| 1947 |
The Unsuspected. |
Michael Curtiz |
103 min |
35mm |
B&W |
sound |
| 1948 |
Blondie's Reward. |
Abby Berlin |
7 reels |
35mm |
B&W |
sound |
| 1948 |
Command Decision ▶ |
Sam Wood |
112 min |
|
B&W |
|
| 1948 |
Command Decision |
Sam Wood |
112 min |
|
B&W |
|
| 1948 |
Command Decision. |
Sam Wood |
112 min |
35mm |
B&W |
sound |
| 1948 |
Cry of the city |
Twentieth Century-Fox Film Corp. (Publisher) |
95 min |
16mm |
B&W |
sound |
| 1948 |
Easy Money. |
Bernard Knowles |
94 min. |
35mm |
B&W |
sound |
| 1948 |
Embraceable You. |
Felix Jacoves |
80 min. |
35mm |
B&W |
sound |
| 1948 |
Free For All. |
Charles Barton |
21 min. |
16mm |
B&W |
sound |
| 1948 |
Homecoming |
Mervyn LeRoy |
|
|
|
|
| 1948 |
Homecoming. |
Mervyn LeRoy |
112 min |
35mm |
B&W |
sound |
| 1948 |
Moonrise. |
director, Frank Borzage. |
90 min. |
35mm |
B&W |
sound |
| 1948 |
Road House. |
Jean Negulesco |
95 min. |
35mm |
B&W |
sound |
| 1948 |
The Boy With Green Hair. |
Joseph Losey |
82 min. |
35mm |
Color |
sound |
| 1948 |
The Fuller Brush man. |
Columbia Pictures. |
3200 |
16mm |
B&W |
sound |
| 1948 |
The Iron Curtain |
William A. Wellman |
12:00 |
|
B&W |
|
| 1948 |
The Walls Of Jericho |
Moody Inst Of Science |
106 min |
16mm |
Color & B&W |
sound |
| 1949 |
Any Number Can Play. |
Mervyn LeRoy |
103 min |
35mm |
B&W |
sound |
| 1949 |
Bruce Gentry. |
Spencer Bennet |
2 reels |
35mm |
B&W |
sound |
| 1949 |
Conspirator. |
Victor Saville |
87 min. |
35mm |
B&W |
sound |
| 1949 |
Don’T Ever Leave Me |
Triton Films, Ltd |
|
|
B&W |
|
| 1949 |
I Was A Male War Bride |
Twentieth Century-Fox Film Corporation. |
1:05 |
16mm |
B&W |
sound |
| 1949 |
I Was A Male War Bride. |
Howard Hawks |
105 min |
35mm |
B&W |
sound |
| 1949 |
King Of The Rocket Men. |
Fred C. Brannon |
2 reels |
35mm |
B&W |
|
| 1949 |
STREETS OF SAN FRANCISCO |
George Blair |
|
16mm |
Color |
sound |
| 1949 |
The Blazing Trail. |
Ray Nazarro |
57 min. |
35mm |
B&W |
sound |
| 1949 |
The Magnet. |
Charles Frend |
10 min. |
16mm |
B&W |
sound |
| 1949 |
Vote For Huggett |
Gainsborough Pictures (1928), Ltd |
84 min |
|
B&W |
|
| 1949 |
We Were Strangers |
John Huston |
1:06 |
|
B&W |
|
| 1949 |
Whiplash. |
Lewis Seiler |
91 min. |
35mm |
B&W |
sound |
| 1949 |
White Heat |
Warner Bros. Pictures Inc. |
1:14 |
16mm |
B&W |
sound |
| 1949 |
Without Honor. |
Strand Productions, Inc. ; producers, Robert Hakim, Raymond Hakim ; writer, James Poe ; additional dialogue, DeWitt Bodeen ; direction, Irving Pichel. |
76 min. |
35mm |
B&W |
sound |
| 1950 |
Annie Get Your Gun. |
Loew's Inc. |
107 min |
35mm |
Color |
sound |
| 1950 |
Barricade. |
Warner Brothers Pictures Inc. |
75 min. |
35mm |
Color |
sound |
| 1950 |
Dance Hall |
Charles Crichton |
80 min |
|
B&W |
|
| 1950 |
Desperadoes Of The West. |
Republic Pictures Corp |
2 reels |
35mm |
B&W |
sound |
| 1950 |
Duchess of Idaho |
Robert Z. Leonard |
99 min |
|
Color |
|
| 1950 |
Gunman in the Streets |
Frank Tuttle |
86 min |
|
B&W |
|
| 1950 |
Hoedown. |
Columbia Pictures Corp. |
64 min. |
35mm |
B&W |
sound |
| 1950 |
I’ll Get By. |
Twentieth Century-Fox Film Corp |
83 min. |
35mm |
Color |
sound |
| 1950 |
Key to the City |
George Sidney |
100 min |
|
B&W |
|
| 1950 |
My Blue Heaven. |
Twentieth Century-Fox Film Corp |
96 min. |
35mm |
Color |
sound |
| 1950 |
Screen Actors ▶ |
Academy of Motion Picture Arts and Sciences |
8:42 |
16mm |
B&W |
sound |
| 1950 |
The Company She Keeps. |
RKO Radio Pictures Inc. |
83 min. |
35mm |
B&W |
sound |
| 1950 |
The Jackpot. |
Twentieth Century-Fox Film Corp |
85 min. |
35mm |
B&W |
sound |
| 1950 |
The Younger Brothers. |
Edwin L. Marin |
77 min. |
35mm |
Color |
sound |
| 1950 |
To Please A Lady. |
Loew's Inc. |
91 min. |
35mm |
B&W |
sound |
| 1950 |
When Willie Comes Marching Home. |
Twentieth Century-Fox Film Corp |
82 min. |
35mm |
B&W |
sound |
| 1951 |
A Place in the Sun |
George Stevens |
2:00 |
|
B&W |
|
| 1951 |
A Place in the sun |
George Stevens |
117 min |
|
B&W |
|