| Port of Shadows (Le quai des brumes) |
1938 |
|
91 |
|
|
|
| Poet And Peasant |
1945 |
|
6 |
|
|
|
| Plow That Broke The Plains ▶ |
1930 |
U S Resettlement Administration |
800 ft. |
16mm |
B&W |
sound |
| Playmates |
1941 |
David Butler |
96 |
|
B&W |
|
| Phone Call From a Stranger |
1952 |
Jean Negulesco |
1:05 |
|
B&W |
|
| Phantom Of The Opera ▶ |
1925 |
Universal Pictures Co. Inc. |
1:19:00 |
16mm |
Color & B&W |
sound |
| Peter and the Wolf |
1946 |
Disney |
14 min. |
16mm |
Color |
sound |
| Persona |
1966 |
united artists |
81 |
16mm |
B&W |
sound |
| Pennies From Heaven |
1936 |
Jo Swerling, Norman Z. McLeod |
81 |
|
B&W |
|
| Patzcuaro |
1949 |
|
10 |
|
|
|
| Passion for Life aka L'école buissonnière |
1949 |
|
89 |
|
|
|
| Pas De Deux ▶ |
1969 |
NFBC |
16 |
16mm |
B&W |
sound |
| Panta Rhei |
1952 |
Haanstra Bert |
10 |
16mm |
|
sound |
| Pandora's Box |
1929 |
JANUS |
1:09 |
16mm |
B&W |
silent |
| Paisan |
1946 |
|
1:20 |
16mm |
B&W |
sound |
| Pacific 231. |
|
Festival Affiliated Film Producers Inc | Young America Films |
325 |
16mm |
B&W |
sound |
| Outcast Of The Islands |
1951 |
Carol Reed |
93 |
|
B&W |
|
| Out west |
1918 |
Roscoe Arbuckle |
P: Preservation Material PP: Positive Picture DI: Diacetate A: 400' 16/8/9.5mm 16mm Silent 272 |
|
B&W |
|
| Out of the past |
1947 |
Films Incorporated |
97 |
16mm |
B&W |
sound |
| Our Town |
2012 |
Wendey Stanzler |
90 |
16mm |
|
|
| Our Man in Havana |
1959 |
Carol Reed |
1:11 |
|
Color & B&W |
|
| Our Hospitality |
1923 |
Joseph M. Schenck Productions. |
65 |
16mm |
B&W |
silent |
| Our daily bread |
1934 |
King Vidor |
80 |
|
B&W |
|
| Othello |
1951 |
|
90 |
|
|
|
| Orpheus |
|
|
95 |
16mm |
B&W |
sound |
| Orpheus |
1950 |
|
95 |
|
|
|
| Ordet |
1955 |
Carl Theodor Dreyer |
1:26 |
|
B&W |
|
| ORANGES AND LEMONS. ▶ |
1923 |
Pathe Exchange Inc. |
12 |
|
|
|
| One, Two, Three |
1961 |
Mirisch Company | Pyramid Productions |
1:55:00 |
16mm |
B&W |
sound |
| One week |
1920 |
Blackhawk |
30 |
16mm |
B&W |
silent |
| One Minute To Zero |
1952 |
Tay Garnett |
1:05 |
|
B&W |
|
| One A M |
1916 |
Mutual Film Corp |
14 0:18:00 |
16mm |
B&W |
sound |
| Once Upon A Time in the West |
1968 |
Sergio Leone |
165 |
|
Color |
|
| On The Waterfront |
1954 |
Elia Kazan |
1:08 |
16mm |
B&W |
|
| On the town |
1949 |
Films inc. |
98 |
16mm |
Color |
sound |
| On A Clear Day You Can See Boston |
|
|
|
|
|
|
| Olympia. |
|
Raymond Rohauer |
195 min |
16mm |
B&W |
sound |
| Olympia Part Two: Festival Of Beauty |
1938 |
Leni Riefenstahl |
90 |
|
|
|
| Olympia |
1938 |
|
10 |
|
|
|
| Oliver Twist |
1948 |
David Lean |
1:05 |
|
Color & B&W |
|
| Old World, New World |
|
|
|
|
|
|
| Offon |
1968 |
S. Bartlett |
9 |
16mm |
Color |
sound |
| Odessa Steps (from Potemkin) |
|
|
|
|
|
|
| Odd Man Out |
1947 |
|
1:16 |
16mm |
B&W |
|
| October: Ten Days that Shook the World |
1927 |
Sergei Eisenstein, Grigori Aleksandrov |
106 min |
16mm |
B&W |
|
| Occurrence at Owl Creek Bridge |
1962 |
Ichac Marcel Enrico Robert |
27 min. |
16mm |
B&W |
sound |
| Obedience |
1965 |
Milgram Stanley |
|
16mm |
|
sound |
| Obedience |
2000 |
|
45 min. |
16mm |
B&W |
|
| Nuclear Magnetic Resonance |
|
|
28 min. |
16mm |
Color |
|
| Notorious |
1946 |
Audio Brandon |
1:02 |
16mm |
B&W |
sound |