| 1944 |
[Ali Baba and the forty thieves |
film |
84 min |
[Ali Baba and the forty thieves |
Color |
|
| 1944 |
A Song To Remember. |
Charles Vidor |
12 reels |
|
Color |
sound |
| 1944 |
Address Unknown. |
William Cameron Menzies |
8 reels |
|
B&W |
|
| 1944 |
Beautiful But Broke. |
director, Charles Barton. |
8 reels |
16mm |
B&W |
sound |
| 1944 |
BEYOND THE BLUE HORIZON |
Alfred Santell |
76 min |
16mm |
|
sound |
| 1944 |
Beyond The Blue Horizon. |
Alfred Santell |
1 reel |
16mm |
B&W |
sound |
| 1944 |
CHIP OFF THE OLD BLOCK |
Charles Lamont |
71 min |
16mm |
B&W |
sound |
| 1944 |
Chip Off The Old Block. |
Charles Lamont |
9 reels |
|
B&W |
|
| 1944 |
Courageous Mr Penn |
Allied Artists Of America |
79 |
16mm |
B&W |
sound |
| 1944 |
Cover girl |
Columbia Pictures Corp. (Publisher) |
1:47:00 |
16mm |
Color |
sound |
| 1944 |
Cover girl. |
Charles Vidor |
107 min |
16mm |
Color |
sound |
| 1944 |
Dangerous Passage. |
William Berke |
7 reels |
|
B&W |
|
| 1944 |
For Those in Peril |
Charles Crichton |
|
|
|
|
| 1944 |
Gaslight. |
George Cukor |
12 reels |
|
B&W |
sound |
| 1944 |
Ghost catchers |
Edward F. Cline |
|
16mm |
B&W |
sound |
| 1944 |
Ghost Catchers. |
Edward F. Cline |
8 reels |
|
B&W |
|
| 1944 |
Heavenly Days. |
Howard Estabrook |
72 min. |
|
B&W |
|
| 1944 |
I Love A Soldier. |
Mark Sandrich |
9 572 ft. |
|
B&W |
|
| 1944 |
Jam Session. |
Charles Barton |
8 reels |
|
B&W |
|
| 1944 |
Jane Eyre. |
Robert Stevenson |
8 520 ft. |
|
B&W |
|
| 1944 |
Knickerbocker Holiday. |
Harry Joe Brown |
85 min. |
|
Color & B&W |
|
| 1944 |
Lost In A Harem. |
Charles Reisner |
10 reels |
|
B&W |
sound |
| 1944 |
Louisiana Hayride. |
Charles Barton |
7 reels |
|
B&W |
|
| 1944 |
Meet The People. |
Charles Reisner |
10 reels |
|
B&W |
sound |
| 1944 |
My Best Gal. |
Anthony Mann |
7 reels |
|
B&W |
|
| 1944 |
Practically Yours. |
Mitchell Leisen |
9 reels |
|
B&W |
|
| 1944 |
Roaring Guns. |
Jean Negulesco |
20 min. |
|
B&W |
|
| 1944 |
Roger Touhy, Gangster. |
Robert Florey |
5 886 ft. |
|
B&W |
|
| 1944 |
Shine On Harvest Moon. |
David Butler |
112 min |
|
B&W |
sound |
| 1944 |
Storm Over Lisbon. |
George Sherman |
9 reels |
|
B&W |
|
| 1944 |
Tampico. |
Lothar Mendes |
6800 ft. |
|
B&W |
|
| 1944 |
Tawny Pipit |
Bernard Miles, Charles Saunders |
|
|
|
|
| 1944 |
The Canterville Ghost. |
Jules Dassin |
9 reels |
|
B&W |
sound |
| 1944 |
The Desert Hawk. |
B. Reeves Eason |
2 reels |
|
B&W |
|
| 1944 |
The spider woman. |
Universal Pictures |
2175 |
16mm |
B&W |
sound |
| 1944 |
The Uninvited |
Paramount Pictures Corporation |
1:38:00 |
16mm |
B&W |
sound |
| 1944 |
The Whistler. |
Lindsley Parsons Productions Inc. |
3 reels |
16mm |
B&W |
sound |
| 1944 |
Together Again. |
Charles Vidor |
10 reels |
|
B&W |
|
| 1944 |
Where Are Your Children. |
William Nigh |
8 reels |
|
B&W |
|
| 1944 |
Wilson. |
Henry King |
3 861 ft. |
|
Color |
|
| 1944 |
Wing And A Prayer. |
Henry Hathaway |
9 223 ft. |
|
B&W |
|
| 1943 |
Air Force |
Howard Hawks |
1:24 |
|
B&W |
|
| 1943 |
Air Force. |
Howard Hawks |
124 min |
|
B&W |
|
| 1943 |
Always A Bridesmaid. |
Erle C. Kenton |
7 reels |
16mm |
B&W |
Sound |
| 1943 |
Assignment In Brittany. |
Jack Conway |
10 reels |
|
B&W |
sound |
| 1943 |
Best Foot Forward |
Edward Buzzell |
600 |
|
|
|
| 1943 |
Bomber's Moon. |
Charles Fuhr |
6330 ft. |
|
B&W |
|
| 1943 |
CALLING DR. DEATH |
Universal Pictures Co. Inc. |
7 reels |
|
B&W |
|
| 1943 |
Cat People. |
Jacques Tourneur |
73 min. |
|
B&W |
|
| 1943 |
Coney Island |
unknown |
1 reel |
16mm |
Color |
sound |