| 1946 |
The land rush |
Columbia ; producer, Colbert Clark ; director, Vernon Keays. |
44 |
16mm |
B&W |
sound |
| 1946 |
The Story Of Menstruation. |
Walt Disney Productions Kimberly - Clark Corp |
1 reel |
16mm |
Color |
sound |
| 1946 |
The Story of menstruation. Motion picture ▶ |
Kimberly-Clark Corporation. Cellucotton Division |
|
16mm |
|
sound |
| 1945 |
A Game Of Death. |
Robert Wise |
72 min. |
|
B&W |
|
| 1945 |
Dead Of Night |
Cavalcanti Alberto |
92 |
16mm |
B&W |
sound |
| 1945 |
God Is My Co-Pilot. |
warner bros. |
3200 |
16mm |
B&W |
sound |
| 1945 |
Hollywood Canteen. |
Delmer Daves |
124 min |
|
B&W |
|
| 1945 |
Leave It To Blondie. |
Abby Berlin |
7 reels |
|
B&W |
|
| 1945 |
Pride Of The Marines. |
Delmer Daves |
119 min |
|
B&W |
|
| 1945 |
Sing Your Way Home. |
Anthony Mann |
72 min. |
|
B&W |
|
| 1945 |
The Battle of San Pietro ▶ |
John Huston |
32 |
16mm |
B&W |
sound |
| 1945 |
The Girl Of The Limberlost. |
Mel Ferrer |
60 min. |
|
B&W |
|
| 1944 |
Address Unknown. |
William Cameron Menzies |
8 reels |
|
B&W |
|
| 1944 |
Destination Tokyo. |
Delmer Daves |
135 min |
|
B&W |
|
| 1944 |
Rome falls to Allies. Invasion of Fortress Europe. |
Castle Films presents. |
10 |
16mm |
B&W |
silent |
| 1944 |
These Are The People (1944) ▶ |
kimberly-clark-jam-handy |
|
|
|
|
| 1943 |
COMBAT AMERICA ▶ |
U.S. Army Air Forces |
0:33:00 |
16mm |
B&W |
sound |
| 1943 |
Girls In Chains. |
Edgar G. Ulmer |
7 reels |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Lewis Seiler |
93 min |
|
B&W |
|
| 1943 |
GUADALCANAL DIARY |
Films, Inc |
93min |
16mm |
B&W |
Sound |
| 1943 |
Hello, Frisco, Hello. |
H. Bruce Humberstone |
8 939 ft. |
|
Color |
|
| 1943 |
It’s A Great Life. |
Raydic Corp. |
30 min. |
16mm |
B&W |
sound |
| 1943 |
Lady From Chungking. |
PRC Pictures |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
SHOW BUSINESS AT WAR ▶ |
March of Time |
|
16mm |
B&W |
|
| 1943 |
Stormy weather |
Films inc. |
77 |
16mm |
B&W |
sound |
| 1943 |
Stormy weather. |
Andrew L. Stone |
4:00 |
16mm |
B&W |
sound |
| 1943 |
Stormy Weather. |
Andrew L. Stone |
6980 ft. |
|
B&W |
|
| 1943 |
Wealth of the Andes |
[Office of the Coordinator of Inter-American Affairs] |
17 |
16mm |
B&W |
sound |
| 1943 |
WINGS UP |
|
|
|
B&W |
|
| 1943 |
Wings Up ▶ |
Office of War Information |
0:22:00 |
16mm |
B&W |
sound |
| 1942 |
Atlantic Convoy. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Blondie For Victory. |
Frank R. Strayer |
8 reels |
|
B&W |
|
| 1942 |
Foreign Agent. |
William Beaudine |
7 reels |
|
B&W |
|
| 1942 |
HOLLYWOOD CANTEEN ▶ |
Delmer Daves |
126 min |
16mm |
B&W |
|
| 1942 |
Iceland. |
H. Bruce Humberstone |
7119 ft. |
|
B&W |
|
| 1942 |
It Happened In Flatbush. |
Ray McCarey |
7 000 ft. |
|
Color & B&W |
|
| 1942 |
Junior Army. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Somewhere I'll Find You. |
Wesley Ruggles |
11 reels. |
|
B&W |
sound |
| 1942 |
Stormy Weather. |
Andrew L. Stone |
1 reel |
16mm |
B&W |
sound |
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
Time To Kill. |
Herbert I. Leeds |
5 479 ft. |
|
B&W |
|
| 1941 |
Accent On Love. |
Ray McCarey |
5560 ft. |
|
Color |
|
| 1941 |
Dead Men Tell. |
20th Century Fox presents ; [producers] Walter Morosco and Ralph Dietrich ; original screenplay by John Larkin, based on the character "Charlie Chan" created by Earl Derr Biggers ; directed by Harry Lachman. |
5 383 ft. |
16mm |
B&W |
sound |
| 1941 |
Honky Tonk. |
Jack Conway |
11 reels. |
|
B&W |
sound |
| 1941 |
HOW GREEN WAS MY VALLEY |
John Ford |
118 min |
|
B&W |
|
| 1941 |
HOW GREEN WAS MY VALLEY |
20th Century-Fox |
118min |
16mm |
B&W |
Sound |
| 1941 |
How Green Was My Valley. |
John Ford |
10730 ft. |
|
B&W |
|
| 1941 |
Land Of Liberty. ▶ |
Cecil B. DeMille |
10 reels |
16mm |
B&W |
sound |
| 1941 |
Murder Among Friends. |
Ray McCarey |
5500 ft. |
|
Color |
|