| 1918 |
FRONTIERS OF A FORBIDDEN LAND. |
The American Museum of Natural History (Roy Chapman Andrews author). |
|
|
|
|
| 1920 |
A DOUBLE DYED DECEIVER. |
Goldwyn Pictures Corp. |
5 reels |
|
B&W |
|
| 1921 |
A TALE OF TWO WORLDS. |
Goldwyn Pictures Corp. |
6 reels |
|
B&W |
|
| 1925 |
HAVOC. |
Fox Film Corp |
9 reels |
|
B&W |
|
| 1928 |
LOVE HUNGRY. |
Fox Film Corp |
6 reels |
|
B&W |
|
| 1930 |
DOUBLE CROSS ROADS. |
Fox Film Corp |
|
|
B&W |
|
| 1936 |
Rembrandt |
director, Alexander Korda. |
84 |
16mm |
B&W |
sound |
| 1936 |
Things to come |
London Film Productions, Ltd. ; producer, Alexander Korda ; [writer, H. G. Wells]; director, William Cameron Menzies. |
110 |
16mm |
B&W |
sound |
| 1936 |
Things to come. |
London Film Productions Ltd. |
10 reels |
16mm |
|
sound |
| 1940 |
Charlie Chan At The Wax Museum. |
Lynn Shores |
5 718 ft. |
|
|
|
| 1941 |
Facts About Fabrics |
E I DuPont De Nemours And Co Applied Technology Division |
26 min |
16mm |
B&W |
sound |
| 1942 |
Parachute Nurse. |
Charles Barton |
6 reels |
|
|
|
| 1942 |
Submarine Raider. |
Lew Landers |
7 reels |
|
B&W |
|
| 1945 |
Pardon My Past. |
Leslie Fenton |
10 reels |
|
|
|
| 1950 |
Kansas Raiders. |
Universal Pictures Co. Inc. |
80 min. |
35mm |
Color |
sound |
| 1950 |
Night And The City. |
Twentieth Century-Fox Film Corp |
95 min. |
35mm |
B&W |
sound |
| 1951 |
Flight To Mars. |
Monogram Pictures Corp. |
71 min. |
35mm |
Color |
sound |
| 1952 |
Bloodhounds Of Broadway. |
Twentieth Century-Fox Film Corp |
90 min. |
35mm |
Color |
sound |
| 1952 |
The Last Page |
Terence Fisher |
|
|
|
|
| 1954 |
Creature From The Black Lagoon. |
Universal Pictures Co. Inc. |
79 min. |
35mm |
B&W |
sound |
| 1954 |
Images médiévales |
director, William Novik. |
18 |
16mm |
Color |
sound |
| 1955 |
A Yank in Ermine |
Gordon Parry |
|
|
|
|
| 1957 |
X The Unknown. |
Sol Lesser Productions Inc. |
86 min. |
35mm |
B&W |
sound |
| 1958 |
Quetico |
Quetico Foundation Chapman Christopher |
|
16mm |
|
sound |
| 1959 |
MIRACLE BRIDGE OVER MACKINAC |
Caravel Films for Merritt-Chapman and Scott |
32 min |
16mm |
Color |
Sound |
| 1959 |
PACK TRIP IN GLACIER NATIONAL PARK |
Fred and Cynthia Chapman |
15 min |
16mm |
Color |
Sound |
| 1959 |
The Square Peg |
The Rank Organisation Film Productions, Ltd |
89 min |
|
|
sound |
| 1960 |
BIG WORLD |
Fred and Cynthia Chapman |
11 min |
16mm |
Color |
Sound |
| 1960 |
HOW A SCIENTIST WORKS |
Fred and Cynthia Chapman |
15 min |
16mm |
Color |
Sound |
| 1960 |
The Amazing Transparent Man |
Edgar G. Ulmer |
|
|
|
|
| 1961 |
OUR PIONEERING HERITAGE |
Transfilm Caravel for Merritt, Chapman & Scott Corp. |
36½min |
16mm |
Color |
Sound |
| 1963 |
A Stitch in Time |
Robert Asher |
|
|
|
|
| 1965 |
And everything nice |
Chapman 5 Productions Inc |
|
16mm |
|
sound |
| 1968 |
Finders Keepers, Lovers Weepers. |
Eve Productions Inc. |
|
35mm |
Color |
sound |
| 1974 |
Plankton to Fish: A Food Cycle |
Coronet Films |
11 |
16mm |
Color |
|
| 1977 |
Halfway Home |
Chapman / Steele Associates |
|
16mm |
|
sound |
| 1980 |
Hussy |
Matthew Chapman |
|
|
|
|
|
And Everything Nice: Chapman 5 Productions Inc |
Chapman 5 Productions Inc |
|
16mm |
|
sound |