| 1935 |
THE PRESIDENT VANISHES. |
Paramount Productions Inc. |
9 reels |
|
B&W |
|
| 1935 |
The Whole Town's Talking |
Columbia Picture Corp |
95 min |
16mm |
B&W |
sound |
| 1935 |
THE WHOLE TOWN'S TALKING. |
Columbia Pictures Corp. |
9 reels |
|
B&W |
|
| 1936 |
I MARRIED A DOCTOR. |
Vitaphone Corp. |
9 reels |
|
B&W |
|
| 1936 |
THE BRIDGE OF SIGHS. |
Invincible Pictures Corp. |
7 reels |
16mm |
Color |
Sound |
| 1938 |
SMASHING THE SPY RING. |
Columbia Pictures Corp. |
6 reels |
|
B&W |
|
| 1938 |
The Circus is Coming |
Byron Films |
|
|
|
|
| 1939 |
MILLION DOLLAR LEGS. |
Paramount Pictures Inc. |
7 reels |
|
B&W |
|
| 1939 |
Mr. Smith goes to Washington. |
Columbia Pictures Corp. |
13 reels |
16mm |
B&W |
sound |
| 1939 |
The man they could not hang |
Nick Grinde |
64 min |
16mm |
B&W |
sound |
| 1940 |
The Great McGinty |
Preston Sturges |
82 |
|
B&W |
|
| 1940 |
The Great Mcginty. |
Preston Sturges |
9 reels |
|
B&W |
|
| 1940 |
The Man With Nine Lives. |
Nick Grinde |
8 reels |
|
B&W |
|
| 1941 |
One Night In Lisbon. |
Edward H. Griffith |
10 reels |
|
B&W |
|
| 1941 |
Sweetheart Of The Campus. |
Edward Dmytryk |
7 reels |
|
B&W |
|
| 1942 |
Once Upon A Honeymoon |
Fairbanks (Jerry) Productions |
117 min |
16mm |
B&W |
sound |
| 1942 |
Sullivan's travels |
Universal Pictures Co. Inc. |
90 |
16mm |
B&W |
sound |
| 1943 |
Coney Island |
unknown |
1 reel |
16mm |
Color |
sound |
| 1943 |
Coney Island. |
Walter Lang |
8 666 ft. |
|
Color |
|
| 1943 |
The Human Comedy. |
Clarence Brown |
12 reels |
|
B&W |
sound |
| 1943 |
The Kansan. |
George Archainbaud |
79 min. |
|
B&W |
|
| 1945 |
Tokyo Rose. |
Paramount Pictures Inc. |
7 reels |
16mm |
B&W |
silent |
| 1946 |
Invitation To A Nation |
Byron Roudabush |
360 |
16mm |
Color |
sound |
| 1946 |
Naval Epidemiology |
Byron Motion Pictures Inc |
10 min |
16mm |
Color |
sound |
| 1946 |
The Stranger |
Orson Welles |
95 |
|
B&W |
|
| 1946 |
The Stranger. |
Orson Welles |
95 min. |
35mm |
B&W |
sound |
| 1947 |
Black narcissus |
Archers (Firm) |
97 min |
16mm |
Color |
sound |
| 1947 |
Black Narcissus |
Emeric Pressburger, Michael Powell |
1:01 |
16mm |
Color |
|
| 1947 |
I Walk Alone. |
Byron Haskin |
10 reels |
35mm |
B&W |
sound |
| 1947 |
They Won't Believe Me. |
Irving Pichel |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Black Narcissus. |
Emeric Pressburger, Michael Powell |
99 min. |
35mm |
Color |
sound |
| 1948 |
Man-Eater Of Kumaon. |
Byron Haskin |
79 min. |
35mm |
B&W |
sound |
| 1948 |
Pacific Enemy, Malaria |
Byron Motion Pictures Inc |
|
16mm |
|
sound |
| 1948 |
They Live By Night. |
Nicholas Ray |
95 min. |
35mm |
B&W |
sound |
| 1948 |
Typhus In Naples |
Byron Motion Pictures Inc |
|
16mm |
|
sound |
| 1949 |
I Shot Jesse James. |
executive producer, Robert L. Lippert; producer, Carl K. Hittleman ; director and script, Samuel Fuller. |
81 min. |
35mm |
B&W |
sound |
| 1949 |
Mighty Joe Young. |
Ernest B. Schoedsack |
94 min. |
35mm |
B&W |
sound |
| 1949 |
The Inspector general |
Films inc. |
102 mi |
16mm |
Color |
sound |
| 1949 |
Too Late For Tears. |
Byron Haskin |
99 min. |
35mm |
B&W |
sound |
| 1951 |
Anne Of The Indies. |
Twentieth Century-Fox Film Corp |
81 min. |
35mm |
Color |
sound |
| 1951 |
I’ll Never Forget You. |
Twentieth Century-Fox Film Corp |
90 min. |
35mm |
B&W |
sound |
| 1951 |
Life in Her Hands |
Philip Leacock |
|
16mm |
B&W |
|
| 1951 |
Savage drums. |
Tom Productions Inc. |
70 min. |
35mm |
B&W |
sound |
| 1951 |
Warpath |
Byron Haskin |
|
|
|
|
| 1952 |
Denver and Rio Grande |
Byron Haskin |
|
|
|
|
| 1952 |
My Six Convicts |
Stanley Kramer Productions |
104 min |
16mm |
B&W |
sound |
| 1953 |
The Oil Man’s Bazooka. |
Byron Jackson Co. |
20 min. |
16mm |
Color |
sound |
| 1953 |
Your Money's Worth |
Federal Reserve Bank / Byron Motion Pictures |
|
16mm |
|
sound |
| 1954 |
Long John Silver. |
Treasure Island Pictures Pty. Ltd. |
12 reels |
35mm |
Color |
sound |
| 1954 |
Naked Alibi |
Jerry Hopper |
12:00 |
|
B&W |
|