| 1971 |
The Seven Minutes |
Twentieth Century-Fox Film Corp |
115 min |
|
Color |
sound |
| 1968 |
The Swimmer |
Sydney Pollack, Frank Perry |
91 min |
|
Color |
|
| 1967 |
The Deadly Years |
Norway Corporation |
60 min |
|
Color |
sound |
| 1967 |
Valley Of The Dolls. |
Twentieth Century-Fox Film Corp. & Red Lion Productions Inc. |
123 min |
35mm |
Color |
sound |
| 1965 |
Showdown. |
Universal TV. |
26 min. |
35mm |
Color |
sound |
| 1964 |
Dear Heart |
Ideal Pictures Inc |
110 min |
16mm |
B&W |
sound |
| 1964 |
The Lively Set. |
Universal Pictures Co. Inc. |
95 min |
35mm |
Color |
sound |
| 1961 |
BACK STREET. |
Universal Pictures Co. Inc. Ross Hunter Productions Inc. & Carrollton Inc. |
10 reels |
35mm |
Color |
sound |
| 1959 |
No Name On The Bullet. |
Universal Pictures Co. Inc. |
77 min. |
35mm |
Color |
sound |
| 1958 |
Step Down To Terror. |
Universal Pictures Co. Inc. |
76 min. |
35mm |
B&W |
sound |
| 1957 |
Jeanne Eagels |
George Sidney |
108 min |
|
B&W |
|
| 1956 |
THE PRICE OF FEAR. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
B&W |
sound |
| 1956 |
Walk The Proud Land. |
Universal Pictures Co. Inc. |
88 min. |
35mm |
Color |
sound |
| 1955 |
All That Heaven Allows. |
Universal Pictures Co. Inc. |
89 min. |
35mm |
Color |
sound |
| 1955 |
Female On The Beach. |
Universal Pictures Co. Inc. |
97 min. |
35mm |
B&W |
sound |
| 1955 |
To Hell And Back. |
Universal Pictures Co. Inc. |
106 min |
35mm |
Color |
sound |
| 1954 |
Tobor The Great. |
Republic Pictures Corp |
8 reels |
35mm |
B&W |
sound |
| 1954 |
War Arrow. |
Universal Pictures Co. Inc. |
78 min. |
35mm |
Color |
sound |
| 1953 |
Gunsmoke |
Nathan Juran |
11:07 |
16mm |
B&W |
sound |
| 1953 |
It Came From Outer Space. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1953 |
The Glenn Miller Story. |
Universal Pictures Co. Inc. |
116 min |
35mm |
Color |
sound |
| 1953 |
Tobor The Great |
Ideal Pictures Inc |
77 min |
16mm |
B&W |
sound |
| 1952 |
Bonzo Goes To College. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
B&W |
sound |
| 1952 |
Red Ball Express. |
Universal Pictures Co. Inc. |
83 min. |
35mm |
B&W |
sound |
| 1950 |
Comanche Territory. |
Universal Pictures Co. Inc. |
76 min. |
35mm |
Color |
sound |
| 1950 |
Harvey. |
Universal Pictures Co. Inc. |
104 min |
35mm |
B&W |
sound |
| 1950 |
I Was A Shoplifter. |
Universal Pictures Co. Inc. |
74 min. |
35mm |
B&W |
sound |
| 1950 |
Winchester ’73. |
Universal Pictures Co. Inc. |
92 min. |
35mm |
B&W |
sound |
| 1947 |
The Tender Years. |
Harold D. Schuster |
81 min. |
35mm |
B&W |
sound |
| 1943 |
AIR FORCE. |
warner bros. |
5000 |
16mm |
B&W |
sound |
| 1942 |
Bullet Scars. |
D. Ross Lederman |
59 min. |
|
B&W |
|
| 1942 |
The Male Animal. |
Elliott Nugent |
101 min |
|
B&W |
|
| 1942 |
The Man who came to dinner |
William Keighley |
112 min |
|
B&W |
|
| 1942 |
The Man Who Came To Dinner. |
William Keighley |
112 min |
|
B&W |
|
| 1941 |
The Body Disappears. |
D. Ross Lederman |
72 min. |
|
B&W |
|
| 1941 |
The Maltese Falcon. |
Warner Bros. Pictures Inc. |
100 min |
16mm |
B&W |
sound |
| 1941 |
You're In The Army Now. |
Lewis Seiler |
79 min. |
|
B&W |
|
|
You Can Never Tell |
Universal-International |
78 min |
16mm |
B&W |
Sound |