| 1952 |
Just For You. |
Paramount Pictures Corp. |
104 min |
35mm |
Color |
sound |
| 1952 |
The Lady Wants Mink. |
Republic Pictures Corp |
92 min. |
35mm |
Color |
sound |
| 1951 |
Mr. Music. |
Paramount Pictures Corp. |
110 min |
35mm |
B&W |
sound |
| 1951 |
Two Tickets To Broadway |
See Guidance Associates |
106 min |
16mm |
Color |
sound |
| 1951 |
You Can Change The World ▶ |
christophers |
|
16mm |
B&W |
sound |
| 1950 |
Riding High |
Paramount Pictures Corporation |
1:52:00 |
16mm |
B&W |
sound |
| 1950 |
RIDING HIGH. |
Paramount Pictures Corp. |
112 min |
35mm |
B&W |
sound |
| 1950 |
You Can Change the World ▶ |
Leo McCarey |
|
|
B&W |
|
| 1950 |
YOU CAN CHANGE THE WORLD ▶ |
christopher-films |
|
|
B&W |
|
| 1950 |
You can change the world. |
Leo McCarey |
11:50 |
16mm |
B&W |
sound |
| 1949 |
A Connecticut Yankee In King Arthur's Court. |
Universal 16 |
107 min |
35mm |
Color |
sound |
| 1949 |
Eureka stockade |
Harry Watt |
103 min |
|
B&W |
|
| 1949 |
Heart To Heart |
L A County Heart Assn |
21 min. |
16mm |
B&W |
sound |
| 1949 |
Top O' The Morning. |
David Miller |
98 min. |
35mm |
B&W |
sound |
| 1948 |
Emperor Waltz. |
Billy Wilder |
1 reel |
16mm |
B&W |
sound |
| 1948 |
The Emperor Waltz. |
Billy Wilder, Charles Brackett |
106 min |
35mm |
Color |
sound |
| 1947 |
My Favorite Brunette |
Dist By Aims Media |
87 min. |
16mm |
B&W |
sound |
| 1947 |
Road to Rio |
Jack Rose, Norman Z. McLeod |
12:00 |
|
B&W |
|
| 1947 |
Road to Rio. |
Bing Crosby Enterprises |
3475 |
16mm |
B&W |
sound |
| 1947 |
Road To Rio. |
Jack Rose, Norman Z. McLeod |
100 min |
35mm |
B&W |
sound |
| 1947 |
Variety Girl. |
George Marshall |
93 min. |
35mm |
B&W |
sound |
| 1947 |
Welcome Stranger. |
Elliott Nugent |
107 min |
35mm |
B&W |
sound |
| 1946 |
BLUE SKIES |
Musical Shorts Ltd. |
104 min |
16mm |
Color |
sound |
| 1946 |
Blue Skies. |
Stuart Heisler |
104 min |
35mm |
Color |
sound |
| 1946 |
Road to utopia. |
Paramount Pictures Inc. |
3200 |
16mm |
B&W |
sound |
| 1946 |
Traffic With The Devil. |
Gunther von Fritsch |
2 reels |
35mm |
B&W |
sound |
| 1945 |
Bells Of St. Mary's |
Rainbow Productions |
14 reels |
|
|
|
| 1945 |
Duffy's tavern. |
Hal Walker |
3300 |
16mm |
B&W |
sound |
| 1945 |
The Great John L. |
Bing Crosby Productions |
90 min. |
16mm |
B&W |
silent |
| 1945 |
We've got another bond to buy. |
. |
3:00 |
16mm |
B&W |
sound |
| 1944 |
Going My Way. |
Leo McCarey |
14 reels |
16mm |
B&W |
sound |
| 1944 |
Here Come The Waves. |
Mark Sandrich |
10 reels |
16mm |
B&W |
sound |
| 1944 |
My Gal Loves Music. |
Universal-International |
7 reels |
16mm |
B&W |
Sound |
| 1944 |
Pardon My Rhythm. |
Universal |
7 reels |
16mm |
B&W |
Sound |
| 1944 |
ROAD TO VICTORY |
LeRoy Prinz |
|
|
B&W |
|
| 1944 |
Roaring Guns. |
Jean Negulesco |
20 min. |
|
B&W |
|
| 1944 |
The Singing Sheriff. |
Universal-International |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
Dixie. |
A. Edward Sutherland |
9 reels |
|
Color |
sound |
| 1943 |
SHOW BUSINESS AT WAR ▶ |
March of Time |
|
16mm |
B&W |
|
| 1943 |
Thousands cheer |
George Sidney |
102 min |
|
Color & B&W |
|
| 1942 |
HOLIDAY INN |
Mark Sandrich |
100 min |
|
B&W |
|
| 1942 |
Holiday Inn. |
Mark Sandrich |
11 reels. |
16mm |
B&W |
sound |
| 1942 |
In Old California. |
William C. McGann |
9 reels |
|
B&W |
|
| 1942 |
The Road To Morocco. |
Paramount |
9 reels |
16mm |
|
Sound |
| 1941 |
BIRTH OF THE BLUES |
Victor Schertzinger |
87 min |
|
B&W |
|
| 1941 |
Birth Of The Blues. |
Victor Schertzinger |
10 reels |
|
B&W |
|
| 1941 |
Let's Make Music. |
Leslie Goodwins |
84 min. |
|
B&W |
|
| 1941 |
Road To Zanzibar. |
Paramount |
9 reels |
16mm |
B&W |
Sound |
| 1941 |
Rookies On Parade. |
Joseph Santley |
7 reels |
|
B&W |
|
| 1940 |
If I Had My Way. |
Universal |
10 reels |
16mm |
B&W |
sound |