| 1943 |
Swingtime Johnny. |
Edward F. Cline |
6 reels |
|
Color |
|
| 1943 |
Tender Comrade. |
Edward Dmytryk |
102 min |
|
|
|
| 1943 |
THE DANCING MASTERS |
Twentieth Century-Fox Film Corp |
63 min |
16mm |
B&W |
sound |
| 1943 |
The Dancing Masters. |
Malcolm St. Clair |
5 611 ft. |
|
B&W |
|
| 1943 |
The Iron Major. |
Ray Enright |
85 min. |
|
B&W |
|
| 1943 |
The Man From The Rio Grande. |
Howard Bretherton |
6 reels |
|
Color |
|
| 1943 |
The Sky's the Limit |
Edward H. Griffith |
89 |
16mm |
B&W |
Sound |
| 1943 |
The Sky's the Limit ▶ |
Rodney Jacobs and Freewheelin' Films |
89 min |
|
B&W |
|
| 1943 |
The Youngest Profession. |
Edward Buzzell |
8 reels |
|
B&W |
sound |
| 1943 |
There's Something About A Soldier. |
Alfred Edward Green |
8 reels |
|
B&W |
sound |
| 1943 |
They Came To Blow Up America. |
Edward Ludwig |
6586 ft. |
|
B&W |
|
| 1943 |
Three Little Twirps. |
Harry Edwards |
1407 ft. |
|
B&W |
|
| 1943 |
Three Smart Guys. |
Edward L. Cahn |
973 ft. |
|
B&W |
sound |
| 1943 |
Two Weeks To Live. |
Malcolm St. Clair |
76 min. |
|
B&W |
|
| 1943 |
Victory Through Air Power. |
Clyde Geronimi, James Algar, H. C. Potter, Jack Kinney |
6 132 ft. |
|
Color |
sound |
| 1943 |
WAKE ISLAND |
Paramount |
90min |
16mm |
B&W |
Sound |
| 1943 |
Where are your children? |
Monogram Pictures Corporation |
2500 |
16mm |
B&W |
sound |
| 1943 |
Wings Over The Pacific. |
Phil Rosen |
6 reels |
16mm |
Color |
sound |
| 1943 |
Women In Bondage. |
Steve Sekely |
6 reels |
|
B&W |
|
| 1943 |
Young and Willing. |
Edward H. Griffith |
83 min |
16mm |
B&W |
sound |
| 1944 |
Adventures Of Kitty O'day. |
William Beaudine |
7 reels |
|
B&W |
|
| 1944 |
Allergic To Love. |
Edward Lilley |
7 reels |
16mm |
B&W |
Sound |
| 1944 |
Babes On Swing Street. |
Edward C. Lilley |
8 reels |
16mm |
B&W |
Sound |
| 1944 |
Between two worlds |
Warner Bros.-First National ; produced by Mark Hellinger ; screen play by Daniel Fuchs ; directed by Edward A. Blatt. |
112 |
16mm |
B&W |
sound |
| 1944 |
Between two worlds. |
Edward A. Blatt |
112 min |
16mm |
B&W |
silent |
| 1944 |
Between Two Worlds. |
Edward A. Blatt |
112 min |
|
B&W |
|
| 1944 |
BEYOND THE BLUE HORIZON |
Alfred Santell |
76 min |
16mm |
|
sound |
| 1944 |
Beyond The Blue Horizon. |
Alfred Santell |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Blue Beard |
Edward G. Ulmer |
|
|
|
|
| 1944 |
Brand Of The Devil. |
Harry L. Fraser |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Career Girl. |
Wallace Fox |
7 reels |
|
B&W |
|
| 1944 |
Courageous Mr Penn |
Allied Artists Of America |
79 |
16mm |
B&W |
sound |
| 1944 |
Crazy Knights. |
William Beaudine |
6 reels |
|
B&W |
|
| 1944 |
Detective Kitty O'day. |
William Beaudine |
6 reels |
|
B&W |
|
| 1944 |
Double indemnity |
Billy Wilder |
1:07 |
16mm |
B&W |
sound |
| 1944 |
Double Indemnity. |
Billy Wilder |
9596 ft. |
|
B&W |
|
| 1944 |
End Of The Road. |
George Blair |
5 reels |
|
Color |
|
| 1944 |
Farewell, My Lovely |
Edward Dmytryk |
|
|
|
|
| 1944 |
Follow The Boys. |
A. Edward Sutherland |
13 reels |
16mm |
B&W |
Sound |
| 1944 |
G.I. Country Club ▶ |
|
18:59 |
16mm |
Color |
silent |
| 1944 |
Ghost catchers |
Edward F. Cline |
|
16mm |
B&W |
sound |
| 1944 |
Ghost Catchers. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Ghost Guns. |
Lambert Hillyer |
6 reels |
|
B&W |
|
| 1944 |
Guns Of The Law. |
Elmer Clifton |
6 reels |
16mm |
B&W |
sound |
| 1944 |
Hat Check Honey. |
Edward F. Cline |
7 reels |
|
B&W |
|
| 1944 |
Having Wonderful Crime. |
A. Edward Sutherland |
70 min. |
|
B&W |
|
| 1944 |
HE'S MY GUY |
Edward F. Cline |
1:00 |
16mm |
B&W |
sound |
| 1944 |
He's My Guy. |
Edward F. Cline |
1 reel |
16mm |
B&W |
sound |
| 1944 |
Hi, good lookin'. |
Edward Lilley |
2:10 |
16mm |
B&W |
sound |
| 1944 |
Hot Rhythm. |
William Beaudine |
8 reels |
|
Color & B&W |
|