| 1943 |
Freeway Phobia: Bewley, J. Derek, 1943- |
Bewley J. Derek 1943- Black Michael 1932- |
|
16mm |
|
sound |
| 1945 |
18 U. S. GOVERN |
Black Bullets U.S. Department of the Army |
14 min |
16mm |
|
|
| 1945 |
The Man In Grey. |
Leslie Arliss |
93 min. |
|
B&W |
|
| 1947 |
The Small Voice. |
Fergus McDonell |
83 min. |
35mm |
B&W |
sound |
| 1948 |
Black Eagle. |
/ Robert Cohn production; screenplay, Edward Huebsch, Hall Smith; adaptation, Edward Huebsch; based on the O. Henry story, "The Passing of Black Eagle" ; directed by Robert Gordon. |
8 reels |
35mm |
B&W |
sound |
| 1949 |
17. S. Government Films |
ALL of the filmstrips listed and described in this cat Unless otherwise indicated, they are silent, black-and frame filmstrips. Color filmstrips and double-frame fi labeled and sound filmstrips are identified by the phr disc" which is, unless otherwise indicated, a 16-inch playing speed of 3353 rpm. Each filmstrip is described as follows: (a) the title the name of the producing agency or agencies and the d (c) title if the filmstrip is part of a seri the series summary of the content of the filmstrip; (e) referenc and (f) the order number of the filmstrip if it has su length in frames, and special notations for color film filmstrips, and sound filmstrips, i.e., the existence recording. Following these descriptive data are several numbers i These code numbers refer to specific instructions for filmstrips which are explained on pages 306-329 of thi how to obtain the first filmstrip listed below, for ex where, under code number 5, directions are given for o Acres in This Place No. 4) R U.S. Bureau of the Census |
30 frames |
16mm |
|
|
| 1950 |
Conquest of the Pole |
BLACK |
12 min. |
16mm |
B&W |
|
| 1950 |
V. S. Government |
UNLESS otherwise indicated the sets of slides listed a catalog are black-and-white slides. Color slides are s Each set of slides is described as follows: (a) the ti name of the producing agency and the date of productio title if the slides are part of a series; content of the slides; (e) references number of the set of slides if it has such a number, t in the set, the size of the slides, and special notati Following these descriptive data are several numbers i These code numbers refer to specific instructions for slides which are explained on pages 306-329 of this ca to obtain the first set of slides listed below, for ex where under code number 27, directions are given for b slides from the U. S. Public Health Service. Activated Sludge Process U.S. Public Health Service |
|
Filmstrip |
|
|
| 1951 |
A glimpse of the past : prehistoric American Indians |
Roland J. Faust Robert L. Gobrecht Hugh N. Davis Jr. John Taylor Harvey Frye Indiana University Audio-Visual Center Maxine Dunfee Glenn A. Black |
|
|
|
|
| 1952 |
[Trailers--TV. 1952-1968] |
. |
36 |
16mm |
Color & B&W |
sound |
| 1956 |
Boy of the Seminoles: Indians of the Everglades |
Coronet Instructional Films |
11 |
16mm |
B&W |
sound |
| 1956 |
Now and forever. |
Associated British-Pathe Ltd. |
91 min. |
35mm |
Color |
sound |
| 1959 |
Felix and King Neptune |
BLACK |
10 min. |
16mm |
B&W |
|
| 1960 |
The Siege Of Sidney Street. |
Mid-Century Film Productions Ltd. |
|
35mm |
B&W |
sound |
| 1961 |
A Taste of Honey |
Woodfall Film |
12:00 |
|
B&W |
|
| 1961 |
Five Golden Hours |
Ideal Pictures Inc |
89 min |
16mm |
B&W |
sound |
| 1961 |
Radio |
Black Filmmaker Foundation |
60 min |
16mm |
|
sound |
| 1962 |
A Taste Of Honey |
Bryanston Woodfall Productions |
100 min |
16mm |
B&W |
sound |
| 1962 |
Black Label "Baseball" |
Black Label |
|
|
|
|
| 1962 |
Blues for trumpet and koto |
a Geoffrey Selden Associates production ; in association with TBA, Tokyo Broadcasting System ; production, Geoffrey Selden, Domei Suzuki, Allan Lawrence, Tatsuro Komatsu ; direction, Ken Buckridge, Keiich Ogiwara, Harunosuke Nakagawa, Hajime Tsuburaya, Akira Namiki. |
51 |
16mm |
B&W |
sound |
| 1962 |
The Kiss Of The Vampire. |
Universal Pictures Co. Inc. |
88 min |
35mm |
Color |
sound |
| 1963 |
Around The World In Eighty Feet. |
Colonial Williamsburg Inc. |
24 min |
16mm |
Color |
sound |
| 1963 |
Summer Holiday |
Ideal Pictures Inc |
107 min |
16mm |
|
sound |
| 1964 |
Rattle of a simple man. |
Sydney-Box |
3220 |
16mm |
B&W |
sound |
| 1965 |
Mount Rushmore |
Mount Rushmore Natl Memorial Society Of Black Hills |
29 min |
16mm |
Color |
sound |
| 1965 |
Skaterdater. |
Marshal Backlar & Noel Black |
|
35mm |
Color |
sound |
| 1965 |
War-Gods Of The Deep. |
American International Productions |
85 |
35mm |
Color |
sound |
| 1966 |
Echo |
Black Filmmaker Foundation |
27 min |
16mm |
|
sound |
| 1966 |
Skaterdater |
Byway Productions |
17 min |
16mm |
|
sound |
| 1966 |
The System. |
National Broadcasting Co. Inc. |
90 min. |
16mm |
Color |
sound |
| 1967 |
Gunfight In Abilene. |
Universal Pictures |
86 min |
35mm |
Color |
sound |
| 1967 |
Medicine men of Africa : part I |
Philip Daly Geoff Mulligan Geoff Tookey David Prowitt Don Feldstein Ted Walter Alan Dykes Dr. Steven Black |
|
16mm |
|
|
| 1967 |
Medicine men of Africa : part II |
Philip Daly Geoff Mulligan Geoff Tookey David Prowitt Don Feldstein Ted Walter Alan Dykes Dr. Steven Black |
|
16mm |
|
|
| 1967 |
The Savages ▶ |
Christopher Barry |
9:00 |
16mm |
|
sound |
| 1968 |
Black Label After Shave Lotion "Interviewer" |
Black Label |
|
|
|
|
| 1968 |
Pretty poison. |
Twentieth Century-Fox Film Corp. Lawrence Turman Inc. & Molino Productions |
3150 |
35mm |
Color |
sound |
| 1968 |
The Savages |
Gorg Allan |
25 min |
16mm |
|
sound |
| 1968 |
Work Is A Four Letter Word |
Cavalcade Films |
93 min |
|
Color |
sound |
| 1969 |
Cover Me, Babe |
Twentieth Century-Fox Film Corporation |
89 min |
|
Color |
sound |
| 1969 |
Hard Contract. |
Twentieth Century-Fox Film Corp |
106 min |
35mm |
Color |
sound |
| 1969 |
San Nukas |
Black Horizon Films |
18 |
16mm |
B&W |
sound |
| 1970 |
Black Artists In America |
Pt. 1. Black Artists in America |
20 min |
|
Color |
sound |
| 1970 |
Finally Got The News |
Black Star Productions |
60 |
16mm |
Color & B&W |
sound |
| 1970 |
Five Easy Pieces |
B.B.S. Productions |
96 min |
|
Color |
sound |
| 1970 |
Poet At Lobos |
Black Lion Productions |
13 min |
16mm |
|
sound |
| 1971 |
Born to Win |
Ivan Passer |
88 min |
|
Color |
|
| 1971 |
Cisco Pike |
Columbia Pictures Industries |
95 min |
|
Color |
sound |
| 1971 |
Drive, He Said |
Drive Productions |
95 min |
|
Color |
sound |
| 1971 |
Jennifer On My Mind |
Joseph M. Schenck Enterprises |
90 min |
|
Color |
sound |
| 1971 |
Shaft |
MGM/UA |
100 mi |
16mm |
Color |
sound |