| ABOVE THE ABYSS. |
1915 |
Essanay Film Mfg. Co. |
2 reels |
|
B&W |
silent |
| ABOVE THE CLOUDS. |
1933 |
Columbia Pictures Corp. |
7 reels |
|
|
|
| ABOVE THE EARTH AND TO THE MOON |
1951 |
Department of the Army (Department of Defense) |
25 min |
|
B&W |
Optical sound |
| ABOVE THE TIMBERLINE |
1960 |
National Film Board of Canada |
16 min |
16mm |
Color & B&W |
Sound |
| ABRACADABRA |
1970 |
Radio - Canada |
|
16mm |
|
sound |
| ABRAHAM LINCOLN |
1930 |
EMERSON FILM CORP |
20 min |
16mm |
Tinted |
sound |
| ABRAHAM LINCOLN, A STUDY IN GREATNESS |
1959 |
|
14½min |
16mm |
Color |
Sound |
| ABRAHAM LINCOLN, A STUDY IN GREATNESS (3 films) |
1959 |
|
ea 17½min |
16mm |
Color |
Sound |
| ABRAHAM LINCOLN. |
1951 |
EMERSON FILM CORP |
18 min. |
16mm |
B&W |
sound |
| ABRÜSTUNG |
1933 |
Reichspropagandaleitung der N.S.D.A.P. |
|
16mm |
|
silent |
| ABSCHIED VON DR. TODT |
1942 |
Abteilung Presse und Propaganda des Munitionsministeriums |
7:00 |
16mm |
|
silent |
| ABSCHIEDSWALZER (FAREWELL WALTZ) |
1939 |
Columbia Pictures Corp. |
9 reels |
|
|
|
| ABSCHNITT MERZIT-SAARBRÜCKEN |
1940 |
Heeresfilmstelle |
|
16mm |
|
silent |
| ABSCHNITT PFÄLZER WALD-HAUPTKAMPFLINIE |
1940 |
Heeresfilmstelle |
|
16mm |
|
silent |
| ABSCHNITT ZWEIBRÜCKEN-HAUPTLINIE |
1939 |
Heeresfilmstelle |
|
16mm |
|
silent |
| ABSCHUSSVERSUCHE MIT DER DREISTUFIGEN RAKETE "RHEINBOTE" |
1943 |
|
2:00 |
16mm |
|
silent |
| ABSENT MINDED. (Bull's Eye Comedy) |
1925 |
Universal Pictures Corp. |
1 reel |
|
|
|
| ABSENT-MINDED MOTHER. |
1914 |
Thomas A. Edison Inc. |
1 reel |
|
|
|
| ABSENT-MINDED MR. BOOB; or, PHOTOGRAPHING THE BABY. |
1913 |
Selig Polyscope Co. |
|
|
|
|
| ABSENTEEISM |
|
BNA Communications Inc |
|
16mm |
|
sound |
| ABSOLUTE QUIET. |
1936 |
Metro-Goldwyn-Mayer Corp. |
7 reels |
|
|
|
| ABSORBING JUNIOR. |
1936 |
Vitaphone Corp. |
2 reels |
|
|
|
| ABSTRACT AND NON-OBJECTIVE PAINTING IN THE WORLD OF ART |
1956 |
WQED |
30 min |
16mm |
B&W |
Sound |
| ABSTRACTIONS |
|
|
|
|
|
|
| ABSTRACTIONS |
1938 |
Iowa Theatrical & Television Corporation |
10 min |
16mm |
|
Sound |
| ABUSE OF STIMULANTS, DEPRESSANTS AND ANESTHETICS |
1965 |
United States Information Agency |
28 min |
|
|
|
| ABYSSINIA: POLITE MANNERS AND CUSTOMS |
1930 |
|
450 |
16mm |
|
silent |
| ABYSSINIA: TRAVELING THROUGH THE INTERIOR |
1930 |
|
|
16mm |
|
silent |
| AC GENERATORS |
1972 |
National Institutes of Health (Department of Health, Education, and Welfare) |
27 min |
|
B&W |
Optical sound |
| AC MOTORS |
1966 |
Department of Defense. |
|
16mm/video file |
|
|
| AC MOTORS AND GENERATORS |
1956 |
U.S. Navy |
|
16mm/video file |
|
|
| AC Sparkplug |
|
|
|
16mm |
|
|
| AC Wholesalers 1971 |
|
|
|
16mm |
|
sound |
| AC Wholesalers Campaign Fall 1971 |
|
A/V Geeks 16mm Films |
|
|
|
|
| AC-130 SIDE FIRING AIRCRAFT BASIC COMBAT OPERATIONS |
1970s |
United States Air Force |
|
|
|
|
| ACADEMY AWARDS 1957 |
|
|
1100 |
16mm |
|
silent |
| ACADEMY AWARDS 1958 |
|
|
1725 |
16mm |
|
silent |
| ACADEMY AWARDS 1958 EXTERIOR REEL |
|
|
375 |
16mm |
|
silent |
| ACADEMY AWARDS- 1958- FOREIGN NOMINEE TRIP TO DISNEYLAND |
|
|
4:00 |
16mm |
|
silent |
| ACAPULCO |
1939 |
|
|
16mm |
|
sound |
| ACCEL - AUTOMATED CIRCUIT CARD ETCHING LAYOUT |
1985 |
Atomic Energy Commission |
20 min |
|
Color |
Optical sound |
| ACCELERATING FILL SETTLEMENT BY THE USE OF EXPLOSIVES. |
1932 |
Ray-Bell Films Inc. |
|
|
|
|
| ACCENT ON BEAUTY. |
1937 |
Paramount Pictures Inc. |
1 reel |
|
|
|
| ACCENT ON GIRLS. |
1936 |
Paramount Productions Inc. |
1 reel |
|
|
|
| ACCENT ON THE ACCENT. |
1970 |
Computer Image Corp |
|
16mm |
|
sound |
| ACCENT ON YOUTH. |
1935 |
Paramount Productions Inc. |
8 reels |
|
|
|
| ACCES, PT 2, THE BICUSPID TEETH |
1971 |
Department of the Navy (Department of Defense) |
11 min |
|
Color |
Optical sound |
| ACCESS |
1970s |
John Nutt |
|
|
|
|
| ACCESS, DIAGNOSIS AND CASE SELECTION |
1971 |
Department of the Navy (Department of Defense) |
28 min |
|
Color |
Optical sound |
| ACCESS, PT 1, THE ANTERIOR TEETH |
1971 |
Department of the Navy (Department of Defense) |
20 min |
|
Color |
Optical sound |