| 1943 |
Coney Island. |
Walter Lang |
8 666 ft. |
|
Color |
|
| 1943 |
FLESH AND FANTASY |
Julien Duvivier |
94 min |
16mm |
B&W |
|
| 1943 |
Gangway For Tomorrow. |
John H. Auer |
69 min. |
|
B&W |
|
| 1943 |
Girl Crazy. |
Norman Taurog, Busby Berkeley |
10 reels |
|
B&W |
sound |
| 1943 |
Harrigan's Kid. |
Charles Reisner |
8 reels |
|
B&W |
sound |
| 1943 |
Hello, Frisco, Hello. |
H. Bruce Humberstone |
8 939 ft. |
|
Color |
|
| 1943 |
HERS TO HOLD |
Universal Pictures |
90 min |
16mm |
B&W |
sound |
| 1943 |
Hey, Rookie. |
Charles Barton |
8 reels |
|
B&W |
|
| 1943 |
Hit The Ice. |
Charles Lamont |
9 reels |
|
B&W |
|
| 1943 |
KEEP EM FLYING |
Arthur Lubin |
80 min |
16mm |
B&W |
|
| 1943 |
Larceny With Music. |
Universal |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
Lassie Come Home. |
Fred M. Wilcox |
9 reels |
|
Color |
sound |
| 1943 |
LE CARREFOUR DES ENFANTS PERDUS |
MAIC |
|
16mm |
B&W |
sound |
| 1943 |
Mexican spitfire's blessed event |
RKO Radio Pictures |
63 min |
16mm |
B&W |
sound |
| 1943 |
MR. LUCKY. |
H. C. Potter |
100 min |
|
B&W |
|
| 1943 |
My Kingdom For A Cook. |
Richard Wallace |
8 reels |
|
B&W |
|
| 1943 |
Portrait Of A Genius |
Metro-Goldwyn-Mayer. |
990 ft. |
16mm |
B&W |
sound |
| 1943 |
Reveille With Beverly. |
Charles Barton |
8 reels |
|
B&W |
|
| 1943 |
San Demetrio London |
Charles Frend |
|
|
|
|
| 1943 |
She Has What It Takes. |
Charles Barton |
7 reels |
|
B&W |
|
| 1943 |
Sherlock Holmes Faces Death. |
Universal Pictures |
7 reels |
16mm |
B&W |
sound |
| 1943 |
Swing Fever. |
Tim Whelan |
8 reels |
|
B&W |
sound |
| 1943 |
The Desperadoes. |
Charles Vidor |
9 reels |
|
Color |
sound |
| 1943 |
The Moon Is Down. |
20th Century-Fox |
8 100 ft. |
|
B&W |
Sound |
| 1943 |
The Ox - Bow Incident |
Twentieth Century-Fox Film Corp |
77 min |
16mm |
B&W |
sound |
| 1943 |
The Spider Woman. |
Roy William Neill |
7 reels |
|
B&W |
|
| 1943 |
This Is The Army |
Michael Curtiz |
121 min |
16mm |
B&W |
sound |
| 1943 |
This Land Is Mine |
Jean Renoir |
1:03 |
|
B&W |
|
| 1943 |
This Land is Mine |
Jean Renoir |
103 min |
|
B&W |
|
| 1943 |
This Land Is Mine. |
Jean Renoir |
103 min |
|
B&W |
|
| 1943 |
When Johnny Comes Marching Home. |
Charles Lamont |
1 reel |
16mm |
B&W |
sound |
| 1943 |
Where are your children? |
Monogram Pictures Corporation |
2500 |
16mm |
B&W |
sound |
| 1942 |
A Close Call For Ellery Queen. |
James P. Hogan |
7 reels |
16mm |
B&W |
sound |
| 1942 |
A Man's World. |
Charles Barton |
7 reels |
|
B&W |
|
| 1942 |
A Yank At Eton. |
Norman Taurog |
9 reels |
|
B&W |
sound |
| 1942 |
About Face. |
Kurt Neumann |
5 reels |
|
B&W |
|
| 1942 |
Across The Pacific. |
Contemporary Films |
10 reels |
16mm |
B&W |
sound |
| 1942 |
Almost Married. |
Charles Lamont |
7 reels |
|
B&W |
|
| 1942 |
Between Us Girls. |
Henry Koster |
9 reels |
|
B&W |
|
| 1942 |
Coastal Command |
J. B. Holmes |
|
|
|
|
| 1942 |
Down Rio Grande Way. |
William Berke |
6 reels |
|
B&W |
|
| 1942 |
DR. BROADWAY. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1942 |
Escape From Crime. |
D. Ross Lederman |
51 min. |
|
B&W |
|
| 1942 |
Fingers At The Window. |
Charles Lederer |
8 reels |
|
B&W |
sound |
| 1942 |
Friendly Enemies. |
Allan Dwan |
95 min. |
|
B&W |
|
| 1942 |
George Washington Slept Here. |
William Keighley |
93 min. |
|
B&W |
|
| 1942 |
Get Hep To Love. |
Charles Lamont |
8 reels |
16mm |
B&W |
Sound |
| 1942 |
I DOOD IT |
R C M Productions |
102 min |
16mm |
B&W |
sound |
| 1942 |
I Dood It. |
Vincente Minnelli |
1 reel |
16mm |
B&W |
sound |
| 1942 |
I Married An Angel. |
W. S. Van Dyke, Roy Del Ruth, Hunt Stromberg |
10 reels |
|
B&W |
sound |