| 1911 |
Brown of Harvard |
Colin Campbell |
|
|
B&W |
|
| 1931 |
Aloha. |
Thomas H. Ince |
9 reels |
16mm |
B&W |
sound |
| 1933 |
MUSSOLINI SPEAKS. |
Columbia Pictures Corp. |
7 reels |
|
B&W |
|
| 1934 |
The Black Cat |
Universal Pictures Company | Universal Pictures Corporation |
1:06:00 |
16mm |
B&W |
sound |
| 1934 |
THE BLACK CAT, |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1934 |
Thunder Over Texas |
Edgar G. Ulmer |
61 min |
|
B&W |
|
| 1934 |
WE LIVE AGAIN. |
Samuel Goldwyn |
9 reels |
16mm |
B&W |
sound |
| 1939 |
MOON OVER HARLEM. |
Meteor Productions Inc. |
8 reels |
|
B&W |
|
| 1940 |
American matchmaker. |
Edgar G. Ulmer |
3132 |
16mm |
B&W |
sound |
| 1940 |
Goodbye, Mr. Germ |
Edgar J Ulmer |
|
|
|
|
| 1940 |
They Do Come Back ▶ |
United Films |
|
16mm |
|
sound |
| 1940 |
They Do Come Back |
National Tuberculosis Association |
22 |
16mm |
B&W |
|
| 1940 |
They do come back |
Edgar G. Ulmer |
|
|
|
|
| 1940 |
THEY DO COME BACK |
Nat TB assn |
17 min |
16mm |
|
Sound |
| 1940) |
GOODBYE, MR. GERM ▶ |
Edgar G. Ulmer |
|
16mm |
|
|
| 1941 |
Another To Conquer. ▶ |
Edgar. G Ulmer |
20 min. |
16mm/video file |
|
sound |
| 1942 |
Tomorrow we live |
Edgar G. Ulmer |
64 min |
|
B&W |
|
| 1943 |
Girls In Chains. |
Edgar G. Ulmer |
7 reels |
|
B&W |
|
| 1943 |
Isle of Forgotten Sins |
Edgar G. Ulmer |
82 min |
|
B&W |
|
| 1943 |
Jive Junction. |
PRC Pictures Inc. |
8 reels |
16mm |
B&W |
sound |
| 1943 |
My Son, The Hero. |
Edgar G. Ulmer |
7 reels |
|
|
|
| 1945 |
Club Havana. |
Edgar G. Ulmer |
6 reels |
16mm |
B&W |
sound |
| 1945 |
Detour |
Edgar G. Ulmer |
66 |
|
B&W |
|
| 1945 |
Detour. |
Edgar G. Ulmer |
7 reels |
|
B&W |
|
| 1946 |
DETOUR |
R C M Productions |
67 min |
16mm |
B&W |
sound |
| 1946 |
Detour. |
Edgar G. Ulmer |
1 reel |
16mm |
B&W |
sound |
| 1946 |
Her Sister's Secret. |
Edgar G. Ulmer |
9 reels |
35mm |
B&W |
sound |
| 1946 |
The Strange Woman. |
Edgar G. Ulmer |
101 min |
35mm |
B&W |
sound |
| 1946 |
The wife of Monte Cristo. |
PRC Pictures Inc. |
8 reels |
16mm |
B&W |
sound |
| 1947 |
Carnegie Hall. |
Edgar G. Ulmer |
135 min |
35mm |
B&W |
sound |
| 1948 |
Ruthless. |
Edgar G. Ulmer |
105 min |
35mm |
B&W |
sound |
| 1949 |
The Pirates Of Capri. |
Edgar G. Ulmer, Giuseppe Maria Scotese |
94 min. |
35mm |
B&W |
sound |
| 1951 |
St. Benny the Dip |
Edgar G. Ulmer |
80 min |
|
B&W |
|
| 1952 |
Babes in Bagdad |
Edgar G. Ulmer |
95 min |
|
Color |
|
| 1957 |
The Daughter of Dr. Jekyll |
Edgar G. Ulmer |
71 min |
|
|
|
| 1960 |
Beyond the Time Barrier |
Edgar G. Ulmer |
75 min |
|
B&W |
|
| 1960 |
The Amazing Transparent Man |
Edgar G. Ulmer |
57 min |
|
B&W |
|
| 1964 |
The Cavern. |
Twentieth Century-Fox Film Corp |
102 min |
35mm |
B&W |
sound |
| 1976 |
The last laugh (Germany, 1924), the drunken sequence |
UFA ; producer, Erich Pommer ; director, F.W. Murnau ; screenplay, Carl Mayer. |
17 |
16mm |
B&W |
silent |
|
Another To Conquer: Springer Pictures, Inc. |
Edgar. G Ulmer |
|
16mm |
|
sound |