| 1960 |
The interview |
produced by Pintoff Productions ; produced and directed, Ernest Pintoff. |
5 |
16mm |
Color |
sound |
| 1960 |
The Man And The Challenge |
Ivan Tors Films, Inc |
30 min |
16mm |
B&W |
sound |
| 1961 |
BEYOND THE RAINBOW |
Al Morton |
30 min |
16mm |
Color |
Sound |
| 1961 |
Trade At Home. |
Al Myrick |
|
35mm |
B&W |
sound |
| 1962 |
Blues for trumpet and koto |
a Geoffrey Selden Associates production ; in association with TBA, Tokyo Broadcasting System ; production, Geoffrey Selden, Domei Suzuki, Allan Lawrence, Tatsuro Komatsu ; direction, Ken Buckridge, Keiich Ogiwara, Harunosuke Nakagawa, Hajime Tsuburaya, Akira Namiki. |
51 |
16mm |
B&W |
sound |
| 1962 |
Le Haricot |
Centro di addestramento e perfezionamento per gli addetti al commercio |
|
16mm |
|
sound |
| 1963 |
Hollywood and the stars. |
Funny men. Part 1 sponsored by Purex and Timex ; a David L. Wolper production ; United Artists Television ; production executive, Al Ramrus ; associate producer, Julian Ludwig ; written and produced by Irwin Rosten ; series producer- director, Jack Haley, Jr. |
22 |
16mm |
B&W |
sound |
| 1963 |
Hollywood and the stars. |
Funny men. Part 2 sponsored by Purex and Timex ; a David L. Wolper production ; United Artists Television ; production executive, Al Ramrus ; associate producer, Julian Ludwig ; written and produced by Irwin Rosten ; series producer- director, Jack Haley, Jr. |
26 |
16mm |
B&W |
sound |
| 1963 |
Suitor |
Le soupirant / C. A. P. A. C. / Cocinor ; presented by Wilshire International Pictures ; producer, Paul Claudon ; screenplay and dialogue, Pierre Etaix, Jean-Claude Carrière ; direction, Pierre Etaix. |
83 |
16mm |
B&W |
sound |
| 1964 |
Dream dances of the Kashia Pomo. |
University of California Extension Media Center. |
10:00 |
16mm |
Color |
sound |
| 1964 |
Will Drafting |
University of California Extension Media Center |
0:44:00 |
16mm |
B&W |
sound |
| 1965 |
Songs Of Scotland |
Al Sherman Enterprises |
|
16mm |
|
sound |
| 1965 |
The Fortunate Ones |
Virginia Dept. of Education |
12 min |
16mm |
Color |
sound |
| 1966 |
Master stroke |
Fida Cinematografica, Rome ; Atlantida Films, Madrid ; story and screenplay, Sandro Continenza ... [et al.] ; dialogue directed by Lewis E. Cianelli ; produced by Edmondo Amati ; directed by Michele Lupo. |
111 |
16mm |
Color |
sound |
| 1966 |
Munster Go Home. |
Universal Pictures Co. Inc. |
96 min |
35mm |
Color |
sound |
| 1966 |
The Agent's Secret |
El Al Israel Airlines |
|
16mm |
Color |
sound |
| 1966 |
THE LAST MOMENT. |
Al Yasin Productions Inc. |
6 reels |
16mm |
B&W |
sound |
| 1967 |
The A B C Of Surface Preparation |
94119 Al Niggermeyer Productions |
|
16mm |
|
sound |
| 1967 |
Vengeance Of Pancho Villa |
Ideal Pictures Inc |
87 |
16mm |
Color |
sound |
| 1968 |
Battle Beneath The Earth. |
Metro-Goldwyn-Mayer Inc. |
91 min |
35mm |
Color |
sound |
| 1968 |
Finian's Rainbow |
warner brothers |
|
16mm |
Color |
sound |
| 1968 |
THE DETECTIVE. |
Arcola-Millfield Productions & Twentieth Century-Fox Film Corp. |
10 reels |
35mm |
Color |
sound |
| 1969 |
Blood of Dracula's Castle |
Al Adamson |
|
|
|
|
| 1969 |
The Female Bunch |
Al Adamson |
|
|
|
|
| 1969 |
The Lost Man |
Universal Pictures |
113 min |
|
Color |
sound |
| 1971 |
Dracula vs. Frankenstein |
Al Adamson |
|
|
|
|
| 1971 |
Son of blob |
Jack H. Harris Enterprises, Inc. ; executive producer, Jack H. Harris ; screenplay by Jack Woods and Anthony Harris ; story by Richard Clair and Jack H. Harris ; director, Larry Hagman. |
87 |
16mm |
Color |
sound |
| 1971 |
The Panic in Needle Park |
Jerry Schatzberg |
|
|
|
|
| 1972 |
The Getaway |
Sam Peckinpah |
|
|
|
|
| 1973 |
Scarecrow |
Warner Bros. ; produced by Robert M. Sherman ; directed by Jerry Schatzberg ; screenplay, Garry Micheal White. |
112 |
16mm |
|
sound |
| 1973 |
Serpico |
Artists Entertainment Complex, Inc |
130 min |
|
Color |
sound |
| 1973 |
The Don Is Dead |
A Universal picture |
115 min |
|
Color |
sound |
| 1974 |
Dynamite Brothers |
Al Adamson |
|
|
|
|
| 1974 |
The Godfather Part II |
Francis Ford Coppola |
|
|
|
|
| 1975 |
Rip-Off at the Top |
Levin Al |
|
16mm |
|
sound |
| 1975 |
Shark's treasure |
produced, written and directed by Cornel Wilde. |
95 |
16mm |
Color |
sound |
| 1976 |
Black Heat |
Al Adamson |
|
|
|
|
| 1976 |
Bone marrow transplantation for treatment of leukemia |
Produced and directed by Jim Ward; written by Jim Ward and Al Hicks. |
15 |
16mm |
Color |
sound |
| 1976 |
One was Johnny |
a Sherris production in association with Ode Visuals ; produced by Sheldon Riss ; directed by Maurice Sendak. |
2 |
16mm |
Color |
sound |
| 1976 |
Why work |
WNET; produced by Al Levin. |
60 |
16mm |
Color |
sound |
| 1977 |
Bobby Deerfield |
Columbia Pictures Industries, Inc. & Warner Brothers, Inc |
125 min |
|
Color |
sound |
| 1978 |
A Career For Tomorrow--Bricklayers And Stonemasons: Cn4 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Construction Machinery Operator: Cn9 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Food Service Occupations: Ps4 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Painters & Paperhangers: Cn6 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Plumbers And Pipefitters: Cn7 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Retail Trade Salesworkers: Md2 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Sheet Metal Workers: Cn10 |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--Television And Radio Service Technician |
ALS |
|
|
|
|
| 1978 |
A Career For Tomorrow--The Accountant |
ALS |
|
|
|
|