| 1952 |
Horizons West. |
Universal Pictures Co. Inc. |
81 min. |
35mm |
Color |
sound |
| 1952 |
I'll get by. |
Richard Sale |
1:30 |
16mm |
|
sound |
| 1952 |
Made in Heaven |
John Paddy Carstairs |
|
|
|
|
| 1952 |
Neighbours ▶ |
McLaren Norman 1914-1987 |
3:00 |
16mm |
Color |
sound |
| 1952 |
Red Skies Of Montana. |
Twentieth Century-Fox Film Corp |
98 min. |
35mm |
Color |
sound |
| 1952 |
Singin' in the rain |
MGM/UA |
103 min |
16mm |
Color |
sound |
| 1952 |
Singin' in the Rain |
Stanley Donen, Gene Kelly |
103 min |
16mm |
Color |
|
| 1952 |
Stars and stripes forever. |
Twentieth Century-Fox Film Corp |
89 min. |
35mm |
Color |
sound |
| 1952 |
Sword Of Venus. |
RKO Radio Pictures Inc. |
73 min. |
35mm |
B&W |
sound |
| 1952 |
The 5,000 Fingers Of Dr. T. |
Stanley Kramer Co. Inc. |
89 min. |
35mm |
Color |
sound |
| 1952 |
The Atomic City. |
Paramount Pictures Corp. |
85 min. |
35mm |
B&W |
sound |
| 1952 |
The Card |
British Film Makers |
1:31:00 |
16mm |
B&W |
sound |
| 1951 |
A Place in the Sun |
George Stevens |
2:00 |
|
B&W |
|
| 1951 |
A Place in the sun |
George Stevens |
117 min |
|
B&W |
|
| 1951 |
Across The Wide Missouri. |
Loew's Inc. |
78 min. |
35mm |
Color |
sound |
| 1951 |
BIRD OF PARADISE. |
Twentieth Century-Fox Film Corp |
100 min |
35mm |
Color |
sound |
| 1951 |
Boots Malone. |
Columbia Pictures Corp. |
103 min |
35mm |
B&W |
sound |
| 1951 |
Fort Defiance. |
Ventura Pictures Corp. |
82 min. |
35mm |
Color |
sound |
| 1951 |
Hard, Fast, And Beautiful. |
RKO Radio Pictures Inc. |
78 min. |
35mm |
B&W |
sound |
| 1951 |
Hollywood Story. |
Universal Pictures Co. Inc. |
77 min. |
35mm |
B&W |
sound |
| 1951 |
Lone Star. |
Loew’s Incorporated |
94 min. |
35mm |
B&W |
sound |
| 1951 |
Madame Louise |
Maclean Rogers |
|
|
B&W |
|
| 1951 |
Meet me after the show. |
Twentieth Century-Fox Film Corp |
86 min. |
35mm |
Color |
sound |
| 1951 |
Never Trust A Gambler. |
Columbia Pictures Corp. |
79 min. |
35mm |
B&W |
sound |
| 1951 |
Street Bandits. |
Republic Pictures Corp |
54 min. |
35mm |
B&W |
sound |
| 1951 |
The Great Caruso. |
Loew's Inc. |
109 min |
35mm |
Color |
sound |
| 1951 |
The House On Telegraph Hill. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1951 |
The Magnet |
Ealing Studios |
1:18:00 |
16mm |
B&W |
sound |
| 1951 |
The Man From Planet X. |
Sherrill C. Corwin |
70 min. |
35mm |
B&W |
sound |
| 1951 |
The Mudlark. |
Twentieth Century-Fox Film Corp |
99 min. |
35mm |
B&W |
sound |
| 1951 |
The Secret Of Convict Lake. |
Twentieth Century-Fox Film Corp |
83 min. |
35mm |
B&W |
sound |
| 1951 |
You’re In The Navy Now. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1950 |
Annie Get Your Gun. |
Loew's Inc. |
107 min |
35mm |
Color |
sound |
| 1950 |
Barricade. |
Warner Brothers Pictures Inc. |
75 min. |
35mm |
Color |
sound |
| 1950 |
Dance Hall |
Charles Crichton |
80 min |
|
B&W |
|
| 1950 |
Desperadoes Of The West. |
Republic Pictures Corp |
2 reels |
35mm |
B&W |
sound |
| 1950 |
Duchess of Idaho |
Robert Z. Leonard |
99 min |
|
Color |
|
| 1950 |
Gunman in the Streets |
Frank Tuttle |
86 min |
|
B&W |
|
| 1950 |
Hoedown. |
Columbia Pictures Corp. |
64 min. |
35mm |
B&W |
sound |
| 1950 |
I’ll Get By. |
Twentieth Century-Fox Film Corp |
83 min. |
35mm |
Color |
sound |
| 1950 |
Key to the City |
George Sidney |
100 min |
|
B&W |
|
| 1950 |
My Blue Heaven. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
Color |
sound |
| 1950 |
Screen Actors ▶ |
Academy of Motion Picture Arts and Sciences |
8:42 |
16mm |
B&W |
sound |
| 1950 |
The Company She Keeps. |
RKO Radio Pictures Inc. |
83 min. |
35mm |
B&W |
sound |
| 1950 |
The Jackpot. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1950 |
The Younger Brothers. |
Edwin L. Marin |
77 min. |
35mm |
Color |
sound |
| 1950 |
To Please A Lady. |
Loew's Inc. |
91 min. |
35mm |
B&W |
sound |
| 1950 |
When Willie Comes Marching Home. |
Twentieth Century-Fox Film Corp |
82 min. |
35mm |
B&W |
sound |
| 1949 |
Any Number Can Play. |
Mervyn LeRoy |
103 min |
35mm |
B&W |
sound |
| 1949 |
Bruce Gentry. |
Spencer Bennet |
2 reels |
35mm |
B&W |
sound |