| 1946 |
The big sleep |
Howard Hawks |
1:14 |
16mm |
B&W |
sound |
| 1948 |
To The Victor. |
Delmer Daves |
100 min |
35mm |
B&W |
sound |
| 1949 |
Colorado Territory. |
Raoul Walsh |
94 min. |
|
B&W |
sound |
| 1949 |
Flaxy Martin. |
Richard L. Bare |
86 min. |
35mm |
B&W |
sound |
| 1949 |
One Sunday Afternoon. |
Raoul Walsh |
90 min. |
35mm |
Color |
|
| 1949 |
SOUTH OF ST. LOUIS. |
Ray Enright |
88 min. |
35mm |
Color |
sound |
| 1950 |
Saddle Legion. |
RKO Radio Pictures Inc. |
61 min. |
35mm |
B&W |
sound |
| 1950 |
The Nevadan. |
Columbia Pictures Corp. |
81 min. |
35mm |
Color |
sound |
| 1952 |
The Bushwackers |
Rod Amateau |
70 min |
|
B&W |
|
| 1952 |
Torpedo Alley. |
Allied Artists Productions Inc. |
84 min. |
35mm |
B&W |
sound |
| 1953 |
Law and Order |
Nathan Juran |
|
|
|
|
| 1953 |
Scared Stiff |
Hal B. Wallis, George Marshall, Herbert Baker, Walter DeLeon |
108 min |
16mm |
B&W |
|
| 1954 |
Five Guns West. |
Palo Alto Productions Inc. |
78 min. |
35mm |
Color |
sound |
| 1954 |
Loophole |
Harold Schuster |
|
|
|
|
| 1954 |
Pushover. |
Columbia Pictures Corp. |
9 reels |
35mm |
B&W |
sound |
| 1954 |
Security Risk |
Harold D. Schuster |
69 min |
16mm |
B&W |
|
| 1954 |
The fast and the furious |
director, Edward Sampson ; produced and written by Roger Corman. |
74 |
16mm |
B&W |
sound |
| 1954 |
The Lone Gun. |
Superior Pictures Inc. |
78 min. |
35mm |
Color |
sound |
| 1955 |
ARTISTS AND MODELS. |
Paramount Pictures Corp. Hal B. Wallis & Joseph H. Hazen |
109 min |
35mm |
Color |
sound |
| 1955 |
At Gunpoint |
Alfred L. Werker |
81 min |
|
Color |
|
| 1955 |
Jack Slade. |
Republic Productions Inc. |
27 min. |
16mm |
B&W |
sound |
| 1955 |
SINCERELY YOURS. |
International Artists Ltd. |
115 min |
35mm |
Color |
sound |
| 1956 |
Pillars Of The Sky. |
Universal Pictures Co. Inc. |
95 min. |
35mm |
Color |
sound |
| 1956 |
Tall man riding. |
Warner Bros. Pictures Inc. |
83 min. |
35mm |
Color |
sound |
| 1956 |
Tension At Table Rock |
Ideal Pictures Inc |
93 min |
16mm |
Color |
sound |
| 1956 |
Tension At Table Rock. |
RKO Teleradio Pictures Inc. |
93 min. |
35mm |
Color |
sound |
| 1956 |
Written On The Wind. |
Universal Pictures Co. Inc. |
99 min. |
35mm |
Color |
sound |
| 1957 |
Man Of A Thousand Faces. |
Universal Pictures Co. Inc. |
122 min |
35mm |
B&W |
sound |
| 1957 |
Quantez. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
Color |
sound |
| 1957 |
The Tarnished Angels. |
Universal Pictures Co. Inc. |
91 min. |
35mm |
B&W |
sound |
| 1957 |
Tip On A Dead Jockey. |
Loew’s Incorporated |
98 min. |
35mm |
B&W |
sound |
| 1958 |
Too Much, Too Soon. |
Warner Bros. Pictures Inc. |
121 min |
35mm |
B&W |
sound |
| 1959 |
Warlock. |
Twentieth Century-Fox Film Corp |
121 min |
35mm |
Color |
sound |
| 1960 |
The Last Voyage. |
Loew's Inc. & Andrew L. Stone Inc. |
91 min |
35mm |
Color |
sound |
| 1961 |
The Last Sunset. |
Byrna Productions S.A. & Universal Pictures Co. Inc. |
112 min |
35mm |
Color |
sound |
| 1963 |
Beach Party. |
Alta Vista Productions |
101 min |
35mm |
Color |
sound |
| 1964 |
Fate Is The Hunter. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
B&W |
sound |
| 1965 |
Peyton Place. |
Episode no. 98 / Twentieth Century Fox Television ; executive producer, Paul Monash ; produced by Felix Feist ; directed by Walter Doniger ; written by Peggy Shaw and Lee Erwin. |
22 |
16mm |
B&W |
sound |
| 1969 |
Law and Order |
Universal-International |
80 min |
16mm |
Color |
Sound |