| 1947 |
The Magic Bow. |
Bernard Knowles |
105 min |
35mm |
B&W |
sound |
| 1947 |
The Red House. |
Delmer Daves |
100 min |
35mm |
B&W |
sound |
| 1947 |
The Tender Years. |
Harold D. Schuster |
81 min. |
35mm |
B&W |
sound |
| 1947 |
Wedlock Deadlock. |
Edward Bernds |
2 reels |
35mm |
B&W |
sound |
| 1948 |
A Southern Yankee. |
Edward Sedgwick |
90 min. |
35mm |
B&W |
sound |
| 1948 |
All my sons. |
Irving Reis |
3380 |
16mm |
B&W |
sound |
| 1948 |
An Innocent Affair. |
Lloyd Bacon |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Angels alley |
Monogram |
67 min. |
16mm |
B&W |
sound |
| 1948 |
Back trail |
Christy Cabanne |
54 min. |
16mm |
B&W |
sound |
| 1948 |
BIG CITY |
Norman Taurog |
103 min |
|
B&W |
|
| 1948 |
Black Eagle. |
/ Robert Cohn production; screenplay, Edward Huebsch, Hall Smith; adaptation, Edward Huebsch; based on the O. Henry story, "The Passing of Black Eagle" ; directed by Robert Gordon. |
8 reels |
35mm |
B&W |
sound |
| 1948 |
Blondie's Reward. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Blondie's Secret. |
Edward Bernds |
68 min. |
35mm |
B&W |
sound |
| 1948 |
Bungalow 13. |
Edward L. Cahn |
65 min. |
35mm |
B&W |
sound |
| 1948 |
Command Decision ▶ |
Sam Wood |
112 min |
|
B&W |
|
| 1948 |
Command Decision. |
Sam Wood |
112 min |
35mm |
B&W |
sound |
| 1948 |
Crime On Their Hands. |
Edward Bernds |
18 min. |
35mm |
B&W |
sound |
| 1948 |
Docks Of New Orleans. |
Derwin Abrahams |
64 min. |
35mm |
B&W |
sound |
| 1948 |
Feudin', Fussin', And A-Fightin'. |
George Sherman |
78 min. |
35mm |
B&W |
sound |
| 1948 |
Four Faces West. |
Alfred Edward Green |
90 min. |
35mm |
B&W |
sound |
| 1948 |
It Always Rains On Sunday. |
Robert Hamer |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Jiggs And Maggie In Court. |
William Beaudine |
71 min. |
35mm |
B&W |
sound |
| 1948 |
Jinx Money. |
William Beaudine |
68 min. |
35mm |
B&W |
sound |
| 1948 |
Key Largo |
John Huston |
1:00 |
16mm |
B&W |
|
| 1948 |
Key Largo. |
John Huston |
101 min |
35mm |
B&W |
sound |
| 1948 |
Mummy's Dummies. |
Edward Bernds |
16 min. |
35mm |
B&W |
sound |
| 1948 |
Panhandle. |
Lesley Selander |
85 min. |
35mm |
B&W |
sound |
| 1948 |
Relentless. |
George Sherman |
93 min. |
35mm |
Color |
sound |
| 1948 |
Road House. |
Jean Negulesco |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Silver Trails. |
Christy Cabanne |
53 min. |
35mm |
B&W |
sound |
| 1948 |
Smart Woman. |
Edward Blatt |
93 min. |
35mm |
B&W |
sound |
| 1948 |
Squareheads Of The Round Table. |
Edward Bernds |
18 min. |
35mm |
B&W |
sound |
| 1948 |
Stage Struck. |
William Nigh |
71 min. |
35mm |
B&W |
sound |
| 1948 |
Tarzan and the mermaids. |
Robert Florey |
68 min. |
16mm |
B&W |
sound |
| 1948 |
The Arch Of Triumph. |
MGM ; director, Lewis Milestone. |
120 min |
35mm |
B&W |
sound |
| 1948 |
The Babe Ruth Story. |
Roy Del Ruth |
106 min |
35mm |
B&W |
sound |
| 1948 |
The Checkered Coat. |
Edward L. Cahn |
66 min. |
35mm |
B&W |
sound |
| 1948 |
The Fuller Brush man. |
Columbia Pictures. |
3200 |
16mm |
B&W |
sound |
| 1948 |
The Girl From Manhattan. |
Alfred Edward Green |
80 min. |
35mm |
B&W |
sound |
| 1948 |
They Live By Night. |
Nicholas Ray |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Trouble Makers. |
Reginald LeBorg |
61 min. |
35mm |
B&W |
sound |
| 1948 |
Wake of the Red Witch |
Edward Ludwig |
106 min |
16mm |
B&W |
silent |
| 1948 |
Walk A Crooked Mile. |
Gordon Douglas |
91 min. |
35mm |
B&W |
sound |
| 1948 |
Wheels A' Rolling ▶ |
John Ott Pictures, Inc. |
|
16mm |
Color |
sound |
| 1949 |
A Run for your money |
Charles Frend |
85 min |
|
B&W |
|
| 1949 |
A Run For Your Money. |
Ealing Studios Ltd. |
83 min. |
35mm |
B&W |
sound |
| 1949 |
Angels In Disguise. |
Jean Yarbrough |
63 min. |
35mm |
B&W |
sound |
| 1949 |
Big Jack. |
Richard Thorpe |
85 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie Hits The Jackpot. |
Edward Bernds |
66 min. |
35mm |
B&W |
sound |
| 1949 |
Blondie's Big Deal. |
Edward Bernds |
60 min. |
35mm |
B&W |
sound |