| 1920 |
LOGICAL QUERIES NONSENSICALLY PRESENTED; A-2. |
Charles Blyde Hill |
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| 1920 |
MIDSUMMER MADNESS. |
Famous Players-Lasky Corp. |
6 reels |
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B&W |
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| 1920 |
Mothers of Men |
Lumsden Hare; De Witte Kaplan; Edward José; William Henry Warnert; Claire Whitney; Charles E. Whittaker; Etta Roma; Mary Murillo; Martha Mansfield |
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| 1920 |
Narayana |
Léon Poirier; Charles Norville; Honoré de Balzac; Laurence Myrga; Edmond Van Daële; Marcelle Souty |
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| 1920 |
PASSION'S PLAYGROUND. |
First National. |
6 reels |
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B&W |
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| 1920 |
PRAIRIE TRAILS. |
Fox Film Corp |
5 reels |
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B&W |
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| 1920 |
Suds |
John Francis Dillon |
65 |
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B&W |
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| 1920 |
THE BIRTH OF A SOUL. |
Vitagraph Co Of America |
5 reels |
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| 1920 |
The Breaking of the Drought |
Bland Holt; Franklyn Barrett; Charles Beetham; Trilby Clark; Jack North; John Faulkner; Arthur Shirley; Rawdon Blandford |
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| 1920 |
THE BREATH OF THE GODS. |
Universal Film Mfg. Co. Inc. |
6 reels |
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B&W |
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| 1920 |
THE CHARM SCHOOL. |
Famous Players-Lasky Corp. |
5 reels |
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B&W |
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| 1920 |
The County Fair |
Maurice Tourneur Productions |
1 min |
16mm |
B&W |
sound |
| 1920 |
THE FLAPPER. |
Selznick Pictures Corp. |
6 reels |
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B&W |
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| 1920 |
THE GREAT REDEEMER. |
Metro Pictures Corp. |
5 reels |
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B&W |
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| 1920 |
THE LADDER OF LIES. |
Famous Players-Lasky Corp. |
5 reels |
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B&W |
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| 1920 |
The Mark of Zorro |
Douglas Fairbanks Picture Corp. |
77 |
16mm |
B&W |
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| 1920 |
The Mark of Zorro |
Blackhawk Films |
91 min |
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B&W |
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| 1920 |
THE MOLLYCODDLE. |
Douglas Fairbanks Pictures Corp. |
6 reels |
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B&W |
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| 1920 |
THE MOON RIDERS. |
Universal Film Mfg. Co. Inc. |
2 reels |
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B&W |
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| 1920 |
The penalty. |
Goldwyn Pictures Corp. |
7 reels |
16mm |
B&W |
silent |
| 1920 |
THE PRINCE CHAP. |
Famous Players-Lasky Corp. |
6 reels |
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B&W |
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| 1920 |
THE RESTLESS SEX. |
International Film Service Co. Inc. |
7 reels |
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B&W |
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| 1920 |
THE SIX BEST CELLARS. |
Famous Players-Lasky Corp. |
5 reels |
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B&W |
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| 1920 |
THE SON OF TARZAN. |
The National Film Corp. |
2 reels |
16mm |
B&W |
Silent |
| 1920 |
THE SPORTING DUCHESS. |
Vitagraph Co Of America |
7 reels |
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B&W |
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| 1920 |
THE UNTAMED. |
Fox Film Corp |
6 reels |
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B&W |
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| 1920 |
THE VANISHING DAGGER. |
Universal Film Mfg. Co. Inc. |
2 reels |
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B&W |
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| 1920 |
THE WHITE CIRCLE. |
Famous Players-Lasky Corp. |
5 reels |
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B&W |
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| 1920 |
THE WHITE MOLL. |
Fox Film Corp |
8 reels |
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B&W |
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| 1920 |
YOUTHFUL FOLLY. |
Selznick Pictures Corp. |
5 reels |
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B&W |
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| 1921 |
A DIVORCE OF CONVENIENCE. |
Selznick Pictures Corp. |
5 reels |
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| 1921 |
A MIDNIGHT BELL. |
Charles E. Ray Jr. |
6 reels |
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B&W |
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| 1921 |
AFTER THE SHOW. |
Famous Players-Lasky Corp. |
7 reels |
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B&W |
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| 1921 |
ALL WRONG. |
Fox Film Corp |
2 reels |
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B&W |
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| 1921 |
AT THE STAGE DOOR. |
R-C Pictures Corp. |
6 reels |
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B&W |
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| 1921 |
BE MY WIFE. |
Goldwyn Pictures Corp. |
5 reels |
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B&W |
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| 1921 |
EXIT THE VAMP. |
Famous Players-Lasky Corp. |
5 reels |
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B&W |
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| 1921 |
HAIL THE WOMAN. |
Thomas H. Ince |
8 reels |
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B&W |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 1. Flowers of Paris. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 10. Through the Dark Valley. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 11. Mounds of Mystery. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 2. Into the Cataract. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 3. Diamond Cut Diamond. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 4. Back from the Grave. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 5. Across the Gay City. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 6. Tested by Acid. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 7. The Wonderful Ocean. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 8. Thrown to the Wolves. |
Charles E. Ray Jr. |
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| 1921 |
LES DEUX GAMINES (THE TWO LITTLE URCHINS). 9. The Covenant. |
Charles E. Ray Jr. |
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