| 1942 |
Iceland. |
H. Bruce Humberstone |
7119 ft. |
|
B&W |
|
| 1942 |
In Old California. |
William C. McGann |
9 reels |
|
B&W |
|
| 1942 |
It Happened In Flatbush. |
Ray McCarey |
7 000 ft. |
|
Color & B&W |
|
| 1942 |
Jam session. |
Columbia Pictures. |
1:00 |
16mm |
B&W |
sound |
| 1942 |
Junior Army. |
Lew Landers |
7 reels |
|
B&W |
|
| 1942 |
Keep 'Em Flying. |
Arthur Lubin |
2 reels |
|
B&W |
|
| 1942 |
LA FAUSSE MAÎTRESSE |
Continental Films |
85 min |
16mm |
B&W |
sound |
| 1942 |
LA MAIN DU DIABLE |
Continental Films |
78 min |
16mm |
B&W |
sound |
| 1942 |
Laugh Your Blues Away. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Lucky Legs. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Ma, he's making eyes at me. |
R C M Productions |
|
16mm |
B&W |
sound |
| 1942 |
Ma, He's Making Eyes At Me. |
Harold D. Schuster |
1 reel |
16mm |
B&W |
sound |
| 1942 |
MRS. MINIVER. |
William Wyler |
14 reels |
|
B&W |
sound |
| 1942 |
Parachute Nurse. |
Charles Barton |
6 reels |
|
B&W |
|
| 1942 |
Ride 'em' Cowboy |
Arthur Lubin |
80 min |
|
B&W |
|
| 1942 |
Ship Ahoy! |
Fox Film Corporation |
95 min |
16mm |
B&W |
sound |
| 1942 |
Shut my big mouth |
Charles Barton |
|
16mm |
B&W |
sound |
| 1942 |
Shut My Big Mouth. |
Charles Barton |
8 reels |
|
B&W |
|
| 1942 |
Sweetheart Of The Fleet. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
Taxi, Mister. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
The Big Blockade |
Charles Frend |
|
|
|
|
| 1942 |
The Farmer's Daughter. |
James P. Hogan |
1 reel |
16mm |
B&W |
sound |
| 1942 |
The Foreman Went to France |
Charles Frend |
|
|
|
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Wouldn't Die. |
Herbert I. Leeds |
5 880 ft. |
|
B&W |
|
| 1942 |
The Ox-Bow Incident. |
William A. Wellman, James Tinling |
6776 ft. |
|
B&W |
|
| 1942 |
The Pride Of The Yankees. |
90230 The Samuel Goldwyn Company |
128 min |
16mm |
B&W |
sound |
| 1942 |
The Spirit Of Stanford. |
Charles Barton |
8 reels |
|
B&W |
|
| 1942 |
The Tuttles Of Tahiti. |
Charles Vidor |
91 min. |
|
B&W |
|
| 1942 |
This Time For Keeps. |
Charles Reisner |
7 reels |
|
B&W |
sound |
| 1942 |
Time To Kill. |
Herbert I. Leeds |
5 479 ft. |
|
B&W |
|
| 1942 |
Trail Riders. |
Robert Emmett Tansey |
6 reels |
|
B&W |
|
| 1942 |
Tramp, Tramp, Tramp. |
Charles Barton |
7 reels |
|
|
|
| 1942 |
Tuxedo Junction. |
Frank McDonald |
1:00 |
16mm |
B&W |
sound |
| 1942 |
VALLEY OF THE SUN |
129 N Vermont |
50 |
16mm |
B&W |
sound |
| 1942 |
Valley Of The Sun |
George Marshall |
78 |
|
B&W |
|
| 1942 |
Valley Of The Sun. |
George Marshall |
79 min. |
|
B&W |
|
| 1942 |
West Of Tombstone. |
Howard Bretherton |
6 reels |
|
B&W |
|
| 1942 |
When Johnny Comes Marching Home. |
Charles Lamont |
8 reels |
|
B&W |
|
| 1942 |
Whispering Ghosts. |
Alfred L. Werker |
6745 ft. |
|
Color |
|
| 1942 |
You Can't Escape Forever. |
Jo Graham |
8 reels |
|
Color |
|
| 1942 |
You're Telling Me. |
Charles Lamont |
6 reels |
|
B&W |
|
| 1941 |
A woman's face |
Loew's Inc. (Publisher) | Metro Goldwyn Mayer: Publisher |
1:45:00 |
16mm |
B&W |
sound |
| 1941 |
A Woman's Face. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1941 |
Accent On Love. |
Ray McCarey |
5560 ft. |
|
Color |
|
| 1941 |
Adventure In Washington. |
Columbia Pictures Corporation presents ; producer, Charles R. Rogers ; screenplay, Lewis R. Spencer & Arthur Caesar, from the story by Jeanne Spencer & Albert Benham ; director, Alfred E. Green. |
10 reels |
16mm |
Color |
sound |
| 1941 |
Appointment For Love. |
Universal-International |
10 reels |
16mm |
B&W |
Sound |
| 1941 |
Blonde Inspiration. |
Busby Berkeley |
7 reels |
|
B&W |
sound |
| 1941 |
Blood And Sand |
Ideal Pictures: Publisher |
75 min 1:15:00 |
16mm |
B&W |
sound |