| 1924 |
NORTH OF 36. |
Famous Players-Lasky Corp. |
|
|
B&W |
|
| 1924 |
PARISIAN NIGHTS. |
R-C Pictures Corp. |
7 reels |
|
B&W |
|
| 1924 |
PIED PIPER MALONE. |
Famous Players-Lasky Corp. |
77 min |
|
B&W |
|
| 1924 |
Second youth. |
Distinctive Pictures Corp. |
6 reels |
16mm |
B&W |
silent |
| 1924 |
THE MAN WHO PLAYED SQUARE. |
Fox Film Corp |
7 reels |
|
B&W |
|
| 1924 |
THE NEXT CORNER. |
Famous Players-Lasky Corp. |
70 min |
|
B&W |
|
| 1925 |
BLUEBEARD'S SEVEN WIVES. |
First National Pictures Inc. |
8 reels |
|
B&W |
|
| 1925 |
CLASSIFIED. |
First National. |
7 reels |
|
B&W |
|
| 1925 |
DANGEROUS INNOCENCE. |
Universal Pictures Corp. |
7 reels |
|
B&W |
|
| 1925 |
EXCUSE ME. |
Metro-Goldwyn-Mayer. |
6 reels |
|
B&W |
|
| 1925 |
PRIVATE AFFAIRS. |
Producers Distributing Corp Renaud Hoffman Productions |
6 reels |
|
B&W |
|
| 1925 |
RIDIN' THE WIND. |
R-C Pictures Corp. |
6 reels |
|
B&W |
|
| 1925 |
SALLY OF THE SAWDUST. |
D. W. Griffith Inc. |
10 reels |
|
B&W |
|
| 1925 |
THE AIR MAIL. |
Famous Players-Lasky Corp. |
80 min |
|
B&W |
|
| 1925 |
THE ANCIENT HIGHWAY. |
Famous Players-Lasky Corp. |
70 min |
|
B&W |
|
| 1925 |
The Man Who Found Himself |
Alfred E. Green |
|
|
|
|
| 1925 |
THE MARRIAGE WHIRL. |
First National. |
8 reels |
|
B&W |
|
| 1925 |
The Pleasure Garden |
Film Images / Radim Films |
82 min |
16mm |
B&W |
sound |
| 1925 |
The Pleasure garden |
Alfred Hitchcock |
82 min |
|
B&W |
|
| 1925 |
The Pleasure Garden |
Alfred Hitchcock |
|
|
|
|
| 1925 |
THE TALKER. |
First National Pictures Inc. |
8 reels |
|
B&W |
|
| 1925 |
THE WINDING STAIR. |
Fox Film Corp |
6 reels |
|
B&W |
|
| 1925 |
Tseka komissar Mirostsenko ▶ |
Niina Ormus; Alfred Hindrea; Paul Sehnert; Leoniide Jürisson; Mihkel Lepper |
|
|
|
|
| 1926 |
AL. FAUSSETT, MONROE LOGGER AND DAREDEVIL, RIDES SUNSET FALLS IN A CANOE. |
Alfred Faussett |
|
|
|
|
| 1926 |
Ella Cinders |
First National Pictures Inc |
11500 |
16mm |
B&W |
silent |
| 1926 |
IT MUST BE LOVE. |
First National Pictures Inc. |
8 reels |
|
B&W |
|
| 1926 |
It's easy to become a father. |
Richard Eichberg-Film GmbH. |
|
16mm |
B&W |
sound |
| 1926 |
JUST ANOTHER BLONDE. |
First National Pictures Inc. |
6 reels |
|
B&W |
|
| 1926 |
LADIES AT PLAY. |
First National Pictures Inc. |
7 reels |
|
B&W |
|
| 1926 |
SUBWAY SADIE. |
First National Pictures Inc. |
7 reels |
|
B&W |
|
| 1926 |
SWEET DADDIES. |
First National Pictures Inc. |
7 reels |
|
B&W |
|
| 1926 |
THE BLIND GODDESS. |
Famous Players-Lasky Corp. |
8 reels |
|
B&W |
|
| 1926 |
THE COHENS AND KELLYS. |
Universal Pictures Corp. |
8 reels |
|
B&W |
|
| 1926 |
THE DANCER OF PARIS. |
First National Pictures Inc. |
7 reels |
|
B&W |
|
| 1926 |
THE ENCHANTED HILL. |
Famous Players-Lasky Corp. |
7 reels |
|
B&W |
|
| 1926 |
THE GIRL FROM MONTMARTRE. |
First National Pictures Inc. |
8 reels |
|
B&W |
|
| 1926 |
The Passaic textile strike |
Museum of Modern Art |
70 |
16mm |
B&W |
silent |
| 1927 |
A VISUAL PRESENTATION OF THE SUBJECT OF MICROSCOPIC ANATOMY. |
Alfred Shryock. |
|
|
|
|
| 1927 |
COME TO MY HOUSE. |
Fox Film Corp |
6 reels |
|
B&W |
|
| 1927 |
Der Vergaser |
Commerz-film, Berlin ; filmgestaltung, Alfred Klemm. |
22 |
16mm |
B&W |
silent |
| 1927 |
Downhill |
Alfred Hitchcock |
80 min |
|
B&W |
|
| 1927 |
Downhill |
Alfred Hitchcock |
|
|
|
|
| 1927 |
FIGURES DON'T LIE. |
Paramount Famous Lasky Corp |
|
|
B&W |
|
| 1927 |
FRISCO SALLY LEVY. |
Metro-Goldwyn-Mayer Distributing Corp. |
8 reels |
|
B&W |
|
| 1927 |
GET YOUR MAN. |
Paramount Famous Lasky Corp |
5 reels |
|
B&W |
|
| 1927 |
IS ZAT SO? |
Fox Film Corp |
7 reels |
|
B&W |
|
| 1927 |
METROPOLIS. |
Paramount Famous Lasky Corp |
8 reels |
|
B&W |
|
| 1927 |
Orchids and ermine. |
First National Pictures Inc. |
7 reels |
16mm |
B&W |
silent |
| 1927 |
TEN MODERN COMMANDMENTS. |
Paramount Famous Lasky Corp |
|
|
B&W |
|
| 1927 |
THE AUCTIONEER. |
Fox Film Corp |
6 reels |
|
B&W |
|