| Mayurakshi Dam |
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| Mayola |
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| Mayday mayday |
1993 |
Mark Andersen |
4 min |
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| May wedding |
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| May 1955 pig carcase competition |
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| Maximum security |
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| Maximum effort |
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Philip Dorté |
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| Max's Christmas (K) |
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| Max Ernst: journey into the subconscious |
1963 |
Peter Schamoni, Carl Lamb |
11 min |
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Color |
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| Mawson Base: face to face |
1984 |
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| Maurice Sendak |
1965 |
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| Maud Lewis: a world without shadows |
1976 |
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| Mau Mau. Black man's land: images of colonialism and independance in Kenya |
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| Matter waves |
1961 |
John Friedman |
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| Matter into energy (TEFC) |
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| Matter And Energy. ▶ |
1968 |
Coronet Instructional Films |
0:13:00 |
16mm |
B&W |
sound |
| Matt Mann's swimming techniques for girls |
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| Matt Mann and his swimming techniques |
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| Matrioska. ▶ |
|
National Film Board of Canada |
5 |
16mm |
Color |
sound |
| Matisse & the Fauves |
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| Matina Horner: portrait of a person |
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| Matilda country |
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| Maths with everything (TEFC) |
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| Maths with everything |
1971 |
John Krish |
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| Maths alive (TEFC) |
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| Mathew Brady: photographer of an era |
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| Mathematics: graphs |
1978 |
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| Mathematics – At Your Fingertips |
1961 |
National Film Board of Canada. |
28 |
16mm |
Color |
sound |
| Mathematics peep show |
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| Mathematics of the honeycomb |
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| Mathematics - a foundation course: groups 1 (TEFC) |
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| Math Is a Monster |
|
Time-Life |
30 min |
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| Mates, martyrs and masters |
1981 |
Ted Robinson |
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| Maternal deprivation in young children |
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| Materials handling methods |
1949 |
U.S. Department of the Army |
22 min |
16mm |
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| Materials Control. |
1951 |
McGraw-Hill Book Co. Inc. |
10 min. |
16mm |
B&W |
sound |
| Material unaccounted for |
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| Material matters |
1954 |
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| Mate location by a moth |
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| Matchmaker at work |
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| Matcham Skipper: metal sculptor |
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| Match-Blomatic |
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| Matalau: a Tolai Village in New Britain |
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| Masuo Ikeda: printmaker |
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| Mastri: a Balinese woman |
1974 |
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| Mastitus: disease of the udder |
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| Masters of the wind |
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| Masters of the desert |
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| Masters of modern sculpture. 3. New world |
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| Master weavers of the Andes |
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