| Wheel on the chimney |
1969 |
Cynthia Freitag |
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| Wheels across the Himalaya |
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| Wheels and axles |
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| Wheels wheels wheels |
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| When a man loves |
1927 |
Alan Crosland |
111 min |
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B&W |
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| When a man loves a woman |
1994 |
Luis Mandoki |
120 min |
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Color |
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| When all the people play |
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| When gold is green |
1960 |
Douglas M. Robinson |
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| When good neighbours get together |
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| When I am rich |
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| When I say no I feel guilty |
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| When I'm calling you (NP) |
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| When in pain |
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| When it comes to people... |
1968 |
Roland Beckett |
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| When letters work |
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| When parents grow old: extract from I never sang for |
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| When polar bears swam in the Thames |
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| When should grown ups help? the Vassar studies - studies of normal personality development |
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| When should I marry? |
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| When the clouds roll by |
1919 |
Victor Fleming, Theodore Reed |
85 min |
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B&W |
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| When the mountains move |
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| When will people help? |
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| When will the birds return |
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| When will the day break? = Wen tian he shi ming = 問天何時明 |
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| When will they realise we're living in the 20th century? |
1980 |
Peter Robinson |
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| When your time is your own |
1965 |
Ernest Reid |
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| Where are we heading |
1970 |
Arch Nicholson |
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| Where breakers roar |
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| Where dead men lie |
1972 |
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| Where dead men lie': spotlight the director |
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| Where did the Colorado go? |
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| Where did you get that woman? |
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| Where do you go from here |
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| Where does steel go |
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| Where does the sun go? |
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| Where eagles dare |
1968 |
Brian G. Hutton |
158 min |
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Color |
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| Where have all the drivers gone? |
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| Where have all the drivers gone? [B&W] |
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| Where have all the farms gone? |
1969 |
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| Where is dead? |
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| Where mountains float: A Greenland story |
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| Where Mrs. Whalley lives |
1966 |
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| Where on earth are the Hearts of oak |
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| Where on earth! |
1961 |
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10 min |
16mm |
Color |
Sound |
| Where oranges grow |
1965 |
Nandor Jenes |
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| Where rainbows meet: Fairy Springs, Rotarua, New Zealand |
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| Where small wings fly |
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| Where the houses used to be |
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| Where the pelican builds her nest |
1966 |
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| Where the profits lie |
1965 |
John Wiles |
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