That Baby. |
Reginald LeBorg |
64 min. |
35mm |
B&W |
sound |
| 1949 |
House Of Strangers. |
Joseph L. Mankiewicz |
101 min |
35mm |
B&W |
sound |
| 1949 |
I Cheated The Law. |
Edward L. Cahn |
64 min. |
35mm |
B&W |
sound |
| 1949 |
I Shot Jesse James. |
executive producer, Robert L. Lippert; producer, Carl K. Hittleman ; director and script, Samuel Fuller. |
81 min. |
35mm |
B&W |
sound |
| 1949 |
I Was A Male War Bride |
Twentieth Century-Fox Film Corporation. |
1:05 |
16mm |
B&W |
sound |
| 1949 |
I Was A Male War Bride. |
Howard Hawks |
105 min |
35mm |
B&W |
sound |
| 1949 |
Improve Your Pronunciation ▶ |
Coronet Films |
11 min |
|
B&W |
|
| 1949 |
Jiggs And Maggie In Jackpot Jitters. |
William Beaudine |
67 min. |
35mm |
B&W |
sound |
| 1949 |
Joe Palooka In The Big Fight. |
Monogram Pictures Corporation |
66 min. |
35mm |
B&W |
sound |
| 1949 |
John Loves Mary. |
David Butler |
96 min. |
35mm |
B&W |
sound |
| 1949 |
Lead shoes |
AMERICAN FEDERATION OF THE ARTS |
17 |
16mm |
B&W |
sound |
| 1949 |
Master Minds. |
Jean Yarbrough |
64 min. |
35mm |
B&W |
sound |
| 1949 |
Mighty Joe Young. |
Ernest B. Schoedsack |
94 min. |
35mm |
B&W |
sound |
| 1949 |
Neptune's Daughter. |
Edward Buzzell |
93 min. |
35mm |
Color |
sound |
| 1949 |
Night time in Nevada. |
William Witney |
2406 |
16mm |
Color & B&W |
sound |
| 1949 |
Obsession |
Edward Dmytryk |
|
|
|
|
| 1949 |
Project X. |
Edward Montagne |
60 min. |
35mm |
B&W |
sound |
| 1949 |
Snap Shoot. |
Kenneth Edward Hutchinson |
10 min. |
16mm |
Color |
sound |
| 1949 |
Susanna Pass. |
William Witney |
67 min. |
35mm |
Color |
sound |
| 1949 |
Take Me Out to the Ball Game |
Metro-Goldwyn-Mayer Corp |
1:33:00 |
16mm |
Color |
sound |
| 1949 |
Take Me Out To The Ball Game. |
Busby Berkeley |
93 min. |
35mm |
Color |
sound |
| 1949 |
That midnight kiss |
Norman Taurog |
96 min |
|
|
|
| 1949 |
The Adventures of Jane |
Edward G. Whiting |
|
|
B&W |
|
| 1949 |
The feathered serpent. |
Monogram Pictures Corporation |
2050 |
16mm |
B&W |
sound |
| 1949 |
The Lovable Cheat. |
Richard Oswald |
76 min. |
35mm |
B&W |
sound |
| 1949 |
The Man On The Eiffel Tower. |
A & T Film Productions Inc. |
97 min. |
35mm |
Color |
sound |
| 1949 |
The Set-Up. |
Robert Wise |
73 min. |
35mm |
B&W |
sound |
| 1949 |
This Was A Woman. |
Tim Whelan |
102 min |
35mm |
B&W |
sound |
| 1949 |
Trail Of The Yukon. |
William Beaudine |
67 min. |
35mm |
B&W |
sound |
| 1949 |
Tuna Clipper. |
William Beaudine |
77 min. |
35mm |
B&W |
sound |
| 1949 |
Twelve O’clock High. |
Twentieth Century-Fox Film Corp |
132 min |
35mm |
B&W |
sound |
| 1949 |
Vagabond Loafers. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1949 |
Wake Of The Red Witch. |
Edward Ludwig |
106 min |
35mm |
B&W |
sound |
| 1950 |
A Woman Of Distinction. |
Columbia Pictures Corp. |
85 min. |
35mm |
B&W |
sound |
| 1950 |
Annie Get Your Gun. |
Loew's Inc. |
107 min |
35mm |
Color |
sound |
| 1950 |
Beware Of Blondie. |
Columbia Pictures Corp. |
66 min. |
35mm |
B&W |
sound |
| 1950 |
Blonde Dynamite. |
Monogram Pictures Corp. |
66 min. |
35mm |
B&W |
sound |
| 1950 |
Blondie’s Hero. |
Columbia Pictures Corp. |
60 min. |
35mm |
B&W |
sound |
| 1950 |
CALIFORNIA PASSAGE |
Joseph Kane |
90 min |
16mm |
B&W |
sound |
| 1950 |
California Passage. |
Republic Pictures Corp |
90 min. |
35mm |
B&W |
sound |
| 1950 |
Call of the Klondike. |
Monogram Pictures Corp. |
67 min. |
35mm |
B&W |
sound |
| 1950 |
Davy Crockett, Indian scout. |
Reliance Pictures Inc. |
71 min. |
35mm |
B&W |
sound |
| 1950 |
Experiment Alcatraz |
Edward L. Cahn |
57 min |
|
B&W |
|