| 1959 |
Edge Of Eternity |
Ideal Pictures Inc |
|
16mm |
|
sound |
| 1959 |
Edge Of Eternity. |
Thunderbird Productions Inc. |
|
35mm |
Color |
sound |
| 1959 |
North Indian Village |
Cornell Univ |
|
16mm |
|
sound |
| 1959 |
NORTH INDIAN VILLAGE |
Cornell University |
32 min |
16mm |
Color |
Sound |
| 1958 |
Maracaibo. |
Theodora Productions Inc. |
88 min. |
35mm |
Color |
sound |
| 1957 |
[ISTANBUL] |
Joseph Pevney |
84 min |
16mm |
|
silent |
| 1957 |
Beyond Mombasa. |
Hemisphere Films Ltd. |
10 reels |
35mm |
Color |
sound |
| 1957 |
Omar Khayyam. |
Paramount Pictures Corp. |
101 min |
35mm |
Color |
sound |
| 1957 |
Optical Motions And Transformations As Stimuli For Visual Perception |
Cornell University |
|
16mm |
|
sound |
| 1957 |
The Devil’s Hairpin. |
Theodora Productions Inc. |
82 min. |
35mm |
Color |
sound |
| 1957 |
The Teens |
Cornell Film Company |
26 |
16mm |
B&W |
|
| 1956 |
Hot Blood. |
Columbia Pictures Corp. |
9 reels |
35mm |
Color |
sound |
| 1956 |
Istanbul. |
Universal Pictures Co. Inc. |
84 min. |
35mm |
Color |
sound |
| 1956 |
Survival Of The Fittest |
Cornell Univ ETV Center |
|
16mm |
|
sound |
| 1955 |
[Centuries of June] |
[filmmaker, Joseph Cornell ; camera, Stan Brakhage]. |
10 |
16mm |
Color |
silent |
| 1955 |
Gnir rednow |
[filmmakers, Stan Brakhage and Joseph Cornell]. |
5 |
16mm |
Color |
silent |
| 1955 |
Helen Keller In Her Story |
LOUISD |
90 min. |
16mm |
B&W |
|
| 1955 |
Never Say Goodbye. |
Universal Pictures Co. Inc. |
96 min. |
35mm |
Color |
sound |
| 1955 |
Pattern for Survival |
Cornell Film Company |
|
|
|
|
| 1955 |
Storm Fear. |
Theodora Productions Inc. |
88 min. |
35mm |
B&W |
sound |
| 1955 |
The Scarlet Coat. |
Loew’s Incorporated |
101 min |
35mm |
Color |
sound |
| 1954 |
A Woman’s Story. |
Cornell Films Inc. |
12 min. |
16mm |
B&W |
sound |
| 1954 |
Helen Keller in her story |
Nancy Hamilton |
55 min |
|
B&W |
|
| 1954 |
PASSION. |
RKO Radio Pictures Inc. |
84 min. |
35mm |
Color |
sound |
| 1954 |
Rear Window |
Alfred Hitchcock |
1:12 |
16mm |
Color |
sound |
| 1954 |
The Big Combo. |
Security Pictures Inc. & Theodora Productions Inc. |
89 min. |
35mm |
B&W |
sound |
| 1954 |
The Divided Heart. |
Ealing Studios Ltd. |
10 reels |
35mm |
B&W |
sound |
| 1954 |
Woman's World |
Twentieth Century-Fox Film Corporation |
1:34:00 |
16mm |
Color |
sound |
| 1954 |
Woman’s World. |
Twentieth Century-Fox Film Corp |
94 min. |
35mm |
Color |
sound |
| 1953 |
Helen Keller in her story |
Nancy Hamilton |
55 min |
|
B&W |
|
| 1953 |
Saadia. |
Loew’s Incorporated |
82 min. |
35mm |
Color |
sound |
| 1953 |
Treasure Of The Golden Condor. |
Twentieth Century-Fox Film Corp |
93 min. |
35mm |
B&W |
sound |
| 1952 |
At Sword’s Point. |
RKO Radio Pictures Inc. |
81 min. |
35mm |
Color |
sound |
| 1952 |
California Conquest. |
Columbia Pictures Corp. |
79 min. |
35mm |
Color |
sound |
| 1952 |
Courtesy for beginners |
Marvin D. Glock Ph.D. Professor in Educational Psychology Cornell University |
|
16mm |
|
|
| 1952 |
Operation Secret |
Lewis Seiler |
108 min |
16mm |
B&W |
|
| 1952 |
The Greatest Show on Earth |
Cecil B. DeMille |
152 min |
|
Color |
|
| 1951 |
Pete, The Lazy Pelican |
Cornell Film Co |
|
16mm |
|
sound |
| 1951 |
Target USA ▶ |
Cornell Productions Inc. |
|
|
|
|
| 1950 |
Johnny and Mr Do Right in Good Health Habits |
cornell films |
0:11:00 |
16mm |
B&W |
sound |
| 1950 |
Two Flags West. |
Twentieth Century-Fox Film Corp |
92 min. |
35mm |
B&W |
sound |
| 1949 |
Shockproof ▶ |
Handy (Jam) Organization |
79 min |
16mm |
B&W |
sound |
| 1949 |
Shockproof. |
Douglas Sirk |
2848 |
16mm |
|
silent |
| 1949 |
Shockproof. |
Douglas Sirk |
79 min. |
35mm |
B&W |
sound |
| 1948 |
ROAD HOUSE |
Jean Negulesco |
95 min |
16mm |
B&W |
sound |
| 1948 |
Road House. |
Jean Negulesco |
95 min. |
35mm |
B&W |
sound |
| 1948 |
The Walls Of Jericho |
Moody Inst Of Science |
106 min |
16mm |
Color & B&W |
sound |
| 1948 |
The Walls Of Jericho. |
John M. Stahl |
106 min |
35mm |
B&W |
sound |
| 1947 |
Forever Amber. |
Otto Preminger |
140 min |
35mm |
Color |
sound |
| 1947 |
It Had To Be You. |
Rudolph Maté |
98 min. |
35mm |
B&W |
sound |